サテライト・ラヴァーズ（Satellite Lovers）は、女性1人・男性2人の3人組の日本のポップスのグループ。当初は渋谷系のフォーキーなソウルサウンドだったが、後にヒップホップ色を強めた。

Beats, Rhymes and Life is the fourth album of the hip hop group A Tribe Called Quest. Released in 1996, it followed three years after the highly regarded and successful Midnight Marauders. This album is a departure from the joyful, positive vibe of the earlier albums and is regarded as the group's darkest album in content. It reached number-one on the Billboard 200 and Top R&B Albums charts.

1996 release on Hut featuring four mixes of the smash '1979'from their critically acclaimed, multi-platinum 1995 album'Mellon Collie And The Infinite Sadness'. Never released inthe U.S., it contains: Vocal Mix, Instrumental Mix, Moby Mixand Cement Mix. Sl

Bill Hedal and Corey Jones from the US

Beck's debut, Mellow Gold, was a glorious sampler of different musical styles, careening from lo-fi hip-hop to folk, moving back through garage rock and arty noise. It was an impressive album, but the parts didn't necessarily stick together. The two albums that followed within months of Mellow Gold — Stereopathetic Soul Manure and One Foot in the Grave — were specialist releases that disproved the idea that Beck was simply a one-hit wonder. But Odelay, the much-delayed proper follow-up to Mellow Gold, proves the depth and scope of his talents. Odelay fuses the disparate strands of Beck's music — folk, country, hip-hop, rock & roll, blues, jazz, easy listening, rap, pop — into one dense sonic collage. Songs frequently morph from one genre to another, seemingly unrelated genre — bursts of noise give way to country songs with hip-hop beats, easy listening melodies transform into a weird fusion of pop, jazz, and cinematic strings; it's genre-defying music that refuses to see boundaries. All of the songs on Odelay are rooted in simple forms — whether it's blues ("Devil's Haircut"), country ("Lord Only Knows," "Sissyneck"), soul ("Hotwax"), folk ("Ramshackle"), or rap ("High 5 (Rock the Catskills)," "Where It's At") — but they twist the conventions of the genre. "Where It's At" is peppered with soul, jazz, funk, and rap references, while "Novacane" slams from indie rock to funk and back to white noise. With the aid of the Dust Brothers, Beck has created a dense, endlessly intriguing album overflowing with ideas. Furthermore, it's an album that completely ignores the static, nihilistic trends of the American alternative/independent underground, creating a fluid, creative, and startlingly original work.

Design – Frank Olinsky Engineer – Claudine Pontier, Flood, Jeff Moleski Mastered By – Howie Weinberg Photography By – Paul Elledge Producer – Alan Moulder (tracks: 1, 2, 4), Billy Corgan (tracks: 1, 2, 4), Flood (tracks: 1, 2, 4), James Iha (tracks: 3), Kerry "Mango" Brown* (tracks: 3) Written-By – Billy Corgan (tracks: 1, 2, 4), James Iha (tracks: 3)

The third single off of their multi-platinum album 'MellonCollie And The Infinite Sadness'. It's backed with all sixof the non-album tracks on the U.K. two parter: 'MeladoriMagpie', 'Rotten Apples', 'Medellia Of The Gray Skies','Jupiter's Lament', 'Blank' and 'Tonight Reprise'. 1996Virgin release. Slimline jewel case. Color picture CD.

1996 album for the now defunct Norwegian metal act. Six tracks. Misanthropy Records. Digipak.