During the holidays, a woman with amnesia catches a ride with her handsome nurse to investigate the only clue to her identity: a newspaper clipping for a Christmas Festival with a cryptic invitation.

When an evil contractor goes to extreme measures to evict a testy tenant who is standing in the way of his new project, he fails to take into account that this seemingly harmless old woman is a trained killer and will do anything to protect her beloved home.

"我的头感觉像是全北京人都走过的一座桥。"

在1983年，美国剧作家阿瑟•米勒应邀到中国导演他的著名剧作《推销员之死》。阿瑟及其北京人民艺术剧院的合作人员历经万难排除语言、文化和国家认同的差异，拉近当地观众和长期疏远的西方国家之间的距离。《推销员在中国》在舞台上重现这次中美文化交流史上的大胆行动。

“MY HEAD FEELS LIKE A BRIDGE THAT ALL OF BEIJING HAS BEEN WALKING OVER.”

In 1983, playwright Arthur Miller made history by travelling to China to direct a production of his classic play Death of a Salesman. Working with the Beijing People’s Art Theatre, Miller and his collaborators struggled to bridge the gap between languages, cultures and national identities for an audience long shut off from the West. Enjoying its world première at Stratford’s Avon Theatre, Salesman in China retells this daring act of cultural cross-pollination on stage.