Two aspiring songwriters finally manage to sell a tune by claiming that it was composed by a reclusive musical genius. When the tune hits the top of the charts, they find themselves having to produce the "real" composer.

1983 film by Roger Vadim

1964 film by Michel Boisrond

The classic story from the early days of Rome where there are no women. Romulus, the founder of Rome, finds women to be wives from Sabina where there are a lot of women. The Sabine men, of course, attack Rome to get their wives and daughters back.

A young man is a collector of feminine conquests. One morning, leaving one of his mistresses he is addressed by one of his past flirts. As revenge, she denounces him later to the police as the murderer of her fiance who was found dead the same morning. With the help of his mistresses and some new ones he makes on the road, the young man goes in search of the man he thinks is the killer, then his blond consort with whom he fell in love at the first sight the evening before.

A Roman Catholic priest defies a Mexican bandit whose gang kills villagers in alphabetical order.

2010 film by Fabien Onteniente

A beautiful 18-year-old orphan escapes from a reformatory and hooks up with a gang of jewel smugglers, and decides on a life of crime. However, she falls for and marries a policeman, putting a crimp in her criminal career.

THREE of France's more attractive and unbash-young female stars are put to a minor ignominy in the French film, "Women Are Weak" ("Faibles Femmes"), an intended comedy in color. They are made tochase madly and shamelessly after a character, played by Alain Delon, who is supposed to be thoroughly fascinating, but, for our francs, is not.
This young man, whom some genius press agents of the time had helpfully tagged "the French James Dean," has long, silky hair, high cheekbones and a loose-jointed, soigné air. In close-ups (of which there are many), he smiles come-hitherly and generally is condescending towards the lovelies, who simply flip for him. He rides a motorcycle and affects the hauteur of a "cat." Under Michel Boisrond's intense direction, he is intensely the focus of the show.
But the point is too labored and obvious. The impression soon sets in that this is primarily an effort to promote a new glamour boy. And the fact that the rest of the picture, the story and dialogue, lacks subtlety and wit—is, indeed, downright foolish in its pretense of male attractiveness—finishes it.
There are other annoying aspects. It is apparent that producer Paul Graetz and M. Boisrond, the director, have endeavored to pump some cheap eroticism into it. There is a swimming-pool scene, full of young folk as near nudist as the law allows, which contains some rather seamy shenanigans between the hero and a newly married girl. And there is another scene in which the hero is pounced upon by the three dames and given such a rough-housing as might worry the circumspect.
Fortunately, the girls are fetching. Mylene Demonget is perhaps the most wholesome-looking and impressive. She is the beautiful blonde who was last seen here in "Witches of Salem." She's got the reach and everything on M. Delon. Pascale Petit is what her name says—a skinny little thing with a gamin air. She plays the girl, newly married, who still is a moth for her former flame. Jacqueline Sassard is the spiritual one, a plainly precocious convent girl who is led into mischief and expulsion by the hero's ineffable charm.
Obviously, all three of these young ladies are stronger than M. Delon. It is tiresome to see them wasting their strength on the likes of this film.
There are English subtitles, but they are no brighter than the script.

克莱曼斯（范蕾丽尔•卡帕里斯基 Valérie Kaprisky 饰）是一位经验丰富，精明强干的女律师，她雷厉风行说一不二的行事风格令她在业内深得同行和客户们的青睐。虽然个性和生活上十分独立，但一个女人随着年岁渐长始终会上无法解决的难言之隐。
某日，克莱曼斯物色了一间十分完美的屋子，想要把它租下来，然而，房东却有一个不成文的规定，这间屋子不租给单身房客。不愿意放弃如此优渥的条件，克莱曼斯找到了钢琴调音师法里德（齐达内•苏阿内 Zinedine Soualem 饰），让他冒充自己的男朋友。一来二去之间，渐渐熟悉了彼此的克莱曼斯和法里德之间真的碰撞出了爱情的火花。