At the end of the year 1961, three young students, Denys Arcand, Denis Héroux and Stéphane Venne, decide to direct a feature-length film centered on the perks of student life. The film mixes fiction and reality in the style of cinéma vérité. "Alone or with others" is often considered the first indepent film of Québec.

In an era of political correctness, identity evolution, protests, cultural scandals, activism, media storms, and other disputes, Jean-Michel, a 70-year-old single man, has lost all his bearings in this society. He lives in a retirement home located in a heritage building, managed with care and precision by Suzanne. Their peace is shaken by the arrival of young activists who demand the destruction of a historic fresco. Overwhelmed by an era dominated by political correctness, Jean-Michel will regain faith in humanity with the birth of an unexpected love.

A young girl is plucked from small-town obscurity and thrust into the spotlight of the glamorous world of super-models.

A shy and insecure delivery driver arrives on the scene of a robbery-gone-wrong and picks up two bags of cash and hides them in his truck. He is interrogated by two tough police detectives and manages to evade suspicion but he is warned that whoever owns the money will be looking for it. Only the help of a prostitute and a former biker recently released from jail might get him out of trouble.

Four very different Montreal university teachers gather at a rambling country house to prepare a dinner. Remy (married), Claude (a homosexual), Pierre (involved with a girlfriend) and Alain (a bachelor) discuss sex, the female body and their affairs with them. Meanwhile, their four female guests, Louise (Remy's wife of 15 years), Dominique (a spinster), Diane (a divorcée) and Danielle (Pierre's girlfriend) are spending the time at a downtown health gym. They also discuss sex, the female body and, naturally, men. Later in the evening, they finally meet at the country house and have dinner. A ninth guest, named Mario, who used to know Diane, drops in on the group for some talk and has a surprise of his own.

A group of actors putting on an interpretive Passion Play in Montreal begin to experience a meshing of their characters and their private lives as the production takes form against the growing opposition of the Catholic church.

译名：2夜情（台）

In this belated sequel to 'The Decline of the American Empire', middle-aged Montreal college professor, Remy, learns that he is dying of liver cancer. His ex-wife, Louise, asks their estranged son, Sebastian, a successful businessman living in London, to come home. Sebastian makes the impossible happen, using his contacts and disrupting the Canadian healthcare system in every way possible to help his father fight his terminal illness to the bitter end, while reuniting some of Remy's old friends, including Pierre, Alain, Dominique, Diane, and Claude, who return to see their friend before he passes on.

Jean-Marc is a man without qualities living in times that are out of joint. His wife and children ignore him; he's a mid-level government functionary in Montreal doing his job without care. He has an active imagination of sexual conquest, but his only real feelings come when he visits his aged mother, whose health is failing. When his wife leaves abruptly to work in Toronto, Jean-Marc sets out to reorder things with his daughters, his social life, and at work. In a world that at best is a farce, does he stand a chance?