monochromemarch

30d

<p>Fascinating overnight frost patterns on the roof of my car, for <a href="/tags/monochromemarch/" rel="tag">#MonochromeMarch</a><br>Perfect examples of the transient beauty of nature, they were gone less than an hour after sunrise.<br><a href="/tags/photography/" rel="tag">#photography</a> <a href="/tags/blackandwhite/" rel="tag">#BlackAndWhite</a></p>

Black and white close-up image showing the beautiful shapes and patterns that a heavy overnight frost had made on the roof of my car. The night was clear and very cold. Within half an hour of sunrise the patterns had disappeared.

Black and white close-up image showing the beautiful shapes and patterns that a heavy overnight frost had made on the roof of my car. The night was clear and very cold. Within half an hour of sunrise the patterns had disappeared.

Black and white close-up image showing the beautiful shapes and patterns that a heavy overnight frost had made on the roof of my car. The night was clear and very cold. Within half an hour of sunrise the patterns had disappeared.

Black and white close-up image showing the beautiful shapes and patterns that a heavy overnight frost had made on the roof of my car. The night was clear and very cold. Within half an hour of sunrise the patterns had disappeared.

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24d

<p><a href="/tags/monochromemarch/" rel="tag">#MonochromeMarch</a> <br><a href="/tags/monochrome/" rel="tag">#monochrome</a> <a href="/tags/blackandwhite/" rel="tag">#blackandwhite</a> <a href="/tags/photography/" rel="tag">#photography</a> <br>Zine permission granted</p>

A black and white photograph with a sepia tone shows a swing suspended by two ropes from a large white pine tree, viewed from above and behind, facing a still completely snow-covered landscape. A bit of ice and sleet clings to the wooden seat, giving the impression that the warm days of summer are still a long way off for this swing.

Photographie noir et blanc avec une touche sépia d'une balançoise accrochée par deux cordes à un gros pin blanc, vu de plus haut et de derrière, faisant face à un terrain encore complètement enneigé. Un peu de verglas et de grésil se trouvent sur le siège fait d'une planche de bois, donnant l'impression que les beaux jours de l'été sont encore loins pour cette balançoire.

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25d

<p><a href="/tags/monochromemarch/" rel="tag">#MonochromeMarch</a> <br><a href="/tags/monochrome/" rel="tag">#monochrome</a> <a href="/tags/blackandwhite/" rel="tag">#blackandwhite</a> <a href="/tags/fog/" rel="tag">#fog</a> <a href="/tags/photography/" rel="tag">#photography</a> <br>Zine permission granted</p>

Black and white photograph of three poles with transformers and power lines connecting them, with leafless trees just behind, all disappearing into the opaque fog.

Photographie noir et blanc de trois poteaux avec transformateurs et lignes électriques les reliant, avec des arbres sans feuilles juste derrière, se perdant tous dans le brouillard opaque.

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24d

<p>Rain</p><p><a href="/tags/monochromemarch/" rel="tag">#MonochromeMarch</a><br>* Zine permission granted</p><p><a href="/tags/fensterfreitag/" rel="tag">#FensterFreitag</a> <a href="/tags/windowfriday/" rel="tag">#WindowFriday</a> <a href="/tags/photography/" rel="tag">#Photography</a></p>

Water droplets scattered on the window. The droplets vary significantly in size, ranging from tiny, pin-sized specks to larger, more bulbous beads. Inside many of the larger drops, you can see dark, crescent-shaped shadows and bright highlights.

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13d

<p><a href="/tags/monochromemarch/" rel="tag">#MonochromeMarch</a> <br><a href="/tags/macro/" rel="tag">#macro</a> <a href="/tags/macrophotography/" rel="tag">#macrophotography</a> <a href="/tags/monochrome/" rel="tag">#monochrome</a> <a href="/tags/blackandwhite/" rel="tag">#blackandwhite</a> <a href="/tags/photography/" rel="tag">#photography</a> <br>Zine permission granted</p>

A black and white macro photograph of a dark maple leaf, bathed in sunlight and still partially buried under the surrounding white snow. Because of its darker color, the sun has melted the snow more quickly on the leaf, giving it an encrusted appearance with a glossy, icy outline. The palmate veins of the maple leaf stand out in the sunlight.

Photographie macro en noir et blanc d'une feuille d'érable foncée, au soleil et encore à demi ensevelie sous la neige blanche autour. En raison de sa couleur plus foncée, le soleil a fait fondre la neige plus rapidement sur la feuille et celle-ci semble incrustrée, avec un contour de glace brillant. Les nervures palmées de la feuille d'érable apparaissent en relief au soleil.

