The need to slow down and reverse the constant stimuli to which we are subjected is a principle that accompanies ALCRUD3. From scarce resources and admittedly archaic methods, this auditory orientation is born — conceived primarily to guide the author himself more than the listener. The journey is built from a disoriented beginning to a fulfilled conclusion, as if the guide were seeking to answer himself along the way.



Throughout this path, different musical genres are explored without the intention of fixing or labeling them, moving through them intuitively. Errors, detours, and wanderings cease to be obstacles and become an essential part of the journey, shaping a sonic narrative that values the process above any destination.

I remember the blizzard that year fondly; watching the brightly colored list of school closings; snow practically as tall as me covering the ground; and though it only lasted a few days, in my memories it seemed like it lasted the whole winter. No snowstorm since has ever compared to the blizzard of 96. Measuring it in inches doesn’t do it justice, you can’t quantify the excitement and happiness a storm like this brings to a child.



There were no worries about shoveling out your car or missed days of work. Your only concerns were building snowmen, digging snow forts, and imagining Antarctic adventures. When you had finally soaked through your boots and two layers of socks you could retreat inside to a warm cup of cocoa and video games. No winter since has brought me that kind of joy.



As a whole, the year 1996 signifies to me a dividing point between childhood simplicity and a loss of innocence. Things got very complicated and hectic after this; my parents divorced, we moved several times, friends were made, and quickly lost. Life finally became some what stable again about two years later, but things had changed and could never be as they once were.



For years after this, I would hope for another snowstorm of that magnitude. It never happened, and eventually snow became less fun and more of a hassle. This blizzard was once in a lifetime and everything preceding it is lifetime away.



-ＢＬＩＺＺＡＲＤ９６



----



[ORIGINALLY RELEASED DIGITALLY ON JANUARY 31, 2019]





