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A stranger in town becomes the target of a lynch mob in Allan Dwan's feverish Western noir, made at the height of the nation's "Red Scare" witch hunts and now acclaimed as one of the most concise anti-McCarthy parables ever made by Hollywood. About to marry the lovely Rose (Lizabeth Scott) on the 4th of July, straight-ahead Dan Ballard (John Payne) finds his nuptials interrupted by "marshal" Ned McCarty (a sneering Dan Duryea) who claims he’s wanted for murder. Innuendo and suspicion soon turn the townsfolk from caring neighbors to a braying mob and it is up to Rose and one of Dan's ex-lovers to keep our hero from the gallows. Famed noir cinematographer John Alton shrinks the West's expansive plains into a claustrophobic nightmare of disorienting camera angles and harsh high-contrast lighting, the better to match the film's rapidly escalating sense of utter paranoia. With SILVER LODE, Dwan turns the American frontier into an American prison, with a madman named "McCarty" ready to destroy anyone who stands against him. - Jason Sanders

1954 film by Luchino Visconti

1954 film directed by Federico Fellini

1953 film directed by George Stevens

1954 film by Roberto Rossellini

1953 film by Fred Zinnemann

A bounty hunter trying to bring a murderer to justice is forced to accept the help of two less-than-trustworthy strangers.

San Francisco businessman Harry Graham and his wife and business partner, Eve, are in the process of adopting a child. When private investigator Mr. Jordan uncovers the fact that Graham has another wife, Phyllis, and a small child in Los Angeles, he confesses everything.

In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.

1953 film by Max Ophüls

Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.

1953 film by Vincente Minnelli

In New York City, an insolent pickpocket, Skip McCoy, inadvertently sets off a chain of events when he targets ex-prostitute Candy and steals her wallet. Unaware that she has been making deliveries of highly classified information to the communists, Candy, who has been trailed by FBI agents for months in hopes of nabbing the spy ringleader, is sent by her ex-boyfriend, Joey, to find Skip and retrieve the valuable microfilm he now holds.

1953 film by Ingmar Bergman

A viceroy, a nobleman and a bullfighter court a comedy-troupe actress in 18th-century Peru.

1952 film directed by Fred Zinnemann

1952 Italian film by Vittorio De Sica

Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer, Jonathan Shields, as seen through the eyes of various acquaintances, including a writer, James Lee Bartlow; a star, Georgia Lorrison; and a director, Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone on the way to becoming one of Hollywood's top movie makers.

1952 film directed by Roberto Rossellini

Orphaned after a Nazi air raid, Paulette, a young Parisian girl, runs into Michel, an older peasant boy, and the two quickly become close. Together, they try to make sense of the chaotic and crumbling world around them, attempting to cope with death as they create a burial ground for Paulette's deceased pet dog. Eventually, however, Paulette's stay with Michel's family is threatened by the harsh realities of wartime.