Films Directed by Women

A woman suffers a subdued psychological breakdown in the wake of a devastating breakup.

Sarcastic comedy about the Czechoslovakia of the seventies. A young gynaecologist can't figure out whether to get serious with a young nurse or to stay casual with his married lover. Things get complicated when both women don't want to play his game anymore.

A young Oxford academic and his attorney girlfriend holiday in Morocco. They bump into a Russian millionaire who owns a peninsula and a diamond watch. He wants a game of tennis. What else he wants propels the lovers on a tortuous journey to the City of London and its unholy alliance with Britain's intelligence establishment, to Paris and the Alps.

1988 film by Fran Rubel Kuzui

A BBC Storyville BFI archive film about a century of gay rights, desires and history, with a soundtrack by John Grant and collaborators.

The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.
The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,
the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.
Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.

It is about a loving couple which trying to make a living in 1951 Florida. When they are arrested, for a crime they didn't commit. The pair are given long jail terms and ripped from their children, so they begin a stunning fight for justice that has them facing the ruthless sheriff responsible for their incarceration.

1957 film by Ada Neretniece

Malcolm is a chronically shy mechanical genius who has just been fired for building his own tram. He gets Frank, who has just been released from jail, moves in to help pay the bills. Malcolm, with Franks help, turns to a life of crime.

The Red Pill chronicles filmmaker Cassie Jaye's journey following the mysterious and polarizing Men's Rights Movement. The Red Pill explores today's gender war and asks the question "what is the future of gender equality?"

A young girl convinces herself that she will die on the same day that her brother will be born.

2013 film directed by Xue Xiaolu

The story of young, brilliant African-American Anita Hill who accuses the Supreme Court nominee Clarence Thomas of unwanted sexual advances during explosive Senate Hearings in 1991 and ignites a political firestorm about sexual harassment, race, power and politics that resonates today.

Ellesmere Island, northern Canada, 1908. Josephine, a brave but naive woman, embarks on a dangerous journey through inhospitable regions in search of her husband, the explorer Robert Peary, who tries to find a route to the North Pole.

Young, ace assistant DA, Shelby Cook, works with driven cop, Mike Holland, to catch Daedalus, a serial killer infamous for luring his victims to their deaths through labyrinth traps. Three innocent men have already taken the fall for Daedalus and when Daedalus strikes again, Shelby finds herself defending the latest man accused, a retired and respected judge--who also happens to be her own father.

On the outside, Helen has it all – a loving family and a successful career – but when her suppressed mental illness resurfaces, the world crumbles around her. Crippled by depression, Helen finds solace through her friendship with Mathilda, a kindred spirit struggling with bipolar disorder.

18th century Vienna. Maria Theresia von Paradis, a gifted piano player and close friend of Mozart's, lost her eye-sight as a child. Desperate to cure their talented daughter, the Paradis entrust Maria to Dr. Mesmer, a forward-thinking-physician who gives her the care and attention that she requires. With the doctor's innovative techniques of magnetism, Maria slowly recovers her sight. But this miracle comes at a price as the woman progressively starts to lose her gift for music.

In 1896, Virginia Bolten, a well known thirty years old anarchist, arrives in Buenos Aires where she meets her friend Matilda, along with other women working in the mill Volpon Genaro, under the harsh conditions of the time.

This and The Hot Month of August, both made in Greece, were acquired by DORIS WISHMAN for release in the United States. However, she somehow or other lost the dialogue sheets needed for dubbing the films into English. With the original dialogue a mystery, and not understanding Greek in the first place, the Grand Dame of Sexploitation simply re-invented the entire plot blissfully dubbing it away without any clue as to what was really being said, and then adding some steamy sex scenes with her own anonymous adulterers to liven things up.

Sayo and Keiji have eloped to New Zealand to marry, away from the interference of Keiji's disapproving mother in Japan. On their honeymoon, they have the freedom to express their love away from her repressive influence. However, on what should be the happiest of days, Keiji is drowned and Sayo must, by custom, return to live with her cruel and selfish mother-in-law.