VOD-045

pbl7-xnzc

rdca-eakx

7zjr-3c7p

x3gw-cxpn

qvkc-x5be

ffyq-5rsu

mdu6-bsxp

bj5k-wla2

5frt-ha3c

bal2-vbdx

d7p5-6w4p

s5fb-kxe2

pral-yqrc

6l4j-efby

kcp7-3alf

zj7d-cn5a

n9ws-xenb

mthe-eb5x

bkeb-3w7p

w36l-w4pn

eayh-hpbe

rfkj-52su

awn8-bdxp

rpat-wha2

jflb-h7kc

7ws5-55zx

lhqf-ur8q

4qrx-e47z

qrlh-uap6

gxcp-enby

ycjr-3elf

ypbw-c75a

29xc-x5nb

aycq-e35x

x7jv-6shp

hmb7-klp2

jbad-gmbc

fxfp-u6sx

l4ab-e6xp

4pf5-3ym2

e7df-hukc

bw4v-epzx

wsp7-u28q

sq7d-el7z

pbws-uep6

77ke-ebcu

vl3g-3wlp

7pvz-cx52

m7bk-hp2c

f5xu-vrwx

lrqa-6dhp

cvrr-khp2

ebmw-gjbc

bdre-uksx

d4mf-ekxp

serv-b8m2

u6lh-xpub

vzcp-e2ax

7tjr-3cfp

lugw-chen

q5kc-x5re

fryq-e3cu

5lu6-bslp

be5k-w452

5rrt-ha2c

rml2-v2wx

dbp5-6chp

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jfd4-75e6

6d4j-efry

zhp7-3pxf

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byeb-3wfp

du6l-cxen

pmyh-hpre

rrkj-5rcu

xhmr-ezlp

hqra-3tv2

jrlb-h7zc

fxs5-5ekx

lcqf-73gq

4prx-e4fz

eflh-upe6

gwcp-enry

thjr-3axf

tqbw-c7aa

28xc-xeub

7vwn-j3dx

xbjv-6s4p

hab7-k4e2

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fwfp-uzcx

lsab-e6lp

cqf5-3gv2

ebdf-huzc

rx4m-55kx

d4p7-urgq

sp7d-elfz

LIGHT-102

Meticulously assembled from a good 15 years' worth of source material, Cong Burn boss John Howes' second Paperclip Minimiser transmission proliferates its predecessor's network of turn-of-the-millennium aesthetics and concepts, bringing us closer to the lost future promised by the mid-digital age. If the debut album rooted itself in 2006, using an era-specific rig to activate its vintage Winamp-ready sound, 'II' pushes the clock forward just a little, recycling an unreleased album that Howes engineered in various locations across the north of England, starting way back in 2011. Working quickly and methodically with his homebrewed "DIY DAW" system, Howes improvised live using the record's bank of sounds, transforming the skittering bio-electronic rhythms, bitcrushed modem whines and inclement Lancs soundscapes into a suite of sleek, bass heavy steppers.



Howes has refined his setup and process over the years to function as an antithesis of contemporary production logic, a system that he can use easily to retreat from the excessive layering, overdubbing and editing that plagues modern electronic music. With only limited separate channels in each track, 'II' sounds both archaic and strangely novel. Showing respect to the early days of techno, when stone-cold classics were jammed out live using just a drum machine, a sampler and a couple of synths, Howes simultaneously acknowledges the promise of the transition to a digital future, as nascent algorithmic technology began to rehydrate stale rhythmic and melodic patterns. Fabricating its wrinkled cyberpunk landscape from shovelware blips and whines, spacious environmental echoes and lustrous, plasticky FM hits, 'II' is dense but never congested. It's a reminder that bass music thrives when it's given the room it needs to breathe.

Celadon Plaza is proud to present slowerpace's outdoor adventure, FISHING TALES.



Original Release November 27, 2025:



Make your fishing trip an unforgettable experience with the perfect soundtrack...



RELEASE #41

愛を込めて作られ

NOP-445



Originally released digitally by slowerpace 音楽 on March 22, 2022.

NOP-450





Welcome back. You're about to embark upon another 4+ hour psychedelic mix, concocted by Nmesh (wait, are we seriously doing this again?), full of retro video game / PC music, chock full of old game soundtracks, commercial bits, SFX, PSA's, and completely warped edits. It’s been exactly 11 years since our last adventure. That may not have as nice of a ring to it as “10 years”, but the curator of this pixelated hellscape had honestly planned on putting it out last year (things happen). Nevertheless, no one has heard from that knock-off "Irate Gamer" since, and that’s all because of you, the listener. Give yourself a pat on the back.



But wait... We're getting a distress signal. 🚨 Something’s afoot, and it seems you’re being pulled back into action. It might be ninjas, or something much, much worse. If you can devote four+ hours of your precious retirement, there’s a chance we can save humanity once more from this unknown terror that lurks about, threatening this once proper country.



Tiny Mix Tapes will be rooting for you from a farm upstate, so I'm told. It’s time for you to prove you’re still a bad enough dude to do what’s right. Grab some quarters, an ice-cold Pepsi and some gabagool for the long road ahead. And don’t forget to bust out that jammy pack for old time's sake. This is the 𝗥𝗘𝗧𝗨𝗥𝗡 𝗧𝗢 𝗪𝗔𝗥𝗣 𝗭𝗢𝗡𝗘! 🕹️



[​🇵​​🇷​​🇪​​🇸​​🇸​ ​🇸​​🇹​​🇦​​🇷​​🇹​ ​🇧​​🇺​​🇹​​🇹​​🇴​​🇳​ ​🇼​​🇭​​🇪​​🇳​ ​🇷​​🇪​​🇦​​🇩​​🇾​]



𝐒𝐌𝐀𝐒𝐇 𝐓𝐕 𝐎𝐅𝐅𝐈𝐂𝐈𝐀𝐋 𝐓𝐑𝐀𝐈𝐋𝐄𝐑:





𝐂𝐀𝐒𝐒𝐄𝐓𝐓𝐄𝐒: a lot of you all are already asking about them, unsurprisingly - we're working on it! - there's plans to do a box set of RTWZ as well as a reissue of the OG warp zone, through two different labels - more on that soon enough - for now, try not to worry about plastic goods, and enjoy the mix - happy holidays, friends. —alex



