Films Directed by Women

Shot in three countries over a two year period, Boxers and Ballerinas explores the US-Cuba conflict through the eyes of four youths--a boxer and a ballerina in Havana and Santiago de Cuba and a boxer and a ballerina exiled in Miami.

Bride kidnapping in Kyrgyzstan

An illegal Chinese immigrant falls behind on payments on an enormous smuggling debt. Ming Ding has only until the end of the day to come up with the money.

Returning to the small Florida town where he grew up, Billy Turner learns that his father has been killed. With little help from the police, Billy will take matters into his own hands and go up against a ruthless local mob boss in a desperate search to find the killer.

A dog who strives to become a man seeks a woman who will love him enough for the transformation to take place.

After a crushing breakup with her girlfriend, a Brooklyn musician moves back in with her Midwestern mother. As she navigates her hometown, playing for tip money in an old friend's bar, an unexpected relationship begins to take shape.

On the surface, Clara Barron seems to have it all: a job as an OB-GYN; a great house in LA; and a loving family. But, the one thing Clara doesn't have figured out is her love life. Pressured by a family wedding in Mexico, Clara asks a co-worker to pose as her boyfriend for the weekend festivities,- only to be caught by surprise when her ex- boyfriend (and family favorite) suddenly shows up after disappearing from her life completely. Torn, Clara must decide between going back to the past or open her heart to new and unexpected possibilities.

2014 film by Catalina Aguilar

Teenagers Luke, Malachy, and Michelle embark on a wild weekend of drink, drugs, shop-lifting and stealing cars. But what starts out as a game turns deadly serious when the three discover that they can't get off the wild ride they've set in motion.

The story of music legend Terri Hooley, a key figure in Belfast's punk rock scene. Hooley founded the Good Vibrations store from which a record label sprung, representing bands such as The Undertones, Rudi and The Outcasts.

A stunning cancer diagnosis spurs Abbie to seek a future girlfriend for fiancé and childhood sweetheart Sam, who's clueless when it comes to dating.

What might be revealed in the slippery space of inviting strangers to act out and respond to 1970s feminism in 2017? YOURS IN SISTERHOOD invites strangers in communities all over the US to read aloud and respond to letters from the 1970s sent to the editor of Ms. Magazine-America's first mainstream feminist magazine. The intimate, provocative, and sometimes heartbreaking conversations with strangers that emerge from these spontaneous performances of forty-year-old letters make us think critically about the past, present, and future of feminism, providing a space of reflection that is newly urgent in the aftermath of the 2016 election.What might be revealed in the slippery space of inviting strangers to act out and respond to 1970s feminism in 2017? Between 2015 and 2017, hundreds of strangers in communities all over the US were invited to read aloud and respond to letters from the 1970s sent to the editor of Ms. Magazine-America's first mainstream feminist magazine.

Archival montage, science fiction, and an homage to '70s feminist filmmaking are woven together to form The Motherhood Archives, a lyrical essay film excavating hidden histories of childbirth in the twentieth century.

Filmmaker Irene Lusztig unearths a dark family secret in search of answers and reconciliation in her breakthrough feature documentary, "Reconstruction."

Ruth Beckermann documents the process of uncovering former UN Secretary General Kurt Waldheim’s wartime past. It shows the swift succession of new allegations by the World Jewish Congress during his Austrian presidential campaign, the denial by the Austrian political class, the outbreak of anti-Semitism and patriotism, which finally led to his election.

It’s not uncommon for a film to have a moving love story at its core. Yet this particular set-up is unusual. The lovers here are Ingebo rg Bachmann and Paul Celan, both important representatives of post-war German-language poetry. The story of the relationship between the Austrian and the Jew from Czernowitz is told through their nearly 20-year correspondence (1948–1967). Or, more precisely, by a young woman and a young man reading from their letters in a studio in Vienna’s venerable Funkhaus. You hear longing, accusations, doubts, expressions of intimacy and alienation, news of separations and lengthy silences. You sense their struggle for words. What these words trigger can be seen in the faces of those reading them out. It’s not only the text but also its effects that are being performed and occasionally discussed. The intensity of the relationship drama is generated via the fascinating language, the actors’ presence, and the camerawork and editing, which break up the dialogue via changing perspectives and shot sizes. Chats during cigarette breaks, in the stairwell and the canteen, lead into the present. History, which was stronger than love, never slips out of focus. (berlinale 2016)
*****
In 1948 Paul Celan, a concentration camp survivor and esteemed post-war poet, met Ingeborg Bachmann, a fellow writer whose father was a Nazi. By 1971, Celan had committed suicide, before which the erstwhile lovers met on just one more occasion. However, they had amassed almost twenty years of long-distance correspondence. Inspired by fact and fiction, where document and literature intersect in the letters, Ruth Beckermann and writing partner Ina Hartwig (a literary agent) embarked on a screenplay based on the exchanges. The result is a cross between observational documentary and essay film, with a deceptively simple approach: two actors (Plaschg and Rupp) read the letters in a recording studio. Applying a documentarian’s intuition to this setup, Beckermann keeps her camera rolling between readings and into cigarette breaks. Capturing Plaschg and Rupp’s palpable on-screen chemistry, Beckermann succeeds in evoking a contemporary ambulatory romance from the historical source material. (Jemma Desai)

Initially, there's that moment of happiness: an African-American celebrating in Harlem cheers "We're free!" as if Barack Obama's victory meant the ultimate end of slavery. AMERICAN PASSAGES is an associative journey through the United States: a disillusioned Iraq veteran, gay adoptive fathers, black judges, white party animals and a pimp at a casino table in Las Vegas. The extreme contrasts of black and white, rich and poor, winners and losers are often as surprising as the meaning of the constitutional right to the pursuit of happiness in these times of crisis. An epic panorama of America.

White-tiled rooms, neon lighting; on the walls black and white photographs documenting the atrocities committed by the german Wehrmacht on the Eastern Front in WW2. Against this background former soldiers talk about their experiences beyond the bounds of “normal” warfare. An uncompromising film on remembrance and oblivion.

Der Wiener hat so seine Eigenheiten: Oft verläßt er seine angestammten paar Dutzend Quadratmeter Stadtgebiet nur äußerst ungern, weil er dort täglich dieselben Locations (meist Kaffeehäuser) frequentiert und sich so einen Mikrokosmos aus freundschaftlichen Beziehungen und vertrauten Umgebungen schafft. Ruth Beckermann ist vielleicht so ein Fall - jedenfalls vermittelt ihr Film "Homemad(e)" diesen Eindruck.