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11d

<p><a href="/tags/monochromemarch/" rel="tag">#MonochromeMarch</a><br><a href="/tags/monochrome/" rel="tag">#monochrome</a> <a href="/tags/blackandwhite/" rel="tag">#blackandwhite</a> <a href="/tags/photography/" rel="tag">#photography</a><br>Zine permission granted</p>

Black and white photograph of a small tree in winter, bare of its leaves and in the middle of a field completely covered with smooth white snow. The shadows of other larger trees extend over the snow behind the small tree in the foreground. Shrubs are in the background.

Photographie noir et blanc d'un petit arbre en hiver, dénudé de ses feuilles et au milieu d'un champ complètement couvert de neige blanche et lisse. Les ombres d'autres arbres plus grands s'étendent sur la neige derrière le petit arbre à l'avant-plan. Des arbustes sont en arrière-plan.

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6d

<p>Garment District - 40th Street at Eighth Avenue 🏙️</p><p>The New York Times Building 📰</p><p><a href="/tags/nyc/" rel="tag">#NYC</a> <a href="/tags/photography/" rel="tag">#Photography</a> <a href="/tags/architecture/" rel="tag">#Architecture</a> <a href="/tags/monochromemarch/" rel="tag">#MonochromeMarch</a></p>

A monochrome, low-angle photograph that captures the south facade of the New York Times Building in the Garment District neighborhood of Manhattan, looking directly upward toward the sky. The perspective creates a powerful sense of verticality, as the building’s parallel lines converge toward a central point high above, making the skyscraper appear to pierce the wispy, streaked clouds. The facade is defined by a rhythmic, grid-like pattern of glass windows layered behind a distinctive curtain of horizontal ceramic rods, which create a fine, textured screen across the building's surface. The high-contrast black-and-white tones emphasize the play of light and shadow across the architectural details. Exposed steel framing is visible along the outer edges of the tower, highlighting its industrial aesthetic and structural transparency. The sky is a deep, dramatic grey, filled with feathery cirrus clouds that radiate outward from behind the building’s crown, adding a dynamic, ethereal quality to the rigid geometric precision of the skyscraper.

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31d

<p>chest of drawers</p><p><a href="/tags/monochromemarch/" rel="tag">#MonochromeMarch</a> <br><a href="/tags/monochrome/" rel="tag">#monochrome</a> <a href="/tags/blackandwhite/" rel="tag">#blackandwhite</a> <a href="/tags/stilllife/" rel="tag">#stilllife</a> <a href="/tags/photography/" rel="tag">#photography</a> <br>*Zine permission granted</p>

A close-up, black-and-white photograph shows several objects arranged on a chessboard atop a chest of drawers. One frame contains a drawing of a butterfly, with the words "Le P. Demi-Deuil" written beneath it in French. Another frame is visible to the left. In front of the frames are three small, clear glass bottles, reflecting the natural light, their reflection visible in the glass protecting the image behind them. Three small, round, ornate, carved boxes are blurred in the foreground.

Photographie en gros plan et noir et blanc de quelques objets posés sur un damier de jeu d'échecs sur le dessus d'une commode, montrant un cadre contenant le dessin d'un papillon, avec les mots en français "Le P. Demi-Deuil" écrits dessous. Un autre cadre est visible à gauche. Devant les cadres se trouvent trois petites bouteilles en verre transparent, reflétant la lumière naturelle et dont le reflet est visible dans la vitre protégeant l'image derrière. Trois petites boîtes rondes ornées et sculptées sont floues en avant-plan.

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33d

<p><a href="/tags/macro/" rel="tag">#macro</a> <a href="/tags/monochrome/" rel="tag">#monochrome</a> <a href="/tags/blackandwhite/" rel="tag">#blackandwhite</a> <a href="/tags/makromittwoch/" rel="tag">#makromittwoch</a> <a href="/tags/photography/" rel="tag">#photography</a> <br><a href="/tags/monochromemarch/" rel="tag">#MonochromeMarch</a> <br>* Zine permission granted</p>

A black and white macro photograph with a touch of sepia, depicting a small, slightly wispy feather that has fallen onto ice. The ice is black with air bubbles at the top of the image, and white with holes at the bottom. Spruce needles are also trapped in the ice.

Photographie macro en noir et blanc avec une touche de sépia d'une petite plume un peu vaporeuse, tombée sur de la glace. La glace est noire avec des bulles d'air dans le haut de la photo, blanche et trouée dans le bas. Des aiguilles d'épinette sont aussi prises dans la glace.

