1997 film directed by Abbas Kiarostami

2010 film by Abbas Kiarostami

2016 Iranian film by Asghar Farhadi

1996 film by Éric Rohmer

After four years apart, Ahmad returns to his wife Marie in Paris in order to progress their divorce. During his brief stay, he cannot help noticing the strained relationship between Marie and her daughter Lucie. As he attempts to improve matters between mother and daughter Ahmad unwittingly lifts the lid on a long buried secret...

1992 film directed by Éric Rohmer

1990 film by Éric Rohmer

1984 film by Éric Rohmer

1961 film by Jacques Demy

The story of a gentle-hearted beast in love with a simple and beautiful girl. She is drawn to the repellent but strangely fascinating Beast, who tests her fidelity by giving her a key, telling her that if she doesn't return it to him by a specific time, he will die of grief. She is unable to return the key on time, but it is revealed that the Beast is the genuinely handsome one. A simple tale of tragic love that turns into a surreal vision of death, desire, and beauty.

Part-time model Valentine unexpectedly befriends a retired judge after she runs over his dog. At first, the grumpy man shows no concern about the dog, and Valentine decides to keep it. But the two form a bond when she returns to his house and catches him listening to his neighbors’ phone calls.

When Michèle, the CEO of a gaming software company, is attacked in her home by an unknown assailant, she refuses to let it alter her precisely ordered life. She manages crises involving family, all the while becoming engaged in a game of cat and mouse with her stalker.

“出气小说”还是“反精神自传”？
“华人与狗不得入内”标题引发风波
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※编辑推荐※
本小说1997年在圆桌出版社出版后，法国各大报刊反应良好，大力推荐。俄罗斯立即翻译出版，文学评论界一片赞扬声。也许咱们中国读者还不太习惯这类小说，但作为了解当代法国小说动态不妨一读。
——著名旅法翻译家 沈志明
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※内容简介※
这是一部自传体小说，叙述主人公“我”自三十年代初至四十年代末的童年情感历程：战前，德军人侵，逃难，解放等。应当强调指出，这不是自传，而是百分之百的小说，但作者的心灵投影处处可见。就是说，这位遐迩闻名的大律师和社会名流终于找到一种方式来泄露他的“内心秘园”，终于把六七十年压抑于心灵深处见不得人的情感发泄出来。小说字里行间洋溢着出这口恶气的愉悦，故而作者称他的作品为“出气小说”。
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※名人推荐※
作品充分地显示了大手笔的气派，它以卢梭《忏悔录》式的坦诚与力量宣泄内心，倾倒肺腑。
语言格调与语言色彩是塞利纳式的，辛辣的、粗野的、反讽的、夸张的语言随处可见。
真正使读者耳目一新、引人思索的还是作品中的这个“我”，他骇世惊俗，使人震撼。这是一个“既像天使又像魔鬼”一样的人，自视为上帝的选民，有蔑视芸芸众生的狂傲，并以世人特别是手下败将的失败为乐。他在现代生活中是一个善攻能守的角色，全身都是“盔甲”，能做到滴水不漏。
——著名法国文学专家、翻译家柳鸣九

A catholic French couple sees their life upside down when their four daughters get married to men of different religion and origins.

Sandra is a young woman who has only one weekend to convince her colleagues they must give up their bonuses in order for her to keep her job — not an easy task in this economy.

2012 film directed by Michael Haneke

1975 film by Chantal Akerman

《傅译巴尔扎克代表作3:幻灭》内容简介：《幻灭》的中心内容，是两个有才能有抱负的青年理想破灭的故事。青年诗人吕西安在外省顿孚时誉，带着满脑子的幻想来到巴黎，因经不起浮华世界的引诱，想抄近路一步登天，结果变成无耻的报痞文棍，最终身败名裂。他的妹夫大卫是个埋头苦干的发明家，因为敌不过同业的阴险算计，被追放弃发明专利，回到家庭生活中了却一生。这部小说几乎集中了作者本人最主要的生活经历和最深切的思想感受，巴尔扎克自称《幻灭》是“我的作品中居首位的著作”。

《大卫·格德尔》这部出自一位女性之手的作品具有像巴尔扎克、陀斯妥夫斯基等大师那样的力量。
——美国《纽约时报》（1930年）
内米洛夫斯基所有的才华在其第一部小说《大卫·格德尔》中已经展露无遗：她冷冷的注视和仁慈的心灵……《法兰西组曲》也许是她的桂冠，但是她的其他作品无疑证明，她不仅仅是一九四0年六月的时代记录者，也是一位具有宽广视野、并且终于在文学史上占有一席之地的伟大作家。
——法国《读书》
《舞会》足以使内米洛夫斯基跻身她那个时代最具天赋、最著名的作家之列。
——英国《卫报》
《大卫·格德尔》是内米洛夫斯基在法国文坛一鸣惊人的处女作。小说叙述了一个来自俄国的国际金融巨头大卫·格德尔史诗般的一生：他一步步走到事业的巅峰，但又一夜间破产，妻子离他而去，女儿又和小白脸私奔。但是这个老赌徒还有一口气。他迎来一次翻身的机会，出于冒险的习惯，出于对女儿的爱，格德尔投身于这最后一搏之中……
《舞会》则描写了一个炒股而暴富的犹太人家庭为了跻身上流社会，决定举办一次舞会。十四岁的女儿安托万娜梦想参加舞会，却遭母亲拒绝。出于反抗和绝望，安托万娜进行了报复，而这报复行为没有预谋，毫无征兆，一切只取决于她的一个手势……

By the early l940s, when Ukrainian-born Irène Némirovsky began working on what would become Suite Française —the first two parts of a planned five-part novel—she was already a highly successful writer living in Paris. But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in a small village in central France—where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis — she’d begun her novel, a luminous portrayal of a human drama in which she herself would become a victim. When she was arrested, she had completed two parts of the epic, the handwritten manuscripts of which were hidden in a suitcase that her daughters would take with them into hiding and eventually into freedom. Sixty-four years later, at long last, we can read Némirovsky’s literary masterpiece
The first part, “A Storm in June,” opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival—some trying to maintain lives of privilege, others struggling simply to preserve their lives—but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, “Dolce,” we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers—from aristocrats to shopkeepers to peasants—cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity.
Suite Française is a singularly piercing evocation—at once subtle and severe, deeply compassionate and fiercely ironic—of life and death in occupied France, and a brilliant, profoundly moving work of art.