""Monday burn Millay, Wednesday Whitman, Friday Faulkner, burn 'em to ashes, then burn the ashes."" For Guy Montag, a career fireman for whom kerosene is perfume, this is not just an official slogan. It is a mantra, a duty, a way of life in a tightly monitored world where thinking is dangerous and books are forbidden. In 1953, Ray Bradbury envisioned one of the world's most unforgettable dystopian futures, and in "Ray Bradbury's Fahrenheit 451," the artist Tim Hamilton translates this frightening modern masterpiece into a gorgeously imagined graphic novel. As could only occur with Bradbury's full cooperation in this authorized adaptation, Hamilton has created a striking work of art that uniquely captures Montag's awakening to the evil of government-controlled thought and the inestimable value of philosophy, theology, and literature. Including an original foreword by Ray Bradbury and fully depicting the brilliance and force of his canonic and beloved masterwork, "Ray Bradbury's Fahrenheit 451" is an exceptional, haunting work of graphic literature. Tim Hamilton has produced art for "The New York Times Book Review," "Cicada "magazine, King Features, BOOM Studios, "Mad Magazine," and ACT-I-VATE. He also adapted Robert Louis Stevenson's "Treasure Island "into a graphic novel. Ray Bradbury is a multiple-award-winning novelist, short-story writer, essayist, playwright, screenwriter, and poet. An American Library Association "Great Graphic Novel for Teens" Nominee"Monday burn Millay, Wednesday Whitman, Friday Faulkner . . . Burn'em to ashes, then burn the ashes."" "For Guy Montag, a career fireman for whom kerosene is perfume, this is not just an official slogan. It is a mantra, a duty, a way of life in a tightly monitored world where thinking is dangerous and books are forbidden. In 1953, Ray Bradbury envisioned one of the world's most unforgettable dystopian futures, and in "Ray Bradbury's Fahrenheit 451," the artist Tim Hamilton translates this frightening modern masterpiece into a gorgeously imagined graphic novel. As could only occur with Bradbury's full cooperation in this authorized adaptation, Hamilton has created a striking work of art that uniquely captures Montag's awakening to the evil of government-controlled thought and the inestimable value of philosophy, theology, and literature. Including an original foreword by Ray Bradbury and fully depicting the brilliance and force of his canonic masterwork, "Ray Bradbury's Fahrenheit 451" is a haunting work of graphic literature. "A new adaptation of Ray Bradbury's classic work "Fahrenheit 451," with a fascinating and challenging new introduction by the author, is a vivid reminder of the special power of a graphic novel, of the genre's ability to do things that words alone can't . . . If you know the novel, you'll still be thrilled by Tim Hamilton's artwork in this new version, which combines a comic-book clarity--the panels are simple and straightforward, without the distraction of a lot of visual razzmatazz--with a deep, humane rendering of the novel's theme."--Julia Keller, "Chicago"" Tribune" "As evidenced by Tim Hamilton's authorized graphic novel, time has not dulled its tart, terrifying resonance. Vibrant and vital, Hamilton's take on "Fahrenheit 451" is far more than an illustrated version of Bradbury's 1953 classic. While its text belongs to Bradbury, Hamilton, a founding member of the online comics collaborative www.activatecomix.com, saturates the story with his own evocative energy and vision. He doesn't use all of Bradbury's words, instead allowing the story's inherent visual propulsion to add even more depth and texture to an already-indelible tale. Given this novel's graphic heft, it's strange that there has been only one film production, a 1966 adaptation written and directed by Francois Truffaut. Then again, perhaps that's because this is a work that, despite its many images of immolation, is more about provocative ideas than things blowing up. And here, Hamilton never compromises the cerebral for the visceral as he lures readers into a world careening into madness . . . Hamilton's arousing adaptation doesn't just update Bradbury's novel. It primes "Fahrenheit 451," long a staple of high school and college reading lists, for rediscovery. Like the greatest works of art, its rugged heart and soul are evergreen; that it is, perhaps, even more relevant today, imbues the book with an unsettling prescience that even Bradbury may never have predicted."--Renee Graham, "The Boston Globe " "A new adaptation of Ray Bradbury's classic work "Fahrenheit 451," with a fascinating and challenging new introduction by the author, is a vivid reminder of the special power of a graphic novel, of the genre's ability to do things that words alone can't. Believe me, I often question my affection for graphic novels. I loved Superman as a kid, but when it comes to comics, we're not in Kansas anymore. Graphic novels have become terrifically popular, thanks to fiercely imaginative practitioners like Neil Gaiman, as well as to a growing body of sophisticated theoretical work on the genre by astute writers such as Scott McCloud and Douglas Wolk . . . The new graphic version of "Fahrenheit 451" has helped sort out the contents of my soul. And I'm happy to report that I'm in the clear. I am quite certain that I'd be trumpeting the virtues of this work even if graphic novels weren't on everybody's hot list . . . If you know the novel, you'll still be thrilled by Tim Hamilton's artwork in this new version, which combines a comic-book clarity--the panels are simple and straightforward, without the distraction of a lot of visual razzmatazz--with a deep, humane rendering of the novel's theme . . . Some of my anti-comics correspondents claim that reading a graphic novel is not really 'reading' at all. They're right. It's something else again. In the case of "Fahrenheit 451," it's more like a life-changing immersion in ideas, words, echoes, symbols, char

