Victims of torture capture one of the perpetrators and must debate what to do with him.

A year in the life of a young family in rural Iceland. We follow their struggles and triumphs while going through a separation. A story of memory and the love that remains.

In the heyday of the jute industry, millions of people in Bengal made their living doing this laborious work, which has hardly changed since the industrial revolution. The 100-year-old machinery has been endlessly repaired. State aid kept this sustainable alternative to plastic going, but its future looks bleak.
In beautifully composed shots, Nishtha Jain (Gulabi Gang [2012], Lakshmi and Me [2007]) shows the last vestiges of the industry. She follows the entire production chain, from cutting and drying the reed along the river to weaving in two of the biggest mills in the area. Along endless rows of antique looms, the air thick with dusty fibers, workers carry out their routine work. Accidents and jammed machines are commonplace; workers’ faces reveal the exhaustion of a lifetime of labour.
Meanwhile, the union is fighting for a minimum wage equivalent to 250 US dollars a month. During their break, the workers speak out. “Nowadays nobody cares about quality, just more production,” says one. Not long afterwards, one of the mills closes its doors after more than a hundred years.

While people across 1990s Iraq struggle to survive the war and food shortages, Saddam Hussein requires each school in the country to prepare a cake to celebrate his birthday. Despite her efforts to avoid getting picked, 9-year-old Lamia is chosen among her classmates. The young girl must now use her wits and imagination to gather ingredients for the mandatory cake or face the consequences.

A view inside the life of former New Zealand Prime Minister Jacinda Ardern, capturing her through five tumultuous years in power and beyond as she redefined leadership on the world stage.

The third part of Simón’s trilogy that follows her last pair of features.
A “neorealist flamenco musical in the neighbourhood of La Mina, Barcelona” and the roots of the project are tied to family “since I discovered that my biological mother was passionate about flamenco, a great curiosity began to grow in me for this genre, because of its history and its exceptional capacity to connect directly with emotion.

2020年全球正集中抗疫之际，印度政府颁布新的农业法案，容许私营企业进入市场并囤积农产品，农民生计顿时备受威胁，一场大规模农民抗争活动一触即发。数十万民众走上新德里街头，高呼要求政府撤回条例。面对政府机关操控舆论，将维护基本利益的农民抗争抹黑为暴动，印度农民毫不退缩，持续抗争400日，誓要捍卫公义！Nishtha Jain素来关注印度劳工权益，前作《最后织人》讲述黄麻工厂工人的日常，今次与新晋纪录片导演Akash Basumatari合作，为这场历时超过一年的农民起义留下纪录。

当有两个男孩在尼泊尔的一个边境小镇上被绑架时，侦探警司普贾从加德满都被派来解决此案。但当她到达后，当地酝酿的政治动荡和暴力抗议让她偏离了调查轨道，她被迫寻求当地马德西女警官玛玛塔的帮助。通过搁置系统性的歧视，并克服日常的性别偏见，她们解决了这起案件——但这对她们个人而言又付出了怎样的代价呢？

In a sedate corner of Massachusetts circa 1970, an unemployed carpenter turned amateur art thief plans his first big heist. When things go haywire, his life unravels.