2025 台北電影節 Taipei Film Festival 影展

After an abrupt layoff, Z embarks on a trip across the Midwestern United States in search of a friend who has seemingly disappeared off the grid. Traveling with her two closest friends, these three queer black femmes find their priorities tested as shapeshifting threats in each city expose (inter)personal and ideological fractures.

Gerd, considered a woman of dubious morals, falls in love with a boy whose family does not accept their relationship, so both run away and settle in a cabin in the woods where they meet a sullen man who tests their love.

A love triangle of two men who desire the same woman. We follow them through three days of grouse hunting, a chase that ends violently. Or does it?

Lasse & Geir, two suburban boys in their late teens, kick up a row on the bus into town, making the driver call the police. They get arrested and have to spend the night in jail. The next morning they are sent home - Geir to his alcoholic mother, Lasse to his disillusioned and abusive father.

The 50 year old house wife Ingrid is unsuccessful in her first job after the kids have grown up. her husband send her to a stay at a summer hotel, where she return to spirit and goes back home only to find him in bed with a lover.

Little Ida's mother is working for the Germans during WW2, and she is also having a relationship with a German SS-officer. Ida is experiencing the problems of having a mother who is involved with the enemy, without being old enough to understand what is actually going on.

"The subject of "Wives" is that of those who here consider themselves a subject-race: women. It is a Norwegian film that makes its points far more effectively on behalf of that downtrodden species - the film's suggestion, not mine - because it can afford to joke about its ideas.... And it also see that men, too, have their problems in the way society sees the martial state.
The story begins with a class reunion and ends with the feeling that it has also examined the union that binds and polarises both sexes. It curious mixture of frivolity and seriousness doesn't always work, but it is certainly the best hilm i have yet seen on the subject of Women's Lib.
The woman director, Anja Breien, had followed the progress of three girl-friends who, after the reunion, decided to go on a spree. They are delightfully differentiated and utterly likeable. Mie, whose clowning disguises her vulnerability; Katja hiding her identity behind pregnancies; Heidrun, the proletarian who is too easily swayed by emotion.....It is a caring film, not only about its characters but about people as people."
(Tom Hutchinson, Sunday Telegraph)

Ten years have passed since our three heroines' first outing in 1975. Now the women meet at yet another class reunion. Not surprisingly, they are still unwilling to call it a night after the party is over. Husbands and children must celebrate Christmas as best they can, while the women spend quality time drinking and taking stock of their lives.

This mellow comedy is the third entry in filmmaker Anja Breien's "Wives" series and stars the same three actresses who appeared in the first two. This episodic film begins with flashbacks to the 1975 film Wives and scenes from 1985's Wives: Ten Years Later. Now ten more years have passed and they are comfortably ensconced in middle age. They have gathered to hold a surprise birthday for Kaja aboard an Oslo streetcar. The three haven't seen each other in ages and much of the story focuses on their discussions of their disparate lives. Every word, smile and tear they share affirms the depth of their lasting friendship.

Arvid falls in love with Lydia but puts the budding romance on hold to pursue a career and material wealth. Lydia is willing to wait for Arvid, until her father dies, leaving her finances in a dire state.

Gathered at a funeral for a successful business man, the testament is to be read. They will all inherit, with a big IF; if the family company is to be joint run by all the heirs.

The year is 1630. A young woman in Laupstad comes to a small mountain village. She witnesses a woman being hunted and captured.

2024 film by Halfdan Ullmann Tøndel

Akam, a young literature teacher, lives a comfortable life in Oslo until his estranged uncle from the Iranian part of Kurdistan comes for a surprise visit. Despite limited space in his shared flat with friends, Akam feels obligated to invite his uncle to stay for a few days. However, his uncle quickly makes himself at home and shows no sign of leaving anytime soon. Torn between his sense of familial duty and growing tension in the flat, Akam begins to suspect there's more to his uncle's visit than just a casual trip. What follows is a series of revelations and unexpected events that could have life changing consequences for them both.

Quisling was put on trial and executed for his collaboration with the Nazis during the Second World War.

What would you say about a female teacher falling in love with a 15-year-old? What would you think when you heard her confession? How do you set borders for someone's love and feelings?

Ingrid tries, together with several acquaintances, to compose a song for the wedding of a mutual friend. However, she's more occupied with her mother's death that she may have contributed to.

What happens to us when people stop acting like they're supposed to? A nurse gets into a dispute at work because she switches to speaking English when she gets nervous. A translator compromises her integrity when persuaded to translate a book she doesn't believe in. An elderly woman and her daughter are humiliated when offered a present of one million kroner from a relative. I Belong is a warm and nuanced film about people who all mean well, but end up hurting one another. About how people who act on integrity and feelings are seen as troublesome in a society where the ideal is to behave rationally. A playful tragedy-comedy about how what seems like something of little importance to one person, can seem like a grand disaster to another. Written by Motlys

During a break in school 13 year-old Lykke, the daughter of a prominent Labour Party member, seriously injures her classmate Jamie, the son of a high profile right-wing politician.

Two chimney sweeps living in monogamous, heterosexual marriages both end up in situations that challenge their views on sexuality and gender roles.