看过 From the Masses to the Masses: An Artist in Mao's China 🌕🌕🌕🌕🌑
Jin Zhilin
cultural army
socialist realism
Nanniwan
socialist idealism (by Jiang Qing) replaces socialist realism: art must romanticize the revolution and idealize communist life
Amy McNair: revolutionary art as theatrical; Mao at the top as the chief character
颜色要红，脸上画得要亮，充满光感。因为红色是最健康的，如果要有不同的皮肤的颜色，都要画成红的。毛泽东是最红的因为他是红太阳
Song Ruxi: Yan'an artist; Mao's portrait
Late CR: studied 1940 Yan'an art and folk art; revolutionary tradition as serving the peasants
素质 to replace 政治; apolitical art
western style shadowing in woodcut vs. line and stark constrast without shadowing in papercut
- papercut was superstititonal
- the kind of cultural exchange between artists and peasants Mao advocated earlier in Yan'an
Chen Sanqiao: local customs and tradition
William A. Joseph
Interview track: Feng Shanyun, Song Ruxin, Jin Zhilin
Eric Hyer: politic art (art as a tool of politics)
photograph as testimony of torture and thenas a gift
Party line changed but Jin was still committed to folk art

想读 The Teaching Archive: A New History for Literary Study

想读 A World History of Chinese Literature
Yiwen Wang - fandom and fan video

The Decay of Cinema By SUSAN SONTAG New York Times, 1996

想读 苏联影响与中国十七年电影

想读 Friend of China - The Myth of Rewi Alley

想读 Not According to Plan

想读 近代中国的物质文化

想读 礼俗消费与地方变迁

想读 Pollution Is Colonialism
performative footnote

想看 民主之眼

想看 From the Masses to the Masses: An Artist in Mao's China

想看 毛泽东的激情

想读 Knowledge Production in Mao-Era China

想读 Paradoxes of Labour Reform

想读 Rhetoric in Modern Japan

想读 Obedient Autonomy

想读 Chinese Modernity and Global Biopolitics

想读 Composing for the Revolution

想读 The Globalization of Chinese Food