Richard Feynman: physicist . . . Nobel winner . . . bestselling author . . . safe-cracker. In this substantial graphic novel biography, First Second presents the larger-than-life exploits of Nobel-winning quantum physicist, adventurer, musician, world-class raconteur, and one of the greatest minds of the twentieth century: Richard Feynman. Written by nonfiction comics mainstay Jim Ottaviani and brilliantly illustrated by First Second author Leland Myrick, Feynman tells the story of the great man's life from his childhood in Long Island to his work on the Manhattan Project and the Challenger disaster. Ottaviani tackles the bad with the good, leaving the reader delighted by Feynman's exuberant life and staggered at the loss humanity suffered with his death. Anyone who ever wanted to know more about Richard P. Feynman, quantum electrodynamics, the fine art of the bongo drums, the outrageously obscure nation of Tuva, or the development and popularization of the field of physics in the United States need look no further than this rich and joyful work. • One of School Library Journal 's Best Adult Books 4 Teens titles of 2011 • One of Horn Book 's Best Nonfiction Books of 2011

AN ANGOULEME AWARD WINNER RETURNS WITH A PARABLE ABOUT LIFE IN THE ART WORLD "The Making Of" is the follow-up to international sensation Brecht Evens's Eisner-nominated debut, "The Wrong Place." With lush watercolors and his characteristic wit, Evens details the fumbling, amateurish foibles of the participants of a small art festival in the Flemish countryside. Pieterjan is invited to the festival as an honored guest. From the moment he arrives, things start going wrong, and since no one seems ready to step in, Pieterjan takes over the show. He decides to build a giant garden gnome as a symbol of Flemish identity, but the construction process brings buried tensions to the surface as the other artists become jealous of Pieterjan's authority. In "The Making Of," Evens delves deep into the petty tensions, small misunderstandings, and deadpan humor that pervade modern relationships. With a keen eye for the subtleties of body language, Evens's "The Making Of "builds on the iconic visual style showcased in "The Wrong Place." Sweeping watercolors jump off the page, surrealist scenery intermingles with crowds of people, and small suburban plot homes have never looked so lovely.

