Is That Black Enough for You?!?

Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his vengeance, he rises to power in Harlem, New York. Angry at the racist society around him, both criminal and straight, he sees the acquisition of power as the solution to his rage. He performs a free-lance hit on a Mob contract to attract the attention of the head of a Mafia family. Reluctantly accepted into 'The Family,' he grows increasingly autonomous and aggressive, eventually starting a gang war.

Goldie returns from five years at the state pen and winds up king of the pimping game. Trouble comes in the form of two corrupt white cops and a crime lord who wants him to return to the small time.

Summary:
After being stabbed with an ancient, germ-infested knife, a doctor's assistant finds himself with an insatiable desire for blood.

This post is why Blaxploitation Pride exists. We know the genre is a lost one. It's revered but was not preserved. Pride is a necessity but in excess quickly becomes a sin. Pride is an element of cultural identity that has been washed away in today's world. One can never receive enough excessive imagery of Black pride if you love what you see and hear on BP. Of course, the history was rich well before the 70's, truth be told.
I learned plenty from filmmaker Jamaa Fanaka regarding the power of moving pictures and Save The Children is the prototypical example of that power. All of the enthusiasts and loyalists of the genre ask "What about Save The Children? Does that exist? Has anyone seen it?" I say that's a 'double entendre', I, too, wonder if it exists and I also ask is there an actual interest to literally "Save The Children"?
From a documentary to an actuality, this post can be metaphor for those priceless lost tapes, uncovered footage, pride, the power of film to the question of whether or not does anybody care to "save" anything be it "blaxploitation", children, or simply making quality film with dignity, meaning and that which is revolutionary in scope.
Save The Children does exist as a tangible treasure for our viewing pleasure but is non-existent in the sense the world may not bear witness to that power ever. It may be a DVD rip of a VHS rip but even still, it's a historical artifact. Stan Lathan, director of this documentary, speaks about in his experience in an interview here What's interesting is there is no talk of where the film is today or if there is a possibility of a DVD release.
Classics like The Mack, When We Were Kings, Wattstax, Soul Power and Black Rodeo were directed by Michael Campus, Leon Gast, Mel Stuart, Jeffrey Levy-Hinte and Jeff Kanew respectively. These white men all speak on their commentaries and interviews of how either it was hell to get the film made, hell to get it released in the theater, and some years later, hell to retain the film and transfer it to DVD. They saved their children, regardless.
As beautiful and as powerful as these productions are, the necessity to present these experiences to next generations was made possible by men not even from the culture. Save The Children is not talked about as being released anytime soon, if at all.
Stan Lathan formed a media group with one of the richest Black men in the world, Russell Simmons and through HBO the successful Def franchise was born. Save The Children remains stillborn. Def Comedy versus a Def Tragedy. Brother Self-Science, Funkback, the BP familyhood and I see how imperative it is not only to "Save" that which is not left to be saved, but to preserve the antiquity and edify these "children" into adulthood so they can pass on the preciousness to generations beyond.
By the way, wait 'til you see this pretty baby........

After her younger sister gets involved in drugs and is severely injured by contaminated heroin, a nurse sets out on a mission of vengeance and vigilante justice, killing drug dealers, pimps, and mobsters who cross her path.

John Shaft is persuaded by threats of physical force, the promise of money, and the lure of a pretty tutor, to assume the identity of a native-speaking itinerant worker in Africa. His job is to help break a racket that is smuggling immigrants into Europe then exploiting them. But the villains have heard that he is on his way

After an aging voodoo priestess dies, her arrogant son Willis Daniel's believes he is next in line to lead. He is outraged when Lisa, his mother's adopted apprentice is chosen as the leader. Willis seeks revenge by reviving the African prince Blacula — but soon finds that he cannot control him.

James Bond must investigate a mysterious murder case of a British agent in New Orleans. Soon he finds himself up against a gangster boss named Mr. Big.

During the 1970s, U.S. Special Agent Cleopatra Jones proves to be an invaluable asset to the local police forces in the war on drugs.

A black soldier comes home to Harlem after a tour in Vietnam and discovers that his wife had become a heroin addict and died of an overdose. Infuriated, he gathers three of his ex-GI buddies and they lay out plans to fight the drug dealers.

Vigilante Slaughter comes under attack from Duncan, a local money launderer whose hit-man traps Slaughter in a car at a cliff, but Slaughter escapes, arms himself, and goes after Duncan's hideout.

A federal agent whose daughter dies of a heroin overdose is determined to destroy the drug ring that supplied her. He recruits various people whose lives have been torn apart by the drug trade and trains them. Then they all leave for France to track down and destroy the ring.

A black man plays Uncle Tom in order to gain access to CIA training, then uses that knowledge to plot a new American Revolution.

A black high school student is caught dating a white girl by the girl's brother. He and his biker gang beat the boy to death. The boy's brother, who is a member of a black biker gang, hears about it and comes to town to avenge his brother's death.

A Harlem gangster must rescue his ex-wife, who's been kidnapped by the Mafia.

Two Navy men are ordered to bring a young offender to prison, but decide to show him one last good time along the way.

A social worker tries to get a pimp to change his ways.

A novice con man teams up with an acknowledged master to avenge the murder of a mutual friend by pulling off the ultimate big con and swindling a fortune from a big-time mobster.

1974 film directed by Mel Brooks

Claudine is a single mother in New York City who endures an exhausting commute to the suburbs where she works as a maid for wealthy families. In one carefully tended white community, she meets Roop, a charismatic but irresponsible garbage collector. Romance quickly ensues, but Claudine doubts that their relationship is good for her six children, and Rupert, despite his good nature, is reluctant to take on fatherhood.