Album published by Xeen Music (2025-05-08)



Produced by Andrew Harrington and Takeshi Abo (阿保 剛).



This soundtrack has been recorded with a real PC-9821 with a PC9801-86 (OPNA) soundcard, and a real FM-TOWNS machine (OPN2 soundchip).



Bonus material:

(#1) Detailed archival tracklist.

(#2) Commentary



The archival soundtrack series contains all known music from said title, including 1 second jingles, unused music, beta versions, and more. (In this case, there are several beta versions not currently included upon request of the composer.)



Soundtrack and any bonus materials may not be re-distributed elsewhere without the express permission of Xeen Music.



Proceeds (after Bandcamp fees) divided between Xeen Music and Takeshi Abo (most of which goes to Takeshi Abo).



Note: The game using this music contains lewd adult content. Xeen Music does play nor endorse any games containing such themes in any way, and is providing the album solely for an independent musical listening experience.

This soundtrack collection covers all versions of Treasure Galaxy! (1994, 1995). Despite the policy of having no credits listed for a majority of The Learning Company's games, Alan Nu and Bret Menze were the company's two in-house sound designers at this time. In general, Alan Nu focused on the music while Bret Menze did sound design and sound effects, although occassionally another employee may have done a track or two. Due to the lack of surviving credits and the passage of time, Alan Nu no longer remembers how the tracks from Treasure Galaxy! were divided between Bret and himself.



The Roland SC-55 is the original version of this game's soundtrack, being first heard in the Macintosh edition. The 1994 PC version used regular OPL, but, beginning in 1995, the PC version was updated to use MIDI.



NOTE: Unfortunately, it looks like "Reward 3" replaced "Reward 2", causing this jingle to be "missing in action" to this day.



This soundtrack has been recorded directly from an authentic Sound Blaster 16 OPL3 CT2230 Rev. 049432, and a real Roland Sound Canvas SC-55 v1.20, while playing the game (1994 edition, OPL) or from the original game files (1995 - OPL3 and SC-55).



Due to the hardware limitations of the SC-55 causing polyphony problems, if necessary, each channel has been recorded independently and then merged into a single track. Therefore, no notation data is lost through polyphony limitations and the tracks may be heard at their fullest.



Track titles are based on the original filenames, except where the original filenames remain unknown. In these cases, the track names in {brackets} have been created by myself based on how the music is used in the final version of the game, and should not be considered official at this time.



The archival soundtrack series contains all known music from said title, including 1 second jingles, unused music, beta versions, and more.



Soundtrack and any bonus materials may not be re-distributed elsewhere without the express permission of Xeen Music.



Proceeds of each sale (after platform fees) is divided between Xeen Music and Alan Nu.

unrest. : rei harakami 1st album

1993 album for U.S. progressive/death metal act.

Beats, Rhymes and Life is the fourth album of the hip hop group A Tribe Called Quest. Released in 1996, it followed three years after the highly regarded and successful Midnight Marauders. This album is a departure from the joyful, positive vibe of the earlier albums and is regarded as the group's darkest album in content. It reached number-one on the Billboard 200 and Top R&B Albums charts.

DEATH‘s seventh and final album ‘The Sound of Perseverance‘ will see its official re-issue on February 15th in North America (February 21 internationally) via Relapse Records and is available for pre-order now at this location. The first in a series of official DEATH re-issues slated for 2011, ‘The Sound of Perseverance‘ has been remastered from the original studio tapes and expanded to include a second disc of previously unreleased demo material. The re-issue will also include enhanced artwork (viewable here) and liner notes from the original cover artist Travis Smith as well as liner notes from DEATH guitarist Shannon Hamm and never-before-seen photographs from ‘The Sound of Perseverance‘ era

Daughter was issued only to Reflex Magazine subscribers in 1992.

Daughter is an extended version of a track from the 1989 Moon demo recorded at Reel Time Studios in Chicago, which the Smashing Pumpkins sold at their early shows in Chicago.

It is estimated that the magazine and flexi-disc are limited to around 1000 copies.

The song is incorrectly credited solely to Billy Corgan on the flexi-disc, however the Moon tape's liner notes state that it was actually written by both Corgan and D'arcy Wretzky.