Pat O'Neill — Director (5)
Trouble in the Image (1996) [Movie] IMDb TMDB
Trouble in the Image
director: Pat O'Neill
Optical printing pioneer Pat O’Neill uses “his skills in special effects production to extrapolate metaphysical meaning from the ordinariness of industrialized culture” (Scott Stark). In O’Neill’s playful film, “trouble in the image” may take the form of a disturbing moment in a narrative, how-to instructions for creating an image, or pictures that break apart and lose their literal meaning. O'Neill: “The film [is] made up of dozens of performances dislodged from other contexts. These are often relocated into contemporary industrial landscapes, or interrupted by the chopping, shredding, or flattening of special-effects technology turned against itself. The reward is to be found in immersion within a space of complex and intricate formal relationships”. Preserved by the Academy Film Archive in 2016.
Easyout (1972) [Movie] IMDb TMDB
Easyout
director: Pat O'Neill
Has to do with a consideration of one possible conceptual model for human existence: that of a primitive form of yardchair, upon which sits The Creator, impassively observing the inexorable flow of His mountains.
Horizontal Boundaries (1997) [Movie] Douban
director: Pat O'Neill
"'Horizontal Boundaries' is a film that looks at certain aspects of the geography of California as the ground for cinematic disruption and restatement. The "Boundaries" in question turn out to be frame lines, the divisions between two images, one above the other on a strip of 35mm film. The projector gate is adjustable up or down in order to produce a single uninterrupted image: in this film the frame line is integrated into the compositional language of the piece. It is not a static repositioning, but rather a dynamic one, moving more or less randomly, causing image combinations to be generated unpredictably. The result is a tapestry of exquisite contradiction." - Pat O'Neill
The Decay of Fiction (2002) [Movie] WikiData IMDb TMDB Douban
The Decay of Fiction
The Ambassador Hotel in Los Angeles serves as the backdrop of Pat O’Neill’s artfully-crafted film. Shot in the classic Hollywood style, the movie follows various mysterious characters as they move through the haunted halls of the hotel, exploring along the way the secrets that are held within.