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29d

<p><a href="/tags/black/" rel="tag">#Black</a> double <a href="/tags/hellebore/" rel="tag">#hellebore</a>.<br><a href="/tags/monochromemarch/" rel="tag">#monochromemarch</a></p>

(no description)

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19d

<p><a href="/tags/monochromemarch/" rel="tag">#MonochromeMarch</a> <a href="/tags/photography/" rel="tag">#photography</a> <a href="/tags/architecturephotography/" rel="tag">#architecturephotography</a> <a href="/tags/blackandwhitephotography/" rel="tag">#blackandwhitephotography</a> <a href="/tags/blackandwhite/" rel="tag">#blackandwhite</a> <a href="/tags/bnw/" rel="tag">#bnw</a> <a href="/tags/noai/" rel="tag">#noai</a> <a href="/tags/n1k0bw/" rel="tag">#n1k0bw</a></p>

Photographie presque abstraite d’un bâtiment près du Polygone à Montpellier, sorte de succession du chiffre 1 en béton pointant vers le ciel, en noir et blanc fortement contrasté

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18d

<p><a href="/tags/monochromemarch/" rel="tag">#MonochromeMarch</a> <br><a href="/tags/monochrome/" rel="tag">#monochrome</a> <a href="/tags/blackandwhite/" rel="tag">#blackandwhite</a> <a href="/tags/photography/" rel="tag">#photography</a><br>Zine permission granted</p>

A black and white photograph of a section of the very dark ceiling of a skating arena, showing the fixed and hanging structures and lights, contrasting and creating an image composed of geometric shapes. A rail beneath the structure supporting the center of the ceiling forms an arc, hanging lights are vertical lines and points of light, sound panels are very white rectangles, spotlights are luminous circles, and a movable structure forms a horizontal line crossing the image almost directly in the center.

Photographie noir et blanc d'une partie du plafond très foncé d'un aréna de patin, montrant les structures et les lumières fixées et pendantes, contrastant et donnant une image constituée de formes géométriques. Un rail sous la structure soutenant le centre du plafond forme un arc de cercle, des lumières suspendues sont des lignes verticales et des points lumineux, des panneaux sonores sont des rectangles très blancs, des projecteurs sont des ronds lumineux, et une structure mobile forme une ligne horizontale traversant l'image presque en plein centre.

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17d

<p>Radisson</p><p><a href="/tags/monochromemarch/" rel="tag">#MonochromeMarch</a> <a href="/tags/trains/" rel="tag">#trains</a><br><a href="/tags/montreal/" rel="tag">#montreal</a> <a href="/tags/subway/" rel="tag">#subway</a> <a href="/tags/monochrome/" rel="tag">#monochrome</a> <a href="/tags/blackandwhite/" rel="tag">#blackandwhite</a> <a href="/tags/photography/" rel="tag">#photography</a><br>Zine permission granted</p>

Black and white photograph of an underground metro station taken from a footbridge above the tracks. The photo is symmetrical, with the double rails in the center disappearing beneath a concrete arch structure, the boarding platforms, concrete walls and stairs on either side, and a cathedral-like ceiling from which cylindrical lights are suspended. The station name "Radisson" appears on the walls on either side.

Photographie noir et blanc d'une station de métro souterraine prise à partir d'une passerelle au-dessus des rails. La photo est symétrique avec les doubles rails en plein centre qui dispaissent sous une structure en arche en béton, les quais d'embarquement, les murs et les escaliers en béton de chaque côté et le plafond avec un effet cathédrale où sont suspendues des lumières cylindriques. Le nom de la station "Radisson" apparaît sur les murs de chaque côté.

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20d

<p>Viau</p><p><a href="/tags/monochromemarch/" rel="tag">#MonochromeMarch</a> <a href="/tags/trains/" rel="tag">#trains</a><br><a href="/tags/traintracktuesday/" rel="tag">#traintracktuesday</a> <a href="/tags/montreal/" rel="tag">#montreal</a> <a href="/tags/subway/" rel="tag">#subway</a> <a href="/tags/monochrome/" rel="tag">#monochrome</a> <a href="/tags/blackandwhite/" rel="tag">#blackandwhite</a> <a href="/tags/photography/" rel="tag">#photography</a><br>Zine permission granted</p>

A black and white photograph of the boarding platform of an underground subway station, showing the pale metal edge of the platform on the right, the dark, double tracks below in the center, and the opposite platform with pale floor tiles, a light strip on the ceiling, an advertising panel on the wall, and benches in the dim light. The photograph is taken at an angle, and the double tracks run from the lower left corner to the upper right, gleaming in the light and separating into their respective tunnels at the ends. The floors, lights, and tracks create lines that all converge on a point on the right in the center.

