Pauline Black is a multi-talented figure who dedicated four decades to music, while supporting and campaigning for racial equality. Featuring excellent archive and contemporary footage, the film charts Black’s history – from her adopted background to the racism, sexism and hostility she faced on her journey through British life and the entertainment industry. It’s engrossing, essential viewing.

When Max Taylor wins the ancestral home of Callum Chance in a game of Poker, little does he realize that the game is far from over. One by one, Max's family are murdered by the Funny Man, a demonic jester with a varied and imaginative repertoire of homicidal techniques and an irreverent sense of humor. Meanwhile, Max's brother is on his way to the mansion with a bunch of hitchhikers who will be lucky to survive the night.

Rocksteady to both a visual and musical documentary of the big shots of the English 2-Tone movement of the late 1970s that has the exhaustive, high-energy performances exploding onto stage. Jump, shout, twist and crawl and dance to the tunes of Ska and its anthems of its rough riders and three-minute heroes captivated in the moment of a generation of England's concrete jungles and razor blade alleys. No longer on your radio but now on stage, together, with the likes of Madness, The Specials and The Beat et al, this concert footage of an era is a must-see, rare and fascinating look into a once vibrant youth culture of working-class England and its musical dance craze.

Expanding her (White Riot: London (2017)) short documentary film, Rubika Shah's energizing film charts a vital London protest movement. Rock Against Racism (RAR) was formed in 1976, prompted by 'music's biggest colonialist' Eric Clapton and his support of racist MP Enoch Powell. White Riot (2019) blends fresh interviews with queasy archive footage to recreate a hostile environment of anti-immigrant hysteria and National Front marches. As neo-Nazis recruited the nation's youth, RAR's multicultural punk and reggae gigs provided rallying points for resistance. As founder Red Saunders explains: 'We peeled away the Union Jack to reveal the swastika'. The campaign grew from Hoxton fanzine roots to 1978's huge antifascist carnival in Victoria Park, featuring X-Ray Spex, Steel Pulse and of course The Clash, whose rock star charisma and gale-force conviction took RAR's message to the masses.