The plot and setting is actually a bit like Keaton's The Three Ages will be in 1923. But less sophisticated: The Roman Emperor Mulius Caesar borrows more money than he should. The loan shark is all over him and exploits this to get near the emperor's daughter. A slave falls in love with the daughter and sends the loan shark in a rage – unless the slave is sent to Colosseum he will foreclose the emperor's mortgage.

In Scotland in 1751, young David Balfour is shanghaied aboard a ship where he meets Jacobite rebel Alan Breck Stewart with whom he escapes to the Scottish Highlands, dodging the redcoats.

An arrogant boxer (Pat O'Brien) discovers his wife (Glenda Farrell) had a hand in his success.

In a spooky hotel on the coast of France, two bands of crooks are working independently of the other in an attempt to steal the inherited fortune of an American girl, Sue Tally. Along the way the heiress is kidnapped, three murders are committed, a girl appears in two places at once, mysterious persons roam about the old hotel at night and mysteriously disappear, and there is a hidden room without any doors.

A notorious Mexican bandit goes all soft and mushy when he falls for a beautiful senorita. Warner Bros.' Captain Thunder contains some of the darndest Mexican accents you've ever heard in your life. The star is Hungarian-born Victor Varconi, portraying a legendary south of the border outlaw who tries to force Canadian senorita Fay Wray to marry a rival rustler whom she despises. She pleads with the bandito so pathetically that he is moved to grant her a single wish. Without hesitation she chooses her poor but true love. The bandit king, being a somewhat honorable fellow grants the wish and without a twitch, guns down the wicked cattle thief. Fortunately the film was played for comedy, a wise decision since it probably would have garnered laughs as a straight drama anyway.

Fabien des Grieux, a divinity student, comes to the rescue of a beautiful girl, Manon Lescaut, when her brother tries to "sell" her to the lecherous Comte Guillot de Morfontaine. Fabien and Manon fall in love and he abandons his priestly ambitions. But de Morfontaine has no intention of giving up his desire to possess Manon. She again falls into his clutches. Fabien, borrowing on his father's wealth, transforms himself into a gentleman gambler and moves into court society. But there he discovers that Manon is endangered not only by the cruel de Morfontaine, but by the King of France himself.