1964 Japanese film by Masaki Kobayashi

Dr. Worley investigates a 300-year-old witch's curse in the New England town of Devonsville. Three liberated, assertive women move into town, which angers the bigoted, male-dominated town fathers. One of the women is a reincarnation of the witch, who proceeds to exact revenge on them.

An outcast in a fishing village commissions a husband for herself made out of wicker from the local basketmaker, but her unexpected romance with the intricate creation sparks jealousy and threatens the village's social order.

Millie is a struggling woman who is relieved to get a fresh start as a housemaid to Nina and Andrew, an upscale, wealthy couple. She soon learns that the family’s secrets are far more dangerous than her own.

Thirty-four days before she's sent to prison, notorious Theranos founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait becomes a mind-bending three-year journey.

Frank Hart is a pig. He takes advantage of the women who work with him in the grossest manner. When his three assistants manage to trap him in his own house, they assume control of his department, and productivity leaps, but just how long can they keep Hart tied up?

In 2006, To Catch a Predator host Chris Hansen sets out to make television history.

《恋恋笔记本》是一部爱情故事，讲述一位神秘的老人为住在养老院的老妇人轻声读着自己那褪色的笔记本中的日记开始。20世纪40年代初期，年少美丽的艾丽跟随家人来到北卡罗来纳州度假。在一次狂欢派对上，她结识了当地男孩诺亚，两人很快坠入爱河。然而，身处上流社会的艾丽父母对穷小子诺亚十分看不起，将艾丽带回纽约并阻断两人的信件来往。一年未收到艾丽回信的诺亚参加了第二次世界大战并成为一名军人。艾丽也在穿上嫁衣时意外看到报纸上关于诺亚的新闻。两人在最初相恋的小镇上再次相遇……故事最初的老妇人便是当年的艾丽，每当她听到日记中的字句，脸上就会迸发出异样的神采，仿佛再次回到那段激情燃烧的岁月，而向她讲述那本笔记本里的故事的老头，就是诺亚。

Two childhood best friends, Maya and Anjali, join their college’s competitive Bollywood dance team only to discover that the road to winning the national championship is far more raucous and cutthroat than they ever imagined.

Anyone who saw Monelle (FID2019) won’t have forgotten it. Genius peculiarto and filmmaker Diego Marcon : creative, explosive sketches, elementary and powerful devices designed to remain burned both on the eye and in the memory. Here, again, there are very few characters: in a bedroom opposite the window, a man sits on an unmade bed, then his two children and finally their mother, each with a contorted face à la Paul McCarthy. Again, the sound is decisive: a chilling, disjointed ditty sweetly describing abomination. The Parent’s Room is a huddled-up horror film that, under the domestic bliss, reveals the truth disrupting any nuclear family: the murder. (Jean-Pierre Rehm)

An encounter between the kid and four characters represented by costume props: gloves, foulard, trousers, and pullover, and an encounter between the golden age of American animation and Italian opera.

A young beautician, newly arrived in a small Louisiana town, finds work at the local salon, where a small group of women share a close bond of friendship and welcome her into the fold.

After a mysterious cosmic event rips Oak Street from suburbia and transports their neighborhood to someplace unknown, the Platt family soon discovers that their very survival depends on them sticking together as they navigate their now unrecognizable surroundings.

After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director for resurrection. But when she visits the original's star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.