Adrian Tomine’s cult comix series Optic Nerve is finally collected into one sharp-looking hardcover volume. Described as the Raymond Carver of comix, Tomine constructs tales of emotional disconnection with an ear for painfully real dialogue. Combined with his deft black and white depictions of urbane lifestyles, Tomine’s fans have often accused him of eavesdropping in on their most intimate moments and, with forensic skill, laying their lives bare. The conflicts between emotional gratification, narcissistic neediness and moral discernment mark the title story in which a socially crippled man nurses an obsessive crush on a young woman. He watches close up, paralyzed by his guilt, as her beauty catches the eye of his neighbor: a hip, selfish young man with a short attention span. One of Optic Nerve’s most popular stories, `Hawaiian Getaway,` features Hilary, telephone service rep who is having the worst week of her life. She lost her job, her apartment, and her grandmother. Close to the edge, she is losing her grip. Reaching out to random strangers on the phone, Hilary is looking for someone to help her. In "Alter Ego" a successful young author has writer`s block. He can`t, or won`t, decide between another ghostwriting gig and finishing his second ‘real’ novel. He stalls on committing to his novel and his girlfriend when a chance postcard leads him to flirt with fantasies of changing the past. Finally, "Bomb Scare" documents the early unease of his generation by setting this coming-of-age story during the tense months of the Gulf War, the event that ushered in the 1990s.

Présentation de l'éditeur Case à case, sans un mot, Marc- Antoine Mathieu raconte le voyage initiatique dun homme. Que cherche-t-il ? Où va-t-il ? Ce marcheur anonyme erre dans un univers épuré, traversé par lesprit du labyrinthe... Temps, espace, hasard : au fil de ce récit quasi-méditatif se dessine pas à pas une forme contemporaine de vanité.

Collecting the first four issues of Adrian Tomine's acclaimed comic series optic nerve, this book offers sixteen concise, haunting tales of modern life. The characters here appear to be well-adjusted on the surface, but Tomine takes us deeper into their lives, subtly examining their struggle to connect with friends and lovers.

Enn is a sixteen-year-old boy who just doesn't understand girls, while his friend Vic seems to have them all figured out. Both teenagers are in for the shock of their young lives, however, when they crash a local party only to discover that the girls there are far, far more than they appear! From the Locus Award-winning short story by Neil Gaiman--one of the most celebrated authors of our time-- and adapted in vibrant ink-and-watercolor illustrations by the Daytripper duo of Gabriel Bá and Fábio Moon, this original hardcover graphic novel is absolutely not to be missed!

Killing and Dying is a stunning showcase of the possibilities of the graphic novel medium and a wry exploration of loss, creative ambition, identity, and family dynamics. With this work, Adrian Tomine (Shortcomings, Scenes from an Impending Marriage) reaffirms his place not only as one of the most significant creators of contemporary comics but as one of the great voices of modern American literature. His gift for capturing emotion and intellect resonates here: the weight of love and its absence, the pride and disappointment of family, the anxiety and hopefulness of being alive in the twenty-first century. "Amber Sweet" shows the disastrous impact of mistaken identity in a hyper-connected world; "A Brief History of the Art Form Known as Hortisculpture" details the invention and destruction of a vital new art form in short comic strips; "Translated, from the Japanese" is a lush, full-color display of storytelling through still images; the title story, "Killing and Dying", centers on parenthood, mortality, and stand-up comedy. In six interconnected, darkly funny stories, Tomine forms a quietly moving portrait of contemporary life. Tomine is a master of the small gesture, equally deft at signaling emotion via a subtle change of expression or writ large across landscapes illustrated in full color. Killing and Dying is a fraught, realist masterpiece.

Artist David Aja returns to the most critically acclaimed comic of 2012, as ace archer Clint Barton faces the digital doomsday of - DVR-Mageddon! Then: Cherry's got a gun. And she looks good in it. And Hawkeye gets very, very distracted. Plus: Valentine's Day with the heartthrob of the Marvel Universe? This will be...confusing. Marvel architect Matt Fraction continues his exciting, adventurous reinvention of the arrowed Avenger! Collecting: Hawkeye 6-11

