A young couple - Anna and Mityai suddenly find a case with one million counterfeited dollars.

Russian Empire. The second decade of the twentieth century. As a result of the conflict between the Entente and the bloc of the Central Powers led by Germany, which erupted in August 1914, Russia is drawn into the First World War. A wave of unrest is rolling through the country. Revolutionary moods are increasing every day. Counterintelligence is trying with all its might to suppress the activity of German spies active in the territory of the country ...

A story about a love between two teenagers set in the small Russian town during sixties.

A maniac terrorizes a town during rainy nights. And exactly on one rainy night a student has a night shift in a 24-hour shop. And exactly on this night the owner of the shop goes to play in a casino, his wife wants to be entertained, a detective is awaiting for a crime to be committed and certainly... the maniac begins hunting.

General Ivolgin, forester Kuzmich, and good-natured Lyova lose their way on a fishing trip and wind up in a neighboring country, where they decide to have a good time anyway but end up leaving their vodka and fishing equipment behind.

The protagonist finds out that some children were left behind in a sinking school, and is slowly driven mad as he tries to save them. A parable on the theme of the Last Judgment, numerous catastrophic events reveal a certain ambiguity in their origins, accompanied by the terrible suspicion that the things going on are some kind of a performance or theatrical production.

A "Hitlerjugend" kind of story, set in the Soviet Union during the Second World War, based on a fictitious story from the eponymous book by Vladimir Kunin.

This is a part of an omnibus film called Pribitie Poezda (Arrival of a Train) made by several Russian directors, as an homage to brothers Lumiere on the 100th anniversary of cinematography. One of the three films that comprise Arrival of a Train, a collection of shorts made to celebrate the centenary of cinema. Set at the turn of the 20th century, the film follows Trofim, a Russian peasant jealous of his wife for having an affair with his brother. Trofim kills his brother and runs away to St. Petersburg. Then Trofim steps off the train in St. Petersburg, a cameraman who happens to be shooting on the platform captures his arrival.

Лихая история тридцатилетней жизни советского автомобиля ВАЗ-2101, легендарной «копейки», вышедшей в 1970 году из недр Волжского автомобильного гиганта и с ветерком и лязгом прокатившейся по дорогам, временам и судьбам. Неказистая машина в круговерти страстей, она приносит счастье и губит, созидает и разрушает, очаровывает и вызывает ужас. Легко превращается в дом и корабль, в кровать и гроб. Она вечна. Она жаждет любви народных масс. Непотопляемый и несгораемый народный автомобиль на просторах неумолимо гибнущей сверхдержавы. Сверхгротескная человеческая комедия с хохотом, слезами, скрежетом металла и визгом шин. Гремучая смесь из фарса и чёрного юмора. Многослойный торт советского и новорусского эпоса, пропитанный водкой, кровью и бензином. С шоколадной копейкой сверху.

A dead city deep inside the Asian desert is besieged by dog-wolfs. In the past, the city was on an ocean beach and full of life. After the ocean disappeared everyone left, with only a few people still surviving in a lighthouse and inside an abandoned tanker, hiding from the dogs. A group of hunters gets recruited to go and kill the dogs. After a journey through the desert in an old delapidated bus, they arive to the dead city. Soon the dogs appear and the fight for survival begins. Hunters manage to kill most of the dogs, but in the process they turn on each other and all but two lose their lives, not to the dogs, but to each other and their own insanity. This surrealistic, post-apocalypic film is a metaphorical tale with several layers of meaning. The macabre atmosphere is complemented by a haunting musical score. As with other Svetozarov's films, the plot is just a medium to create mythological imagery. In the tradition of aestetics of the "Leningrad school" his movies are loaded with apocalyptical realism, existential nihilism, and macabre "Dostoyevschina." While brutal and violent, his movies reflect Russian spiritualism and mysticism and metaphorically speak of Russian destiny.

A movie about two sisters - thirteen year old Sveta, poor and abandoned by her father, who longs to go off and be a sniper in the army, and spoilt eight-year old Dina, doted on by her gangster father...