Films Directed by Women

When royal Princess Courtney trades places with famous rock star Erika, two worlds collide while both learn to appreciate new friends and experiences.

Two Russian prisoners are abused mentally and physically.

Dr. Eugene has a goal - to perform the operation of his life. To do this, he escapes from a certain research institute of the brain and begins to look for the only person suitable for this purpose.

A film about the backstage life of an ordinary Moscow bar, where relationships between the owner, the racketeer and the employees are pretty reminiscent of the ones in a family. However, unlike a family, they are connected by a mutual cause, the role in which are far from equal. Submission and humiliation weave through the characters' entire lives.

The workers fight for their rights creating independent union. They know that it is the only way to struggle against the owners of the plant.

The Soviet Russia of old is an immobile head without a body that appears in various locations, clashing with the morals and sentiments of a modern rich man. This man seeks advise from the head but finds that it is annoyingly unresponsive or unhelpful as it sends him on various missions and tests. At times he uses violence or oral rape to get what he wants until he grows too exasperated. Most of the movie consists of improvised dialogue or rants, and meandering scenes in a weapons shop, a railway, and a meeting where the man performs a bizarre magic performance with chickens, eggs and a cardboard box..

The film is about the complicated and even paradoxical relationships in the world of academic music. The character of Aleksandr Maslaev represents the Maestro, a kind of modern Mozart, wallowing in corruption, plagiarism, and envy. Once a talented composer, he's totally lost his gift and cynically buys new music from young composers, then plays it under his own name. Yet, the Maestro does not close this chain, for everyone pays his debts...

A young girl, the daughter of a lesbian couple, lies peacefully abed listening to one of her mothers reading her a bedtime story. The off-beat tale she hears is set in medieval times and chronicles the exploits of poor Lady Eleanor, an independent, free-spirited young aristocrat who would much rather spend her time riding and being outdoors than staying cloistered inside tending to needlework. Still she is a dutiful daughter and reluctantly abides by her late father's wish that she marry Lord William. William knows that he is not her dream lover, but he is patient and eventually she gets pregnant. Eleanor is terrified, for her mother lost her life and the life of her baby giving birth. Not wanting to suffer the same fate, she sneakily tries to engage the local midwife to come and abort the fetus. Unfortunately, the midwife has been accused of sorcery by the local priests and has been sentenced to die. Fortunately, young Gwenyth, a new midwife shows up.

A talented, but distracted photographer, Lola, on the verge of success in both love and work, could lose it all if she doesn't make it to a crucial meeting on time. But, as usual, Lola is late. With her job and girlfriend on the line, she has three chances to make it right. In a desperate race through the streets and back rooms of San Francisco, time grows short-will Lola make it? Will she come at all? With a pop sensibility that mixes live action, animation and still photography, And Then Came Lola explores love's age old question in a fresh new way, "If you try, try again, will you finally get it right?" (Written by M. Siler and E. Seidler)

Dr. Abraham Van Helsing is granted immortality by the Catholic Church until he can hunt down the last vampire prince.

Ten years after witnessing her older sister's brutal murder, Jenny Traylor leaves her hometown in North Carolina to start her freshman year at the University of New York City. Still traumatized by her sister's death and struggling with crippling agoraphobia, Jenny tries to cope with the overwhelming city and figure out her new life.

A tough nun (Anna Massey) demands belief and obedience from convent schoolgirls (Katrin Cartlidge, Oona Kirsch) in World War II England.

Bird, a smart level-headed tween, and her immature stoner mom gracelessly navigate the arrival of Bird's first period, which she gets on the last day of school… in front of the entire class.

2007 film by Anahí Berneri

2017 film by Anahí Berneri

A writer dying of AIDS searches for a cure and human interaction in the hospitals and sex clubs of Buenos Aires.

2014 film

Are we what others see, or are we what we allow others to see? Most likely it is the view of others which delimits our own identity, as a young divorced mother named Julieta convinces herself. This evening is like any other: her two young sons are roughhousing in their cramped apartment. They whoop and shout while their mother makes desperately futile attempts at the computer to concentrate on writing a report for work. Feeling intense pressure, Julieta tries to quiet the conflict but finds it difficult without a partner to help. The tense situation changes unexpectedly when her two-year-old falls and hurts himself. In this story of a mother suspected of hurting her own child, the movie investigates themes of motherhood, guilt, duty, the role of men and women, fathers and mothers

Evangeline (Kat de Lieva) has left her sheltered upbringing to reinvent herself in college. As she begins to break out of her shell, she attracts the attention of a sociopathic fraternity leader (Richard Harmon) and his two cohorts. “Beaten and left for dead, Evangeline finds herself trapped in a supernatural nightmare, where she is caught between salvation and vengeance. But to save herself, Evangeline discovers she must make the most horrifying choice of all…

Seven female directors present seven short films.