Photographie noir et blanc du quai d'embarquement d'une station de métro souterraine, montrant le rebord en métal pâle du quai à droite, les rails doubles et sombres plus bas au centre, et le quai opposé avec des tuiles pâles au plancher, un rail de lumière au plafond, un panneau publicitaire au mur et des bancs dans la pénombre. La photo est prise en angle et les rails doubles vont du coin inférieur gauche vers le haut à droite, brillant sous la lumière et se séparant chacun dans leur tunnel à l'extrémité. Les planchers, lumières et rails créent des lignes qui se dirigent toutes vers un point à droite au centre.

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12d

<p><a href="/tags/monochromemarch/" rel="tag">#MonochromeMarch</a> <br><a href="/tags/monochrome/" rel="tag">#monochrome</a> <a href="/tags/blackandwhite/" rel="tag">#blackandwhite</a> <a href="/tags/photography/" rel="tag">#photography</a> <br>Zine permission granted</p>

A black and white photograph of a field in winter, completely covered in smooth, white snow, with the curves of a stream ditch softened by the snow on the left edge, and the darker forest at the back. The sky is darkened by a few clouds, whose shadows run across the surface of the smooth snow. In the foreground, the straight horizontal lines of the shadows of power lines, not visible in the photograph.

Photographie noir et blanc d'un champ en hiver, complètement couvert de neige blanche et lisse, avec en bordure à gauche les courbes du fossé d'un ruisseau, adouci par la neige, et en bordure à l'arrière la forêt plus sombre. Le ciel est assombri par quelques nuges, dont l'ombre court à la surface de la neige lisse. À l'avant-plan, les lignes droites horizontales de l'ombre de fils électriques, qu'on ne voit pas dans la photo.

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10d

<p><a href="/tags/monochromemarch/" rel="tag">#MonochromeMarch</a><br><a href="/tags/monochrome/" rel="tag">#monochrome</a> <a href="/tags/blackandwhite/" rel="tag">#blackandwhite</a> <a href="/tags/photography/" rel="tag">#photography</a><br>Zine permission granted</p>

Close-up black and white photograph of snow melting on the edge of a tin roof, the ice turning into icicles. Two drops of water just detached from the end of one of them and captured in the air.

Photographie en gros plan en noir et blanc de la neige en train de fondre sur le rebord d'un toit de tôle, la glace se transformant en glaçons, deux gouttes d'eau venant juste de se détacher de l'extrémité de l'un d'eux et figées dans les airs.

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10d

<p>The Climate House at Hortus Botanicus, Amsterdam. 🇳🇱</p><p>One of my favourite botanical gardens so far, although tricky to shoot in this room. The camera was drenched, and the lens steamed up in only a few seconds, but I managed to grab this one with some beautiful natural light just in time.</p><p>📷 Sony a7C II & 50mm F2.5<br>💻 Edits - Affinity</p><p>✅ Zine permission granted</p><p><a href="/tags/blackandwhite/" rel="tag">#blackandwhite</a> <a href="/tags/monochrome/" rel="tag">#monochrome</a> <a href="/tags/photography/" rel="tag">#photography</a> <a href="/tags/naturephotography/" rel="tag">#naturephotography</a> <a href="/tags/monochromemarch/" rel="tag">#monochromemarch</a></p>

A black and white image of palms leaves overlapping each other with beautiful natural light.

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6d

<p><a href="/tags/monochromemonday/" rel="tag">#monochromemonday</a> <a href="/tags/monochromemarch/" rel="tag">#monochromemarch</a> <a href="/tags/monochrome/" rel="tag">#monochrome</a> <a href="/tags/blackandwhite/" rel="tag">#blackandwhite</a> <a href="/tags/flowers/" rel="tag">#flowers</a> <a href="/tags/bloomscrolling/" rel="tag">#bloomscrolling</a> <a href="/tags/photography/" rel="tag">#photography</a></p>

Black and white close-up photograph of a slightly faded rose, in natural light, taken from the side, also showing the top of its stem and its first leaf. The wrinkled texture and wavy edge of its petals are apparent.

Photographie en noir et blanc et en gros plan d'une rose légèrement fanée, dans la lumière naturelle, prise de côté, montrant aussi le haut de sa tige et sa première feuille. La texture fripée et le bord ondulé de ses pétales sont apparentes.

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