Nada va bien en la vida de Elise: atrapada en una relación tóxica, se ve obligada a asumir el papel de directora tras la repentina muerte del famoso Groutchov, a quien asistía. Un extraño síntoma, el trastorno de pánico, la abruma. Elise intenta mostrarse valiente, pero su relación con el mundo ha cambiado por completo. ¿Podría ser esta una oportunidad para ver la vida de otra manera?

2019 film directed by Christophe Le Masne

Elisabeth and Charles search for a link between three very different murders.

2012 Film directed by Mona Achache

2012 film by Sophie Letourneur

Marie (and her three fathers) are taking A-levels. Marie passes. She spends the summer in the country with her mother, Sylvia, who has returned from America with her Californian husband who has two sons. Marie falls in and out of love for the first time in front of her alarmed fathers, who see Marie's innocence slipping away at frightening speed, and their relationships with the two women become even more complicated.

In post-war France, Jan Bojarski, a young Polish refugee, became the greatest counterfeiter of all time, the "Cézanne of counterfeit money". For more than fifteen years, this man led a double life, unbeknownst to his family, making counterfeits in a garden shed that were "truer" than the bills issued by the Banque de France... All these years, this peerless counterfeiter managed to avoid being caught by the police, and became the bête noire of Commissaire Mattei in a hunt that, for these two obsessives, turned into a duel.

In fifteen minutes, Olivier receives a “quickie”. But is it as simple as that?

French television series

Jérôme是个技艺超群的小提琴手。Jeanne是个刚刚上路的大提琴手。当乐队指挥Joseph Von Stieglitz让他们俩一起演奏奏鸣曲时，他们还没有意识到彼此将会永远地结合在一起。

Jacques summons to lunch his two children, adults already. He is about to break up with their mother and the time has come for him to return, in a most honest possible way, on the stories of his past and present love life.

French television series

Vladimir Nabokov’s Lolita is a suggestive young girl who sends the protagonist into despair, or so it was told... But, if Lolita narrated her memoir, what would she say? This is precisely what Vanessa Filho surprises us with, in her most awaited feature “Consent”, an adaptation of Vanessa Springora’s autobiographical novel. Paris, 1985. Vanessa is thirteen years old when she meets Gabriel Matzneff, a renowned fifty-year-old writer. The teenager becomes the lover and muse of this man, who is celebrated by the cultural and political world. Losing herself in the relationship, she suffers more and more violently from the destructive influence this predator exercises over her. Her suffering intensifies as Gabriel publishes the intimate details of their relationship to the world, humiliating and subjecting her to public condemnation. Battered and victimized, Vanessa finally musters herself to let the wicked fall into their own nets. “Consent” is the second collaboration of Filho (“Angel Face”, 2018) and cinematographer Guillaume Schiffman (“The Artist”, 2012). It is provocative and cerebral, an intriguing narrative elevated by exquisite visual language. It is a rare jewel for all cinephiles craving a sincere cinematic experience. Milani Perera 源自：

Mavie is 27 years old and has just moved to the French capital from the provinces. She dreams of a future as a writer but is plagued by doubt and uncertainty. 76-year-old misanthrope Georges runs a bookshop in Paris – or has he merely been forced to take refuge there to escape his past? These are two peculiar creatures indeed. Georges is cynical and no longer expects much from life, while Mavie is still brimming with expectation. Yet something magical happens between them, until Georges' dark secret suddenly catches up with him – and Mavie is caught up in something very different... Director Elise Girard succeeds in making a dreamlike film full of surprising absurdities. It’s not just love that appears out of the blue for the two protagonists, but also some quite literal strange birds. Girard depicts love beyond the barriers of age in a way that is both unexpected and moving, romantic instead of physical, timeless instead of fashionable. The film reminds us of the multifaceted nature of love as well as how fleeting it can be, existing not yesterday or tomorrow but above all in the present.

The lives of three people faced with an uncertain future. Marguerite, 17, is uncomfortable with her family enviroment and turns to God. Claire, who desperately wants a child, encounters again a former lover. Eva asks the unemployed Jacques, who has been left by his wife and his daughter, to find a missing friend.

Zachary is 20 years old. Dark and independent, he collects amorous conquests and school failure. Sarah is 18 years old. First class, fragile, she fills her emotional gaps with perfect control of his life. Nothing should close and yet, the year of the tank, for six months, they will live a love against which nothing can be, the true, the big one that marks a life forever.

Young father Gabriel takes care alone of his son. When he falls in love with enigmatic Corey, a state of emergency is declared - wild animals are on the run and life becomes utterly existential.

2022 film directed by Jerzy Skolimowski

One night, three young women, the neon lights of the boulevards, empty streets, a mall, quiet gardens, the tower plaza, the esplanade of the station, a farewell coffee, a camera, a concert, a terrace, then the city waking up, Montparnasse. Selected at the Directors’ Fortnight, Mikhaël Hers’s third film turns this symbolic Parisian neighborhood into a theatre of feelings. The filmmaker stays close to emotions and films characters who are afraid to reveal themselves and whispered conversations, where silence expresses a lot more than words. The discreet camera follows the characters, sublimates the unspoken words and lets the director offer pure and authentic moments of everyday life, through this simple stroll across the city. A director worth keeping an eye on.

The events of an ordinary summer in the Paris suburbs, but given a melancholy, dream-like eeriness in this superb ensemble piece by new director Mikhaël Hers. Mikhaël Hers has been one of France's most hotly-tipped new directors ever since his medium-length ensemble pieces Primrose Hill and Montparnasse - films largely about young people walking and talking, but with a magical contemplative atmosphere all their own. Stretching out to full length, Memory Lane confirms Hers's utterly distinctive signature. Very loosely resembling a slacker take on the Eric Rohmer tradition, Hers's film follows the events - or spaces between events - of one summer in Paris and its outskirts, experienced by a group of young people and remembered melancholically at a couple of months' distance. Two sisters worry about their father's illness; a young man quietly unravels; other characters fall in love, or rehearse their indie band in a school courtyard. Little happens, except the quiet moments of togetherness that are Hers' speciality, and yet Memory Lane somehow creates a uniquely haunting sense of things being somehow out of time while profoundly in the present. An appealing cast - including one-time Rohmer player Marie Rivière - enhance the minor-key distinctiveness of this superb debut feature.