An American writer in Paris meets a young prostitute Mara, leading to an evening together neither expect.

Set in 1884, and based on the assumption that Britain is one of the Baltic states between Russia and Latvia, making it part of Europe instead of an off-shore island. It is winter 1884. To gain access to the sea, England has declared war on Latvia and believes herself to be winning. But Russia has sided with Latvia and England is doomed. The action takes place on New Year’s Eve in a country house on the Anglo-Latvian border. The guests are a cross section of the ruling classes.

Three short stories about women & men relationship.

这位成功的作家兼建筑学教授Nick Kaminsky从纽约回到Elderstown去看望他的亲生母亲Lillian Anderson Munnsen。当他还是个孩子的时候，尼克就不认识他了，但是他付了账单，让她住在医院的一个私人房间里。在街上走着的时候，尼克偶然发现了他的前大学朋友保罗·凯斯勒，他正在拆除他的团队一个旧的百货大楼，那里发生了一起谋杀和自杀事件。在与保罗交谈时，发生了意外，尼克救了他的命。保罗邀请尼克去参加他妻子简·凯斯勒的生日聚会。尼克感觉被建造在铸铁里的建筑吸引，并要求保罗去参观它。与此同时，身为摄影师的简决定拍摄同一栋建筑的照片。他们相互靠近，尼克了解到简也被收养了。在接下来的几天里，简和尼克有了一段恋情，尼克透露了秘密……

In Los Angeles, Max Carlyle makes a good living directing commercials and has a happy home life with his wife, Mimi, and two children. When Carlyle travels to New York City to visit his friend Charlie, who has been diagnosed with AIDS, he has repeat run-ins with a beautiful woman, Karen, and eventually sleeps with her. Though he goes home the next day and doesn't return until a year later, Carlyle's infidelity still lingers.

一个英国电影小组到意大利威尼斯拍摄，住进旅馆后，离奇的事件开始发生，阴谋、失踪、死亡......;分割的影片画面发生着不同的情节，原来，众人皆是吸血鬼的新鲜肉食。延续一贯的强烈实验风格，菲吉斯动用了以PD100为主的几部数位摄影机，着魔似放肆他的影像实验，大卸四块的分割银幕、数位影像的马赛克残影、其中利用掌上型DV在黑暗中的红外线夜视功能，呈现夜里瞳孔发亮、通体透着诡谲色温的吸血鬼野兽般的影像，堪称一绝。这部影片咋看并不能看懂，需要回头细品。片中所述的剧组中没有明星，而实际恰恰相反，影片大牌云集，甘当配角，就连落在演员阵容末尾的埃娃·拉耶尔瓦布埃纳也是当今西班牙最著名的弗拉门戈舞蹈家。

商人弗兰克在到达英国的纽卡斯尔后，决定大力着手于他的生意，并且想把整个城市控制在自己手中，凯特是他雇来的美女，用来收买当地的高官……

A production company begins casting for its next feature, and an up-and-coming actress named Rose tries to manipulate her filmmaker boyfriend, Alex, into giving her a screen test. Alex's wife, Emma, knows about the affair and is considering divorce, while Rose's girlfriend secretly spies on her and attempts to sabotage the relationship. The four storylines in the film were each shot in one take and are shown simultaneously, each taking up a quarter of the screen.

力克一生中的三个阶段，都从性开始：五岁对性产生好奇、十六岁初尝禁果及成年迷失自我，犯上填补不了的错。在肯雅长大的他，每个人生交叉点，都似乎遭性操控。片中如诗一样的音乐、摄影及伊甸园中的亚当与夏娃故事，衬托于不同时空之下，成为导演一次试验习作。影片包含了四组人物的四组故事--如果那叫故事的话：赤身露体的一名黑种男人与一名白种女人在荒野丛林搬演亚当和夏娃的事迹；不到二十岁年纪的两位男孩女孩在一个让人感到别扭的时机和场合尝试性爱；避开喧嚣带着妻儿到乡间休假的尼克，他不时被孩提时候的经验（特别是恐慌的经验）所袭扰；摇身一变，尼克成了一名到北非出差的电视制片人，我们看到，尼克手下的一名男组员用情不一不说还开车误撞死了一名土著小孩，而且，他还累及了女友被土人刺杀，之前影片暗示，他的女友有个失散的双胞胎姐妹……，这些事怎么都乱七八糟的啊，我甚至无法将故事的内容重组清楚。不仅单位故事与单位故事天南地北，来无影去无踪，之间不讲呼应对称，连单个故事内部也是不要前因后果，观众不知道角色何以如此这般，也别想知道他（她）下一步又会如此哪般。唯一可以肯定并把它们拉拢到一块的迹象是，《迷失禁果》在进行原罪观念和殖民地经验的再解重读：现代的青年男女的越轨举动应当与"活在"混沌初开时的亚当与夏娃的传说存在对应关系，去到乡间的夫妇的渡假生活仍在为文明社会带来的"罪梦"所侵蚀……，特别是蕴含着之于殖民地的一份疚责感--不仅是让黑人来充当一回亚当，而且，一对殖民地出身的双胞胎在被送到白人社会反而离散，撞死土著男孩及由一名白种女人去被杀偿命……，都让人觉察到了背后的作者的歉疚自责之心。如果这就是作者所要表达的，那么问题马上来了，影片这里的表达方式是适切的吗？这里的言说太文饰了，就像一个有教养的倨傲的贵族，既使自我批评承认错误也要拿腔做势文过饰非，难免让广大群众伤透了脑筋。很想说什么，说时也隆重其事，可结果都嘀咕了些什么人们难以揣度，这也是当代文化的失语症症状之一吧。

1995 film directed by Mike Figgis

Collection of short films the summaries of which include; a foreign man moving to Italy, getting married and having a child; a four split scene short involving plot-less images of old people with television sets for heads, a beautiful woman having sex, and overall confusion; and an old man reminiscing over his youth.