#affinity Timeline

134d

A few vector drawings of Louise Brooks I recently completed. I'm a sucker for a cute face in that haircut… Original photos ca. 1929 by Eugene Robert Richee.<a href="/tags/affinitydesigner/" rel="tag">#AffinityDesigner</a> <a href="/tags/affinity/" rel="tag">#Affinity</a> <a href="/tags/louisebrooks/" rel="tag">#LouiseBrooks</a> <a href="/tags/silverscreen/" rel="tag">#SilverScreen</a> <a href="/tags/hollywood/" rel="tag">#Hollywood</a> <a href="/tags/portraits/" rel="tag">#Portraits</a> <a href="/tags/illustration/" rel="tag">#Illustration</a> <a href="/tags/mastoart/" rel="tag">#mastoArt</a>

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Louise Brooks in a classic low-key photo, wearing all black. Only her hands, face and long pearl necklace is visible in the otherwise black frame.

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Louise Brooks looking straight into the camera, wearing a white top in front of an art deco background.

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274d

Fixade klart dessa idag - retro high-tech från en klassisk musikvideo.Ritat med Affinity Designer, iPad.<a href="/tags/affinitydesigner/" rel="tag">#AffinityDesigner</a> <a href="/tags/affinity/" rel="tag">#Affinity</a> <a href="/tags/direstraits/" rel="tag">#DireStraits</a> <a href="/tags/80s/" rel="tag">#80s</a> <a href="/tags/vector/" rel="tag">#Vector</a> <a href="/tags/vectorart/" rel="tag">#VectorArt</a> <a href="/tags/illustration/" rel="tag">#Illustration</a>

Vector drawing of a still from the seminal Dire Straits video to "Money for Nothing", 1985. Two, very low-poly, 3D rendered handymen are carrying microwave ovens in a simple hallway. Behind them a huge TV screen with Dire Straits on stage.

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Vector drawing of a still from the seminal Dire Straits video to "Money for Nothing", 1985. One, very low-poly, 3D rendered handyman is leaning on a refridgerator with its door open. He is in a room with lots of cabinets.

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Vector drawing of a still from the seminal Dire Straits video to "Money for Nothing", 1985. A very low-poly, but cute 3D rendered dog is lying ontop of a multi-colored rug in the corner of a room. Behind it a radiator on the wall with a teal wallpaper with yellow, sharp S shapes.

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83d

<a href="/tags/proxlb/" rel="tag">#ProxLB</a> 1.1.11 for <a href="/tags/proxmox/" rel="tag">#Proxmox</a> clusters introduces many new features and now fully aligns with Proxmox’s native HA rules. ProxLB 1.1.11 was released, focusing on deeper integration and smarter balancing for Proxmox VE clusters. This version introduces a beta integration with Proxmox’s native HA and affinity/anti-affinity rules (please report any kind of bugs!), allowing ProxLB to work seamlessly with existing placement constraints instead of duplicating them. The balancing behavior has also been improved: operators can now prefer smaller or larger VMs during placement, and node memory reservations are respected to reduce overcommitment. Overall, 1.1.11 makes ProxLB more predictable, safer, and better suited for production use, while paving the way for future HA-aware scheduling improvements. Blog post: <a href="https://gyptazy.com/blog/proxlb-proxmox-ha-affinity-rules-version-1-1-11/" rel="nofollow" class="ellipsis" title="gyptazy.com/blog/proxlb-proxmox-ha-affinity-rules-version-1-1-11/">https://gyptazy.com/blog/proxlb-proxmox-ha-affinity-rules-version-1-1-11/</a> Release/Changelog: <a href="https://github.com/gyptazy/ProxLB/releases/tag/v1.1.11" rel="nofollow" class="ellipsis" title="github.com/gyptazy/ProxLB/releases/tag/v1.1.11">https://github.com/gyptazy/ProxLB/releases/tag/v1.1.11</a> GitHub: <a href="https://github.com/gyptazy/ProxLB" rel="nofollow">https://github.com/gyptazy/ProxLB</a> <a href="/tags/virtualization/" rel="tag">#virtualization</a> <a href="/tags/vm/" rel="tag">#VM</a> <a href="/tags/vps/" rel="tag">#VPS</a> <a href="/tags/pve/" rel="tag">#PVE</a> <a href="/tags/prox/" rel="tag">#Prox</a> <a href="/tags/proxmoxve/" rel="tag">#ProxmoxVE</a> <a href="/tags/kvm/" rel="tag">#KVM</a> <a href="/tags/vmware/" rel="tag">#VMware</a> <a href="/tags/enterprise/" rel="tag">#Enterprise</a> <a href="/tags/homelab/" rel="tag">#Homelab</a> <a href="/tags/resourcescheduler/" rel="tag">#ResourceScheduler</a> <a href="/tags/affinity/" rel="tag">#affinity</a> <a href="/tags/antiaffinity/" rel="tag">#antiaffinity</a> <a href="/tags/devops/" rel="tag">#devops</a> <a href="/tags/tools/" rel="tag">#tools</a> <a href="/tags/python/" rel="tag">#python</a> <a href="/tags/debian/" rel="tag">#debian</a>

ProxLB for Proxmox Clusters in version 1.1.11

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86d

Can you believe it has already been 10 years since Bowie left us?Thank you for the music, and the permission to dress differently. Beep Beep!<a href="/tags/bowie/" rel="tag">#Bowie</a> <a href="/tags/davidbowie/" rel="tag">#DavidBowie</a> <a href="/tags/scarymonsters/" rel="tag">#ScaryMonsters</a> <a href="/tags/goonsquad/" rel="tag">#GoonSquad</a> <a href="/tags/affinity/" rel="tag">#Affinity</a> <a href="/tags/affinitydesigner/" rel="tag">#affinitydesigner</a> <a href="/tags/illustration/" rel="tag">#illustration</a>

Illustration based on by Mick Haggerty’s original artwork for Bowie’s Scary Monsters album (1980), here re-created using Affinity Designer on iPad. Lyrics from Fashion to the right: Fashion! Turn to the left. Fashion! Turn to the right. We are the goon squad and we’re coming to town. Beep Beep

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Close-up of Bowies face from the previous image

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Black and White illustration of Bowie holding a guitar from Dan Armstrong in London.

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