Retour sur les origines très politiques du festival à travers le destin de ses deux concepteurs...

Pilot Harry Black is hired to fly a man named Carlyle to Istanbul, where he's murdered. Now, mysterious Diane Reed and a local gangster, Rashi, are after Harry believing that he has the priceless plates Carlyle used to counterfeit money.

For months a strange phrase has been found scrawled on Paris sidewalks next to chalk circles containing odd objects. Policeman Adamsberg gets involved when a dead woman is found in one of the circles.

19 year old babysitter aupair Julie is accused of murder when the bed of the sheltered baby inflames. Is seems as if Julie possesses rare telepathic skills, that she cannot control. Her young lawyer fights for her in court and against the public opinion in Italy, who take her for a witch.

A young woman finds out that her mother worked as a spy for the British Secret Service during World War II and has been on the run ever since.

Once inseparable friends, Henrik and Konrad reconnect decades after Konrad’s mysterious disappearance and uncovers over the course of one evening the secret that tore them apart—and the woman at the center of it.

1975 film by Adriano Celentano, Miki Del Prete

With his mauve taxi, the old philosopher Dr. Seamus Scully runs around the small green roads of the south of Ireland, becoming confident of his patients, while trying to help them find their way.

故事始于一段浪漫的恋情，两名主人公来自截然不同的世界，一个是曾经纵情声色犬马而今独自一人渴望真爱的Danny（本·卫肖 Ben Whishaw 饰），一个是神秘寡言英国军情六处总部的间谍Alex（爱德华·霍尔克罗夫特 Edward Holcroft 饰）。即使出身和性格迥然不同，二人度过了最美好的一段时光。
然而浪漫的恋爱故事并未向顺利的方向进行，不久后Alex神秘失踪，Danny开始一步步追查，一个个神秘线索把他引向一个让他窒息的可怕事实。他发现自己已经卷入了一个纷繁复杂又危机重重的间谍世界。他能否凭一己之力，与这个强大的对手斗争到底，找出真相？

Returning to France after a long exile, pianist Mathias Vogler reunites with his mentor, Elena, to prepare a concert. In a park, an encounter with a child who looks just like him will lead him to Claude, the woman he once loved.

Pauline, a beguiling woman in her 60s, returns to her hometown, Turin, for the first time since she was ten years old. She has inherited her aunt’s apartment in town. In Turin Pauline contacts Dr. Angela Gualtieri, a psychologist whom she had met abroad some time before; Angela runs a maternity centre, the Melograno, a support centre where both mothers to be and young mothers with post natal depression seek help. At the Melograno they are constantly short of help, that’s why Angela asks Pauline to give her a hand in setting up an in-house archive collecting different material relating to maternity: video interviews to new mothers, mothers diaries, photo portraits of mother and child. Pauline accepts and starts her work plunging deep in an emotional material that touches her strongly: the controversial feelings experienced by women in their relation with the child.

此为法剧，共五集，每集约九十分钟，改编自法国犯罪小说家弗雷德·瓦格斯（Fred Vargas）的四本犯罪小说，讲述总督察Jean-Baptiste Adamsberg跟他的团队致力于解决那些毛骨悚然的犯罪案件。导演曾拍过2003年群星云集的现代改编版法剧《危险关系》。

Charlotte Rampling is upset: ON NE MEURT QUE DEUX FOIS – a classic 1985 work in which she played the starring role – is showing on television. But who is the woman who is herself? Armed with a recording of the film, she sets off in search of this person. Everyone seems to know something that she only gradually begins to understand. Who is she, if the other …? What does the end mean? Is it really the end or just a new beginning? An exploration

Carabas, a senior mechanic at St. Denis who has been announcing the newspaper for a Bugatti car in the 27s for years, is contacted by young Raul proposing to buy this car. The two leave for Biarritz where thirty years before Carabas had lost the traces of Bugatti and the fascinating and enigmatic Countess Myriam du Terrail with whom she had had a loving adventure that had upset her. Carabas forces young Raul to follow the same itinerary along with the mysterious Countess: a journey full of obscure dangers and disturbing surprises for a risky mission to which the woman was forced by a blackmail. After having seduced her to get the covenant, the woman suddenly disappeared along with Bugatti leaving her an enigmatic message: the silver elephant that adorned the car's bonnet and that Carabas brought with it. In Biarritz the Bugatti that Raul's delivery is devoid of that ornament: not even now after thirty years Carabas can solve this rebus.

《夏洛特》是一部以一只眼睛和眼睑作为画面主体的16毫米胶片装置短片，由于拍摄距离太近，从中几乎无从分辨出眼睛的主人，英国著名女演员夏洛特-兰普林。（至今，她在英，法，意三国电影作品中的表演生涯已长达40余年。）麦奎因只用她不含姓氏的名字作为片名，意在暗示艺术家和模特两者之间存在的共通性。
作品展示了一场肉欲的游戏。艺术家的手指反复地接近那只眼睛——挑逗，戳碰，揪起眼眶周围的皮肤。只有当眼睑被摆弄，被捏出褶皱却不能自动恢复原样，要靠麦奎因将其抚平时，岁月在眼睛上留下的痕迹才显露出来。随后的眼睑特写隐喻女性的性器；手指则是阳具。值得注意的是，兰普林在手指最终触摸到眼球表面时竟没有眨眼。深红色的灯光笼罩着整个过程——象征强烈的情感，如爱，侵略和激情——为影片注入了一丝使人不安的紧张感，直至两个个体在片尾迎来它们之间的和谈。
《夏洛特》是一次对想象力，及其被操纵的可能性的探索。麦奎因影片中包含的隐喻（已愈发难得一见的16毫米放映机用持续不断的声音使之更加突出）既有对于电影，其历史史及其标志性人物的致敬，也有对它们的挑衅。