2014 film by Mario Sesti

Three different epochs through the gaze of three children: Zelinda, who loses her mother to the Spanish Flu during World War I and sees the specter of Nazism loom; Assunta, who lives during the Nazi occupation between bombings, raids, and executions; Icaro, who abandons the countryside during the Years of Lead (“Anni di Piombo”) and accepts a new life. A story across the difficulties and the troubles of the 20th century between memories, affection, nostalgia, and gratitude.

Successful illustrator Daniele Mallarico travels to Naples to look after his four-year-old grand-son while his daughter is away for a few days. What begins as a simple babysitting job turns into a subtle psychological duel, as the child’s boundless imagination slowly unsettles him. Trapped together in the apartment, Daniele is forced to confront something far more disturbing than a mischievous child: the fear of aging and the loss of creativity. Through this strange encounter, he may rediscover the power of imagination he thought he had lost.

Drama, documentary

film directed by Marco D'Amore

1860. Giuseppe Garibaldi began from Quarto the adventure of the Thousand surrounded by the enthusiasm of the young idealists who had come from all regions of Italy, and with his loyal group of officers, among whom a new profile stands out, that of Palermo Colonel Vincenzo Giordano Orsini. Among the many militiamen recruited were two Sicilians, Domenico Tricò, a farmer who had emigrated to the North, and Rosario Spitale, an illusionist. Having landed in Sicily, at Marsala, the Thousand begin fighting with the Bourbon army, whose numerical preponderance is immediately evident. Under these conditions, it appears almost impossible for the general to breach the enemy defense and penetrate Palermo. But when he is almost forced to retreat, Garibaldi devises an ingenious plan.

Plot details of Sorrentino’s next film are being kept under wraps besides the fact that it will be a love story set somewhere in Italy.

The panorama of human affairs encounters the “man with a movie camera”. His playground has no boundaries, his curiosity no limits. Characters, situations and places pitch camp in the life of a humanity that is at once the viewer and the thing viewed. But what are the last days of this humanity? Have they already passed? Are they now or still to come?

“在意大利丰富的犯罪历史中，马蒂奥·梅西纳·德纳罗和他的30年销声匿迹是独一无二的，”导演们坚持说，“多年来的调查和报道中透露出的细节，让我们有机会深入了解他神秘的性格，并揭示他隐身存在所培育的广泛关系网络。在我们的电影中，在理性的沉睡中追逐梦想的人们，最终都陷入了悲剧而荒谬的噩梦之中。”

During a trip to Sicily in 1920, Luigi Pirandello meets Onofrio Principato and Sebastiano Vella, two actors rehearsing a new show with the actors of their amateur dramatics. This meeting brings great surprises.

2023 film directed by Stefano Sollima

Through the rehearsals and the tour of the show based on Uncle Vanya by Anton Chekhov, Vinicio Marchioni takes us to the Italian province destroyed by the earthquake and the places of the Russian writer. The Vanja earthquake starts from the Chekhovian masterpiece to investigate Italian post-earthquake immobility through the tragicomic gaze of Chekhov, making the public aware of the extraordinary human strength of the writer. A journey into the Italian theatrical creation; a journey in the earthquake that destroyed central Italy; a journey into the words and soul of Anton Chekhov.

The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists

Depressed Jewish shrink Elia one day meets Claudia, a young and eccentric personal trainer.

佩皮昂是卡莫拉的一名退休职业杀手，现在他已经把工作和技巧完全传授 给了唯一的儿子尼诺。但是，当尼诺被残忍地暗杀之后，这位老人又重操 故业，开始了他的复仇之路。他一直深爱丽塔，好友托托长期追随他。他 将不惜一切代价复仇，即使这意味着令卡莫拉翻天覆地。改编自伊戈尔· 图维自己的漫画创作，采用章回体的叙事方式，延续《狄克·特雷西》和《罪 恶之城》的传统，入选威尼斯电影节威尼斯日单元。

A cop investigates the murder of a beautiful teen girl left naked by a lake.

Written by Genovese himself, together with Paolo Costella, Rolando Ravello and Isabella Aguilar, and based upon the director’s novel of the same name published by Einaudi, the story tells the tale of a man (Valerio Mastandrea), two women (Margherita Buy and Sara Serraiocco) and a boy (Gabriele Cristini) who are sure they’ve hit rock bottom. They meet a mysterious character (Toni Servillo) who offers to show them how the world would look without them over the course of one week and, in so doing, provides them with an opportunity to find the strength to start over and to fall in love with life again, the inestimable value of which is pushed to the fore.