🎮◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️🎮



"𝘪𝘵’𝘴 𝘢𝘯𝘰𝘵𝘩𝘦𝘳 𝘣𝘢𝘵 𝘴𝘩𝘪𝘵 𝘥𝘳𝘶𝘨 𝘧𝘶𝘦𝘭𝘦𝘥 𝘢𝘤𝘪𝘥 𝘵𝘳𝘪𝘱… 𝘣𝘶𝘵 𝘺𝘰𝘶 𝘴𝘩𝘰𝘶𝘭𝘥 𝘣𝘦 𝘶𝘴𝘦𝘥 𝘵𝘰 𝘵𝘩𝘢𝘵 𝘣𝘺 𝘯𝘰𝘸." — 𝗔𝗩𝗚𝗡



"𝘵𝘩𝘪𝘴 𝘮𝘪𝘹 𝘪𝘴 𝘸𝘦𝘪𝘳𝘥𝘦𝘳 𝘵𝘩𝘢𝘯 𝘧𝘰𝘶𝘳𝘵𝘩 𝘰𝘧 𝘫𝘶𝘭𝘺 𝘢𝘵 𝘳𝘪𝘤𝘬 𝘫𝘢𝘮𝘦𝘴' 𝘱𝘭𝘢𝘤𝘦." — 𝗚𝗲𝘅



"𝘧𝘰𝘭𝘭𝘰𝘸 𝘮𝘦 𝘶𝘱𝘴𝘵𝘢𝘪𝘳𝘴 𝘢𝘯𝘥 𝘪'𝘭𝘭 𝘴𝘩𝘰𝘸 𝘺𝘰𝘶 𝘩𝘰𝘸 𝘵𝘰 𝘵𝘳𝘦𝘢𝘵 𝘢 𝘴𝘦𝘷𝘦𝘳𝘦 𝘦𝘭𝘦𝘤𝘵𝘳𝘪𝘤𝘢𝘭 𝘣𝘶𝘳𝘯." — 𝗧𝗶𝗺 "𝗧𝗵𝗲 𝗧𝗼𝗼𝗹 𝗠𝗮𝗻" 𝗧𝗮𝘆𝗹𝗼𝗿



"𝘶𝘯𝘨𝘢 𝘣𝘶𝘯𝘨𝘢" — 𝗣𝗼𝘄𝗲𝗿 𝗣𝗲𝘁𝗲



💥 𝗧𝗢𝗧𝗔𝗟𝗟𝗬 𝗔𝗪𝗘𝗦𝗢𝗠𝗘 𝗩𝗜𝗗𝗘𝗢 𝗚𝗔𝗠𝗘𝗦! 💥



🎮◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️🎮



𝐖𝐄𝐋𝐂𝐎𝐌𝐄 𝐓𝐎 𝐖𝐀𝐑𝐏 𝐙𝐎𝐍𝐄! 𝐎𝐑𝐈𝐆𝐈𝐍𝐀𝐋 𝐌𝐈𝐗:





𝐖𝐄𝐋𝐂𝐎𝐌𝐄 𝐓𝐎 𝐖𝐀𝐑𝐏 𝐙𝐎𝐍𝐄! 𝐎𝐑𝐈𝐆𝐈𝐍𝐀𝐋 𝐓𝐌𝐓 𝐏𝐑𝐄𝐌𝐈𝐄𝐑𝐄:





𝐖𝐄𝐋𝐂𝐎𝐌𝐄 𝐓𝐎 𝐖𝐀𝐑𝐏 𝐙𝐎𝐍𝐄! 𝐎𝐑𝐈𝐆𝐈𝐍𝐀𝐋 𝐒𝐌𝐀𝐒𝐇 𝐓𝐕 𝐓𝐑𝐀𝐈𝐋𝐄𝐑:





𝐖𝐄𝐋𝐂𝐎𝐌𝐄 𝐓𝐎 𝐖𝐀𝐑𝐏 𝐙𝐎𝐍𝐄! 𝐓-𝐒𝐇𝐈𝐑𝐓𝐒:

失恋してこのアルバムを作りました。それを念頭に置くと、音楽から来る痛みも聞こえるはずです。

___________________________________



私の心は少しだけ癒されただけ。彼らのおかげで、私は人として成長できる。



Artwork by E Z R A ゴーバー





"すべてが間違っています" originally released 11 October 2025.

