Films Directed by Women

A boy named Harley and his family (brother Austin, mother Beth, and father Mitch) attends a taping of The Banana Splits TV show, which is supposed to be a fun-filled birthday for young Harley and business as usual for Rebecca, the producer of the series. But things take an unexpected turn -- and the body count quickly rises. Can Harley, his mom and their new pals safely escape?

The teenage girls of Vestalis Academy are meticulously trained in the art of being “clean girls,” practicing the virtues of perfect femininity. But what exactly are they being trained for? Vivien intends to find out.

A group of sorority pledges are stalked by a stranger during their Christmas break. That is until the young women discover that the killer is part of an underground campus conspiracy.

A group of old friends gather for a girls’ night on New Years Eve. But as they begin to rehash old memories, many of the gripes they’ve been harboring manifest in murderous ways.

Moa is in her early 20s, works at a factory and lives by herself in a cottage in the forest. She is a vegan and follows her friends and demonstrations, mostly to fit in. But at home, by herself, she listens to pop music and use make-up.

2010 film by Tova Magnusson

An African refugee is shot by the police. A husband and wife are killed and their son is still missing. Another body is found in a luxurious appartment.

From IMDB, "A young orphan who lives with her grandmother in a large Virginian home infatuates herself with the voices of Joan d'Arc. Her nanny seeks out the help of a rich suitor (David Lynch's first real acting role) to take her and the orphan away when she realizes that the often cruel grandmother cannot offer the orphan the love that she needs. Ends with an unpredictable plot twist."

Newcomer Evan joins a group of teens on a getaway in Joshua Tree. While exchanging ghost stories around the campfire, Evan reads aloud a mysterious chant from an internet site. From that moment, someone--or something--is among them.

Anna and Adam, a young couple from Paris with Polish Jewish origins, leave for the first time of their lives in Poland. They were invited to commemorate the seventy-fifth anniversary of the destruction of the birth village community of Adam's grandfather. If Adam is not very excited about this trip, Anna is excited to discover the land that is also her grandmother's. Finally - from what little she knows. Here they are, looking for their origins in a journey full of surprises, during which they will not find exactly what they came for.

Five short stories from five different directors set ten years in Japan's future.

Spooky stuff is afoot in a French school. All of a sudden, 10-year-old Daniel finds himself alone with Marthe – their encounter is both tender and troubling, and it seems to take place in a sort of vacuum. In Marine Atlan’s dream-like feature film debut, children dance tango timelessly, recite poems and do the drill for an imaginary terrorist attack.

Eleven-year-old Liberty is one of 13 siblings, each of whom lives in a separate foster family across the US. She looks forward to seeing some of them once a year, at a summer camp for natural brothers and sisters divided in the care system. For one week only, she'll reunite with a few of her biological kin and take on symbolic relationships, including one with 18-year-old Brandi, who is reuniting with her own natural sister. Filmmaker Audrey Gordon takes up both girls' perspectives, following Liberty and reading Brandi's diary entries, gently capturing the younger one's open heart and the elder's knowing experience of these precious shared days. Without pretense, cynicism or expectation, each child fully welcomes the other, recreating missed milestones like birthday celebrations and makeup sessions, soaking up the affection that will last them the year through. Thoroughly moving, this tender chronicle illuminates even the most solitary soul's deep need for familial connection.

Une femme héberge quelques amis mais ne leur confie pas les clés de son appartement. Sa fenêtre donne sur un camp de migrants. Ses amis vont, viennent. Un jour, les migrants ne sont plus là. Les jours suivants, de nouveaux venus, qui ne sont pas des migrants, apparaissent dans l'appartement.

À l'été 1990, dans le Golfe du Morbihan, on pouvait ramasser les palourdes à pleines mains. On dit qu'il n'y avait qu'à tendre le bras et que des jeunes hommes d'à peine vingt ans voyaient leurs copains payer tournée sur tournée avec des billets de 500 francs, abandonnaient les petits boulots et pêchaient en bandes. Qu'on les appelait "pêcheurs à pied". Qu'ils gagnaient des sommes prodigieuses en ne travaillant que quatre heures par jour, les jours qu'ils voulaient. Et Robinson Crusoé disait : "Je n'avais besoin de rien de plus que ce que je possédais, et ne possédais rien de plus que ce dont j'avais besoin".

In Portugal, a father, a mother and a daughter's daily lives are being subsumed by the effects of the economic crisis.

Xingxi travels alone to Alor Setar, a town in Northern Malaysia. As a consequence of a blown tire, she experiences three variant adventures. She introduces herself to people using different identities with mysterious secrets. In return, what the journey brings her is thoroughly unexpected. In the first adventure, Brooke is a traveler; in the second adventure, Brooke is an anthropologist; in the third, Brooke is a divorcée. She is a disheartened woman who comes across a French writer named Pierre. The two lonely travelers become instant friends. Their age gap enables them to have their respective insights into life and death. Meanwhile, it is not until the enigmatic side of Alor Setar begins to unfold that Brooke tells Pierre the true reason why she has come. They seek to understand the interaction between love and life. As the story comes to an end, mother nature shows her beauty with the magical Blue Tears phenomenon on prominent display.

2019 Chinese film

This dark and intense drama follows the slow and painful destruction of a young, passive woman as she watches her family fall apart. Maria is the shy and dutiful daughter upon whose shoulders the family traumas have fallen. In addition to a regular job she cooks, cleans, and studies. Her parents offer no assistance as her father is blind, with a tendency towards violence when drinking. His wife, the focus of his violence is terribly unhappy. After a particularly brutal beating, Maria's brothers rise up against the father and end up leaving the home. It is up to Maria to try to bring the factions together. Maria's pressures increase after she calmly stabs her boss during an attempted rape, and then copes with her mother's suicide.

Sonia, a girl from St. Petersburg, decides to seek a better life in Western Europe. She first gets a job at a car dealer in Germany. But she is suddenly kidnapped and sold into sexual slavery. She will be dragged from country to country and resistance will only bring her misery and humiliation.