Films Directed by Women

Camille wanders through the countryside talking with frogs and chickens: she sails through life as a carefree soul. But for her older sister, the introverted Mylia, things are more complicated. Mylia is lost between the uncertainty in her family life, the superficial atmosphere at her new school and her first experiences at house parties. It is Camille who eventually introduces Mylia to Jimmy. The boy from the nearby Abenaki reserve is different and he encourages her to break free.

Bo-hee, a 14 year old boy, was raised by a single mother and has always thought his father had passed away. Bo-hee hears that his father may be alive, and he sets out in search for him with his best friend Nok-yang. He finds his half sister on the way and forms a friendship with her boyfriend.

Returning from eight years abroad at work and in prison, Jeong-il struggles to reconnect with his wife and their young daughter, Ye-sol, whom he barely knows.

During the Japanese occupation of Korea, the Japanese Empire seeks to eradicate the Korean language and identity. In retaliation, a small group of Korean patriots try to protect their language by compiling the first Korean language dictionary.

A woman becomes disenchanted with life after years of studying for an important exam. One lonely evening, she encounters a beautiful, disciplined woman and becomes fascinated with emulating her lifestyle.

Seon-hee is a high school girl who used to tell lies to get her friends attention. She leaves Seoul guilt-ridden when her friend Jung-mi kills herself because of Seon-hee's lies. In the countryside where no one knows her, Seon-hee begins a new life as Seul-ki.

"700 meters far from humans, and million meters far from humanity…" The study of the life of the lepers of Spinalonga with a dedication and affection that brighten the neo-realistic and documentaristic framework and style of the film. Plot: We watch romantic and emotional adventures, ideological and sentimental conflicts featuring the patients, doctors and several locals. The doctor Stathis Chtenas (Giorgos Kampanellis) is disappointed at the situation on the island and confesses to the teacher (Orestis Markris) that he wants to leave soon. Their life changes with the arrival of a young volunteer doctor, Angela (Nina Sgouridou), whose dynamic presence transforms life on the island. Stathis and Angela become a couple and make everything to improve life at Spinalonga. However, on the occasion of young Sifis’s (Tzannis Kourkoulakos) “escape” from the island, Stathis’s attitude changes.

Historical documentary, on the life and work of the great Greek politician who contributed decisively to the shaping of the physiognomy of modern Greece. Venizelos came to Athens in 1909, after the Goudios Movement, at the invitation of the Military Association and, upon assuming the prime ministership, clashed with the palace. The film follows the man's path, through recorded testimonies (cinematic newsreels, photographs, newspapers), from his beginnings in Mournies, Crete, until his death.

At a high mountain hotel in Norway the porter Poppe tries to do the best he can for the guests with an often unhelpful piccolo Rudolf. This, however, leads to a lot of problems, and Poppe thinks some of the guests behave inappropriate.

Gerd, considered a woman of dubious morals, falls in love with a boy whose family does not accept their relationship, so both run away and settle in a cabin in the woods where they meet a sullen man who tests their love.

The working-class family Bråten is living in a top floor of a tenement house on the outskirts of Oslo. The family includes three sons and two daughters, mother and father in one room and kitchen. Mother Hulda is the family hub while Mr.Bråten itself is a silent and withdrawn worker. Children contribute in their own way to the neighbors are right when they exclaim: Never anything but trouble! There are problems for all when the police come into the picture after the one his son is participating in a car theft. Middle of all this chaos, 16-year-old Maiken (Vigdis Røising) moves out and seek questionable friends, which brings her into conflict with his father. A tragedy brings the family together again.

Main character Esther feels like she doesn't fit into the 'elite' and takes the big showdown with those who always have.

1957 film by Edith Carlmar

A man falls in love with his young French language teacher. It becomes a complicated love story when his class mate Karin also begins to fancy her.

In "Skadeskutt" we follow the couple Einar and Else Wang in a painful drama about love, happiness, sorrow and eternal damnation. About a couple's struggle trying to get pregnant and the despair of not succeeding. About psychological disorders and the society's insane judging of people with such problems. A nationwide press was impressed with "Skadeskutt". The director Edith Carlmar, one of the first female directors in Norway, was compared with Hitchcock for her work. For actor Carsten Winger, his portrayal of the character in the movie was considered a victory and a big achievement. "A sure success", "Impressive" and "A victory for Norwegian Films" are some lines from the critics. "Skadeskutt" is one of the breakthroughs within Norwegian film making.

The young wife of an upper-class academic disappears while her husband is on holiday. In his search for her, the husband learns that there was much he did not know both about her past and about their relationship.

During Second World War a beautiful love between two young people burns out against the background of the Nazi reality.

Apostol, an architect on this side of forty, meets by chance Bella at a swimming pool on the night of her graduation party.

The fortunes of a group of partisans after the triumph of the socialist revolution.

Friends of different generations, practicing different professions, spend together their summer holidays at the seaside every year. It is sunny; they look carefree and happy. They know each other very well, they are used to each other. To such an extent, that bore becomes inevitable. It is boredom that incites them to play a dangerous game. The end is dramatic: a young boy gets killed. It is the moment to draw the bottom line. The question is: Isn't the death of the spirit worse than of the body?