Edgar Wilson, a roadkill collector in rural Brazil, dreams of escaping his small-town existence with Nete, the love of his life. When Nete decides to join her family in an apocalyptic cult, Edgar finds himself at a crossroads. With the world on the brink of destruction, Edgar and his unlikely companion Tomás – a disgraced and excommunicated priest – embark on a dangerous road trip through a landscape plagued by chaos and despair.

After heartbreaks and professional disappointments on planet Earth, Julio and Clara decide to flee together into space.

An experimental collective film lasting little more than an hour, compiled from 10 episodes by a total of 14 different young Brazilian filmmakers. The project was an initiative of the directing duo Felipe Bragança and Marina Meliande, who sent a ‘letter of concern’ to inspire the participants. In it, a 16-year-old girl wrote about her dreams, which have been translated by the directors into films about love, youth and the possibilities of cinema.

2014年巴西恐怖电影，导演 Marco Dutra，电影改编自作家 Lourenço Mutarelli的小说A Arte de Produzir Efeito Sem Causa. Junior (Marat Descartes饰）失去工作后，和妻子分居，搬回和他家人住在一起。一 回到以前住过的房子，他感觉像个陌生人，整日躺在老先生（Antonio Fagundes饰)的沙发上，闷闷不乐地纠结着离婚和事业的事情，暗恋着年轻住户Bruna(Sandy Leah 饰)。随着发现了一些他母亲的遗物后，Junior开始想了解关于他家族的所有历史，逐渐地沉迷在过去，一直无法将现实与虚幻分开。

When her husband finds himself unemployed and emasculated, pressure mounts on Helena to provide for her family. However, a sinister otherworldly presence seems dead set on undermining her new business enterprise. Juliana Rojas and Marco Dutra devilishly meld economic realities with fantastical horror in this ambitious debut.

巴西惊悚片，巴西导演马可·杜特拉作品，影片提名第29届东京国际电影节(2016)最佳影片。一名已婚女子在家中遭到强暴后，选择向丈夫隐瞒，却浑然不觉他被他自己深藏的秘密所苦，也不知他心中的复仇计划书...

Clara, a lonely nurse from the outskirts of São Paulo, is hired by mysterious and wealthy Ana as the nanny for her unborn child. The two women develop a strong bond, but soon Clara discovers a terrifying secret about the child.

The story of the decline of the Soares family in the final months of the 19th century. Isabel is the dying mother, and her daughters are Maria and Ana. The three women try hard to forget about their pasts in the coffee farm and face the industrial times that start to take over Brazil.