hkiff46片单

In 1877, in a watch factory in a valley in north-western Switzerland, Josephine produces balance spindles, tiny parts that ensure the agitation movement ("unrueh") of the mechanical watches. She soon grows uneasy with the organisation of work and possession in the village and its factory and joins the anarchist worker movement of the local watchmakers. There she meets Piotr Kropotkin, a moony Russian traveller. The two of them meet at a time when new technologies such as time measurement, photography and the telegraph are transforming the social order and anarchist discourse is addressing emerging nationalism. During a walk in the woods, Josephine and Piotr ask themselves whether time, money and the government are not all but fictions.

2021 film directed by Omar El Zohairy

Captain Fedor Volkonogov is part of the law enforcement system. He is appreciated by the commander and respected by colleagues. But the moment comes for Captain's life to take the abrupt turn - he is criminally charged. Captain manages to escape prior to the arrest turning in a split of the second into prey hunted down by ex-colleagues. At night Fedor receives the warning from the afterlife that he is destined for Hell and eternal torments. Though Captain still has a chance to change the destiny and be accepted to Heaven under condition that he repents and at least one person grants him sincere forgiveness. Fedor sets on a mission to find absolution without idea of the trials he is to face on this route.

In 1905, French seminarian Bruno Reidel is found guilty of murdering a child. At the request of the doctors observing him, he writes his memoirs to explain his action.

2021 film directed by Kirill Serebrennikov

谢尔盖·洛兹尼察是一位东欧历史的出色记录人。他的记录既涵盖了最近的事件，如《中央广场》（2014）中的乌克兰叛乱，也涵盖了更早的事件，如《国家葬礼》（2019）中的斯大林葬礼。他在展现过去时总是保持警觉，巧妙地运用档案素材，使观众仿佛成为现场目击者。在这部讲述1989年到1991年间，波罗的海国家立陶宛脱离苏联的影片中也是如此。这一以大量歌唱进行和平抗议的时期被称为"歌唱革命"。
作为独立运动的发起人之一，现年88岁的维陶塔斯·兰茨贝吉斯当时处于历史剧变的中心。借助大量关于示威活动、党代会和苏联军事干预的档案素材，他富于洞察力的思考得到补足。冗长的档案片段见证了在通往自由的道路上，兰茨贝里斯和他的同胞们所需要付出的耐心。这是一堂关于苏联解体的细致而引人入胜的历史课。
本片获IDFA竞赛单元最佳影片奖、最佳剪辑奖。

An Israeli filmmaker throws himself in the midst of two battles doomed to fail: one against the death of freedom in his country, the other against the death of his mother.

Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.

2022 film directed by David Cronenberg

2001 film by Hou Hsiao-Hsien

1982 Hong Kong film directed by Ann Hui

2003 film directed by Andrew Lau and Alan Mak

2010 Hong Kong film directed by Alex Law

2000 film by Dante Lam

Francis Ng is Jordan, a low level triad who finds himself strangely attracted to divorced restaurant hostess Juliet, who’s had a mastectomy and has since retreated into a shell. Through coincidence, the two form a makeshift family with the child of a triad boss who’s after Jordan for some dough.

1998 film by Raymond Yip

《狼隱之家》（42 屆）導演假借世上首部定格動畫出土，在仿似重新修復的十六米厘破落影像裏，隱見原住民少女施行驅魔儀式，骷髏顛簸舞動，軀體凌亂錯置，傳召憲法兩大始作俑者魂魄，為智利過去的黑暗政治破詛解咒。

Los huesos is a fictitious account of the world’s first stop-motion animated film. Dated 1901 and excavated in 2021 as Chile drafts a new Constitution, the footage documents a ritual performed by a girl who appears to use human corpses. Emerging in the ritual are Diego Portales and Jaime Guzmán, central figures in the construction of authoritarian and oligarchic Chile.
DIRECTORS’ STATEMENT
We understand our works as rituals, incantations or spells. We imagine Los huesos as a myth of origin of animation, and at the same time as a ritual that channels and interprets the energy of the historical moment happening in Chile today.

2022 film directed by Alon Schwartz

Di is a 12-year-old girl from the mist-shrouded mountains of northern Vietnam. She belongs to the Hmong, an ethnic minority in which girls get married at a very young age. This is often preceded by a controversial “bride-napping,” where the girl is abducted by her future husband on New Year’s Eve. Negotiations between the families follow.
This also happened to Di’s sister and their mother, so it doesn’t seem strange that in preparation the women and girls discuss sex and married life without embarrassment. But Di also goes to school, where she learns very different values. And in her own way, even Di’s mother tries to warn her daughter about child marriage.
Director Diem Ha Le tells a story about the clash between ancient customs and modern values, in a place where children from a traditional culture also have access to the outside world. Her first full-length documentary is a moving film about the challenges faced by a young Hmong girl, but above all is about a teenager with a strong character, and who is not just a victim.

Tang Zhijun, an editor of a science fiction magazine, attempts to find signs of an alien civilisation. When a strange young man claims to have received instructions from aliens, Tang and his team follow him in search of extraterrestrial creatures.