HKIFF46 第四十六屆香港國際電影節

波兰最重要的一部前卫电影。《欧罗巴》风格鲜明，带有拼贴特色，作风大胆新颖。
该片改编自安纳托尔·斯特恩的一首诗。
摘自《电影的故事》马克·卡曾斯P143

18 years after Kurt Kren produced his third film 3/60 Bäume im Herbst [3/60 Trees in Autumn], he shot his masterpiece 37/78 Tree Again. 18 years after I created my third darkroom film L’Arrivée (an homage to the Lumière brothers and their 1895 L'Arrivée d'un train), I embarked on Train Again. This third film in my “Rushes Series” is an homage to Kurt Kren that simultaneously taps into a classic motif in film history. My darkroom ride took a few years, but we finally arrived: All aboard!

一段損壞不堪的易燃破舊菲林，閃出上世紀初柏林市中火警的殘餘逸像，火勢一秒 24 格展現是意態想像，水跡隨機侵蝕在放浪溶像。帕度邁亞不是去修復還原，而是在影像完全分解消失前，詮釋不生不滅的魅影，垂死寂滅的世情，也有永恆一剎的可能性。

Distant lights reveal the outline of a city. Illuminated ships cross the water with sleeping people on board and the night appears to become liquid. The sower of stars wakes them and travels with them through the city. They talk about this and that – and say goodbye to everything.

A student of the occult encounters supernatural haunts and local evildoers in a village outside of Paris.

At a track near Rome, shoeshine boys are watching horses run. Two of the boys Pasquale, an orphan, and Giuseppe, his younger friend are riding. The pair have been saving to buy a horse of their own to ride...

1968 film directed by Carol Reed

During a return to his provincial home, a young man gets involved with a woman who is ultimately possessed by her sister's spirit, paving the way to revealing the painful truth about her unsolved disappearance.

历史上确有其人：18世纪有一个奴隶主为了洗涤自己的灵魂，让12个黑奴暂时忘却他们的奴隶身份，上演一出耶稣的最后晚餐，以便皈依基督教。

A stranger who may be the trickster magician Kummatty comes to a village in Malabar, India.

When two poor Greasers, Johnny and Ponyboy, are assaulted by a vicious gang, the Socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events.

A continuation of "Diary for My Children," the film picks up in 1950, when Juli, the diarist, is 18 and determined to become a movie director.

A sad and troubled man finds a new job five years after the end of WWII, where he writes love letters for other people.

1955 film by Kinuyo Tanaka

1955 film directed by Kinuyo Tanaka

Pu Zhe, the younger brother of the Emperor of Manchukuo, Pu Wen, marries Ryuko the daughter of a long-established aristocratic family – all in the interest of the Japanese rulers, which legitimizes the relationship between Japan and its Chinese puppet state. To the surprise of all , a deep love between Pu Zhe and Ryuko develops. It is put to the test when Japan loses the war, Manchukuo is dissolved and the imperial court must flee. The lovers now have to separate: Pu Zhe tries to escape to Japan with his brother, while Ryuko flees with her daughter Eisei over the country. A film on the relationship between Pujie (1907-94), brother of the “last emperor” Puyi and his second wife, Marquise Hiro Saga (1914-87).

In the wake of the 1956 Prostitution Prevention Law, a young woman recently released from one of Japan's new rehabilitation centers struggles to build a new life.

The basic story in Love under the Crucifix is about Ogin, daughter of a tea master, who are both Christians in feudal Japan. Ogin falls in love with a feudal prince, also a Christian who is already married, and that creates problems. Further, when the Shogun bans Christianity, the situation worsens.

1974 film by Kei Kumai

Luis Buñuel, pioneer of the purest surrealist cinema since "An Andalusian Dog" and although he wanted to abandon it after "The Golden Age", he maintained continuous references to surrealist postulates during his cinematographic career in Mexico and later in France and Spain. Buñuel never ceased to cultivate these principles that emerged from his childhood, elements that, like dreams, have formed part of his most basic creative pillars and shaped a large part of the singularity of his cinema. Buñuel's cinema, like Goya's paintings, is in the creative paths of filmmakers, but also of writers, painters and playwrights. This documentary will allow a new generation of young audiences to discover this universal filmmaker. Buñuel's vision remains provocative, as well as enhanced by his links with art and literature.