“Created under a ‘manifesto’ whose directives would make Lars von Trier shudder, this three-part film might look on paper like an exercise in forced hipness. Working under orders tall, whimsical (according to the manifesto, a stuffed animal must make an appearance no matter what) and surreal, Korine’s Lotus Community Workshop drops Val Kilmer in an alternate-universe existence as a BMX-riding motivational speaker with a fanny pack. Fedorchenko’s Russia-set Chronoeye spins the tale of a grumpy inventor whose noisy neighbor interrupts his time-travel experiments. And Kwiecinski’s eerily beautiful Fawns follows a quartet of friends as they prance through an empty Polish town seemingly unconcerned about the deadly flood about to overtake them.”

A young fruit breeder Leonid Yets comes to the evacuation to the south in 1943 in order to bring out a new variety of apples. He finds the diaries of a man who recently died with a strange death. A decent woman is accused of the murder, and Yets together with his fellow, a Freudian painter Pierre, is trying to find the true cause of death. To do this, they will not only sink into the memories and dreams of the deceased writer, but also into the history of Russia of 1920s. Leonid is sure that everything has its own reasons, and the world is reasonable and logical. But the world is more complicated.

1934年西伯利亚奥比河区发生了卡济姆暴乱，原住民族宁死不屈反抗共产党。费多真高（《草原上的极乐女子》，38 届）对政治大军压境没有兴趣，而是看中艺术家先头部队，让他演绎出因艺术之名的山中传奇。漂亮的「革命女」波莉妮受命传播新生社会主义意识形态，同行有剧场、电影工作者，又有建筑师、雕刻家及作曲家，费多真高隔代师承帕拉贾诺夫，当理想主义的苏维埃前卫派遇上硬骨头古早的异教主义，碰撞出一场无神有神的美学大战，山川秀色中艺术之心澄明感染，奇观不绝。

The entire family of a 6-year-old Anna dies in the mass coordinated execution of Jews. The mother covers up Anna with her own body, and the girl miraculously survives. For the next few hundred days Anna hides in the disused chimney at the Nazi Commandant's office. From her shelter she watches as life passes her by until the village is liberated from the Nazi. In these inhuman conditions Anna not only survives but keeps her humanity. Many factors help her: memories from the life swept away by war, the cultural foundations laid by the parents and a friend who saves her from loneliness.

In spring 1938 in the mountains in the north of Chile a fiery UFO, later named "Chilean Sphere ", fell down. The investigation of this episode, made by a film crew, has led to a sensational discovery. It appeared that before the Second World War (in the thirties) in the USSR a secret space program had been developed. The Soviet scientists and military authorities managed to launch the first spacecraft 23 years prior to Jury Gagarin's flight! "The First on the Moon" tells about everyday life, heroic deeds and tragedy of the first group of the Soviet cosmonauts. It is the first Russian film shot in a very rare genre 'mockumentary' or 'documentary fiction'.

Miron Alekseevich, director of a paper and pulp mill, goes to bury his wife Tanya in the place where they once spent their honeymoon. He goes not alone, but with a photographer named Stork, to whom he tells touching details of his life with Tanya. The narrative weaves together the memories of the characters, as well as the rituals and beliefs of the Meri people, a small Finnish tribe that once lived in the Northern Volga region and dissolved among the Russians.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

金砖国家首部合作影片《时间去哪儿了》由贾樟柯监制，汇聚五位来自中国、俄罗斯、印度、巴西、南非的电影导演，以“不忘初心”的态度，分别以“时间去哪儿了”为主题拍摄一部电影短片，以自己的独特视角，讲述出自己对时间和情感的不同理解。五部短片依次为：巴西导演沃尔特·塞勒斯《颤抖的大地》、俄罗斯导演阿历斯基·费朵奇科《呼吸》、印度导演马德哈尔·班达卡《孟买迷雾》、南非导演贾梅尔·奎比卡《重生》以及中国导演贾樟柯《逢春》。