In an unnamed city, a beauty salon becomes a space of passage where those cast out gather, suspended between life and death. At its center is the Individuo, a solitary presence who tends to this place without any promises or explanation. The film unfolds as time and place dissolve into one another. What is lived, remembered, and imagined coexists in a continuous movement, where meaning emerges through ritual, drifting, and return. Within this space, beauty and death are intertwined. The salon becomes a threshold where presence and memory fade and reappear, and where the boundaries between reality and vision begin to loosen. The outside world remains fractured, its tensions quietly permeating the space. As everything shifts, what emerges is a passage: a meditation on the fragility of existence.

Âgé de quatorze ans, Otto adresse une lettre de suicide à sa famille et à ses camarades de classe, mais rate sa tentative. Trop honteux pour rentrer chez lui, il se cache. La nuit tombée, il hante les rues de la ville, comme un fantôme, jusqu'à ce qu'une fille de son lycée, Léna, dont le rôle a été confié à Jane Beever, le reconnaisse.

Young drug dealer Pablo and his sister Appoline bond over an online game called Darknoon. Pablo falls for Night, neglecting his sister. While Appoline finishes the game, Pablo and Night become embroiled in a dangerous gang conflict.

In Ira Sachs’ latest, Franz Rogowski portrays an egomaniacal film director who thrusts his marriage to sensitive Martin (Ben Whishaw) into chaos when he enters into a surprising affair with a local Frenchwoman (Adèle Exarchopoulos).

2022 film directed by Christophe Honoré

2023 film directed by Ira Sachs