"水の上を動く神" originally released 13 October 2025.



- WFWM #0089

One of the dubstep scene's unsung heroes, Commodo teams up with jazz innovator Alfa Mist on Deep Harbour, a collaboration that bridges their two worlds, coming out on Black Acre and marking an amazing 100 releases on the label.



The record explores different yet distinct creative directions: a melodic reimagining of late-2000s dubstep shaped heavily by electric piano, and a darker, more abstract interpretation of jazz-influenced half-step. The EP also includes two reimaginings from Anz; her ‘Safe Place Mix’ offering a more subtle, reflective take, while the ‘Defensive Mix’ delivers a rougher, club-focused approach.



“I’ve admired Alfa Mist’s work for some time and wanted to explore a couple of avenues using keyboards,” says Commodo. “One was a more melodic expansion on the late-2000s dubstep sound, the other was a much darker, dissonant take on a jazz-flavoured half-step.” On the remixes, he adds: “Anz is a real producer’s producer with a broad range, and felt like the perfect remixer for this project.”

Analytical Convenience presents HYOS - Closer EP.



We’re back with another in-house EP from HYOS. In this stripped down cut through grain and steel, HYOS carves out a new textural experience, built for the dancefloors.



On remix duties we have Franz Jäger, bringing us his own signature vision with a remix on "Not Oneself".



Mastered by Mikrotakt at PW Mastering

Artwork by Bruna Rosas

Track 1:

空き



Track 2-3:

都市

special thanks to



本物NoreMac





TVVIN_PINEZ_M4LL





Kratzwerk





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xrua-yacr

qvwg-77sd

fbjy-5jhc

ldbn-7ypw

cqvl-vuus

cbbj-kpml

cddr-gfye

s4qa-3mnu

pcrb-h6pq

k79e-weel

um2f-c3re

x8mm-wwhu

qkr6-xsap

f3v2-es32

mdga-uddh

bqkb-jlw5

wb35-yecr

pvx9-7usd

rfez-5vhc

dd7u-u8pw

u74d-bpyf

vmss-xn2m

78qc-eax6

murc-3bay

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ljpa-e32x

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elqq-7arb

gc8f-5ncx

2hnx-belp

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ffv4-xmcj

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u4nd-35lp

xede-hu52

q649-epnc

ACV#07

The signal arrived without warning—Forgotten Moments by DF90, drifting through deep space like a memory that refused to fade.

Each track unlocked a layer of the ship’s consciousness. Frequency Drop dimmed the lights as gravity pulsed in slow dub chords. In Infinite Loop, time fractured, repeating corridors and footsteps that echoed into nothing. Inner Space revealed thoughts not my own—soft, melodic, endless.

By Passing Dub, I realized the ship was alive, speaking through delay and reverb. Retrograde reversed my memories, unspooling them into static. Then came System Error—a rupture, silence swallowing rhythm.

Only Winter Echoes remained, cold and distant, whispering across the void.

I was no longer piloting.

I was being played.

A continuous transmission from a world that almost existed.



This 53-minute compilation brings together fragments from across the Dreamfibre archive, soundscapes shaped by the optimism of early 2000s digital design, where glass, water, and light converge into something both futuristic and strangely familiar.

Hello ! This is a compilation of tracks from Lily island that draws inspiration from different Nintendo games, and more particularly water levels :) Those tracks were previously released, but I've remastered them here for the occasion.



I hope you will enjoy, thanks for your support <3

(as usual : no AI)