The Flop House Recomends

Two kids find themselves in the centre of a deadly game of cat and mouse after taking a sheriff's cruiser for a joy ride.

For decades, Freddy Krueger has slashed his way through the dreams of countless youngsters, scaring up over half a billion dollars at the box office across eight terrifying, spectacular films.

1991 film directed by Wes Craven

Two fledgling inventors discover a complex method to manipulate reality. At first, they successfully game the stock market with it, but the consequences of the invention start to catch up with them.

A Broadway playwright puts murder in his plan to take credit for a student's script.

When an armed, masked gang enter a Manhattan bank, lock the doors and take hostages, the detective assigned to effect their release enters negotiations preoccupied with corruption charges he is facing.

An over-the-hill gumshoe in Los Angeles seeks to avenge the killing of an old pal, another detective who was involved in a case concerning a murdered broad, stolen stamps, a nickel-plated handgun, a cheating dolly, and a kidnapped pussycat.

Is it man, beast or both behind a string of savage maulings and murders in The Leopard Man? An escaped leopard provides the catalyst for a foray into fear in which castanets clack wildly, a cemetery is a rendezvous for death and love, and a closed door heightens rather than hides the horror of a young girl's fate. It's the third and final teaming of producer Val Lewton and director Jacques (Cat People) Tourneur.
This is usually considered one of the lesser Lewton horror flicks as well as a lesser entry in Tourneur's oeuvre. I think this is unfair, because aside from the rather pedestrian solution to the "mystery" and the lack of resources available to the filmmakers to more faithfully create the New Mexico setting and Hispanic characters, The Leopard Man is to this day a quite tense and frightening film.
This rip includes a commentary by director William Friedken (The Exorcist) and while he is obviously fond of the film and the filmmakers, he has never been the most interesting commentator. Still, it's worth a listen for the little gems that pop up now and then.

A brother and sister are sent to their grandparents' remote Pennsylvania farm for a week, where they discover that the elderly couple is involved in something deeply disturbing.

During a manned mission to Mars, Astronaut Mark Watney is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive.

1988 film directed by Tony Randel

Two teenage boys unwittingly summon an ancient evil entity known as The Blind One by delving into black magic while trying to escape their mundane lives.

A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.

A few days in the life of a quiet geisha, single mother of a smart young boy, in the lively Tokyo quarter of Ginza. A woman devoted to others' needs, she'll end by taking part herself in one of the many disguises of Ginza.

An unhappy middle-aged banker agrees to a procedure that will fake his death and give him a completely new look and identity; one that comes with its own price.

Looking for work, Aaron comes across a cryptic online ad: “$1,000 for the day. Filming service. Discretion is appreciated.” Low on cash and full of naiveté, he decides to go for it. He drives to a cabin in a remote mountain town, where he meets Josef, his cinematic subject for the day. Josef is sincere and the project seems heartfelt, so Aaron begins to film. But as the day goes on, it becomes clear that Josef is not who he says, and his intentions are not at all pure.

Sly and dry intelligence agent Harry Palmer is tasked with investigating British Intelligence security, and is soon enmeshed in a world of double-dealing, kidnap and murder when he finds a traitor operating at the heart of the secret service.

Self-described misanthrope Elle Reid has her protective bubble burst when her 18-year-old granddaughter, Sage, shows up needing help. The two of them go on a day-long journey that causes Elle to come to terms with her past and Sage to confront her future.

A cryptic message from Bond’s past sends him on a trail to uncover a sinister organization. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.

Jake Cullen (Bill Kerr) lives with his grandson in the Australian outback when a massive razorback boar attacks him, destroying his house and killing his grandson. He is accused of murder and his dignity is destroyed.
Two years later, a wildlife reporter, Beth Winters, journeys to the outback to document the hunting of Australian wildlife to be used as animal food, processed in a large factory, but she is attacked by two deranged locals, Benny and Dicko, who leave her to be killed by the beast. Her husband, Carl, goes in search of her, and aids Jake Cullen and his young associate, Sarah Cameron, in hunting for the razorback responsible for her death.
As they search for the creature, Benny and Dicko worry that they may be associated with the murder of Beth Winters, so they attack Cullen and leave him to be killed by the boar. Vowing revenge for his wife and his friend, Carl finds Benny and lowers him into a mineshaft, presumably killing him, and finds Dicko in the factory. Before he can kill him, the razorback surges and mauls Dicko to death before chasing after Carl and Sarah, where they face off inside the processing factory. Carl lures the Boar (having speared it with a pole) into pursuing him down a conveyor belt, at the end of which is a large industrial fan. Not able to stop itself, the boar falls to its demise onto the blade/fins killing it, while Carl rescues Sarah.