The breakout star of this summer's blockbuster Avengers film, Clint Barton - aka the self-made hero Hawkeye - fights for justice! With ex-Young Avenger Kate Bishop by his side, he's out to prove himself as one of Earth's Mightiest Heroes! SHIELD recruits Clint to intercept a packet of incriminating evidence - before he becomes the most wanted man in the world. You won't believe what is on The Tape! What is the Vagabond Code? Matt Fraction pens a Hawkeye thriller that spans the globe...and the darkest parts of Hawkeye's mind. Barton and Bishop mean double the Hawkeye and double the trouble...and stealing from the rich never looked so good. COLLECTING: Hawkeye 1-5, Young Avengers Presents 6

Anda loves Coarsegold Online, the massively-multiplayer role-playing game where she spends most of her free time. It's a place where she can be a leader, a fighter, a hero. It's a place where she can meet people from all over the world, and make friends. But things become a lot more complicated when Anda befriends a gold farmer--a poor Chinese kid whose avatar in the game illegally collects valuable objects and then sells them to players from developed countries with money to burn. This behavior is strictly against the rules in Coarsegold, but Anda soon comes to realize that questions of right and wrong are a lot less straightforward when a real person's real livelihood is at stake. From acclaimed teen author ( Little Brother , For the Win ) and Boing Boing editor Cory Doctorow and Koko Be Good creator Jen Wang, In Real Life is a perceptive and high-stakes look at adolescence, gaming, poverty, and culture clash.

"At once hilarious and achingly melancholy, [Mooncop] reads like a requiem for the future we were promised decades ago that never arrived. A quietly essential read for anyone who grew up reading sci-fi."―Wired "Living on the moon . . . Whatever were we thinking? . . . It seems so silly now." The lunar colony is slowly winding down, like a small town circumvented by a new super highway. As our hero, the Mooncop, makes his daily rounds, his beat grows ever smaller, the population dwindles. A young girl runs away, a dog breaks off his leash, an automaton wanders off from the Museum of the Moon. Mooncop is equal parts funny and melancholy. capturing essential truths about humanity and making this a story of the past, present, and future, all in one. Like his Guardian and New Scientist strips, as well as his previous graphic novel, Goliath, Mooncop is told with Tom Gauld's distinctive, matter-of-fact storytelling and dry humor ― an approach that has earned him fans around the world.

"The Hunter", the first book in the "Parker" series, is the story of a man who hits New York head-on like a shotgun blast to the chest. Betrayed by the woman he loved and double-crossed by his partner in crime, Parker makes his way cross-country with only one thought burning in his mind - to coldly exact his revenge and reclaim what was taken from him! Richard (Donald Westlake) Stark's groundbreaking "Parker" books are adapted for the first time as a series of graphic novels by Darwyn Cooke. The initial graphic novel brings to life the first "Parker" book, "The Hunter", which introduces readers to the dangerous anti-hero's cold and calculated world of criminals, thugs, and grifters.

Twin brothers Omar and Yaqub may share the same features, but they could not be more different from one another. And the possessive love of their mother, Zana, stirs the troubled waters between them even more. After a brutally violent exchange between the young boys, Yaqub, “the good son,” is sent from his home in Brazil to live with relatives in Lebanon, only to return five years later as a virtual stranger to the parents who bore him, his tensions with Omar unchanged. Family secrets engage the reader in this profoundly resonant story about identity, love, loss, deception, and the dissolution of blood ties. Set in the port city of Manaus on the riverbanks of the Amazon, Two Brothers celebrates the vibrant life and diversity of Brazil. Based on a work by acclaimed novelist Milton Hatoum, Two Brothers is stunningly reimagined by the award-winning graphic novelists Fábio Moon and Gabriel Bá.

Sarah Andersen's second comics collection picks up right where the first left off - huddled under a pile of blankets avoiding the responsibilities of the real world. These new comics (and illustrated personal essays!) follow the ups and downs of the unrelenting self-esteem roller coaster that is young adult life: budgeting woes, cramps, the nuances of sweater theft, and the joy of staying home all day with a box of pizza. All aboard.