1993 film

1988 film by Rajkumar Kohli

1986 film by Ketan Desai

1989 film by J. P. Dutta

2006 film by Pankaj Parashar

2005 Hindi film directed by Hriday Shetty

1999 film directed by Shrikant Sharma

1997 film by Mehul Kumar

Samir Niyogi lives in India and is assigned by the Government to travel to Rajasthan, evaluate a princely castle that once belonged to Raja Param Singh, take stock of all items, the condition of the building, and report back to the Government. Enroute to his destination by train, he permits a woman to enter his compartment, goes to sleep, and when he awakens finds her gone. A few days later, when he goes to the castle, he finds the very same woman cooking within the premises.

A motor mechanic, Billo Chaudhary, creates waves in the local community when he dares to play Holi with the arrogant and wealthy Rajkumari Devika Singh. When she has him beaten and imprisoned by the police, he decides to avenge this humiliation by abducting her and inviting the wrath of her brother, Yeshwant - who sexually molests local women with impunity, who wants him dead at any and all costs.

Mr. Malhotra has an only daughter named Seema. He would like Seema to marry Pawan, the son of Gautam. Seema is receptive to this, and even arranges to meet with Pawan. While traveling alone one day in the country side, Seema meets up with Vijay, and both fall in love. Unknown to both, Mr. Malhotra has been approached by an international smuggler Niranjan Das, who is impersonating Mr. Malhotra's childhood friend, and has asked for Seema's hand in marriage for his son Roopesh. Seema subsequently has an accident and loses her memory. She is looked after by Gautam, who will not let anyone, including Vijay, to come anywhere near Seema. And even if Seema's memory does return, she will have to consent to marrying Roopesh, her father's choice

1998 film by Raj N. Sippy

1989 film by David Dhawan

Inspector Amar Kaushal attempts to incarcerate wrong-doers in his society only lead to frustration when they are let off by the incompetence of the law and his superiors and seniors. Eventually Amar stands accused of killing several criminals and innocents which prompts him to take law into his own hands.

The mistress of a wealthy man, alone in her huge apartment and terribly lonely, phones strangers in the middle of the night. One night she phones a young writer, and as the days pass and the conversations continue a relationship forms between two people who've never seen each other.

1985 film by Rahul Rawail

1994 Hindi film by Mehul Kumar

Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.

A cabaret dancer who was raised in a brothel sets out to find her biological mother.

Tandav is the coming together of different worlds under the gamut of politics. It is a dramatic take of the powerplay between people at the highest level where they get overthrown by others to secure their position. Young and upcoming student politicians are also featured and we get to see where their future is headed in this dark abyss of politics.