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2004 film by Johnnie To

Based on the experiences of Agu, a child fighting in the civil war of an unnamed, fictional West African country. Follows Agu's journey as he's forced to join a group of soldiers. While he fears his commander and many of the men around him, his fledgling childhood has been brutally shattered by the war raging through his country, and he is at first torn between conflicting revulsion and fascination.

On a cold Monday morning, a group of counselors clock in at an old-fashioned social services office. Their task is to interview the recently deceased, record their personal details, then, over the course of the week, assist them in choosing a single memory to keep for eternity.

1969 film by Jacques Deray

Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

Five gay Black men who are HIV-positive discuss how they are battling the double stigmas surrounding their infection and homosexuality.

From Amos 'n' Andy to Nat King Cole, from Roots to The Cosby Show, black people have played many roles on primetime television. Brilliantly weaving clips from classic TV shows with commentary from TV producers, black actors and scholars, Marlon Riggs blends humor, insight, and thoughtful analysis to explore the evolution of black/white relations as reflected by America's favorite addiction.

Almost a tone poem, this is a collage of sounds and images: gay, Black men dance, sing, and recite poetry. They call each other to arms to parade and flaunt their race and sexual orientation. They call on each other to rewrite history, to pervert the language, to "be freaky and free," and to confront America in order to redefine it in a way that gives them standing as equals.

A look at what it's like to be gay and black in America.

ETHNIC NOTIONS is Marlon Riggs' Emmy-winning documentary that takes viewers on a disturbing voyage through American history, tracing for the first time the deep-rooted stereotypes which have fueled anti-black prejudice. Through these images we can begin to understand the evolution of racial consciousness in America. Loyal Toms, carefree Sambos, faithful Mammies, grinning Coons, savage Brutes, and wide-eyed Pickaninnies roll across the screen in cartoons, feature films, popular songs, minstrel shows, advertisements, folklore, household artifacts, even children's rhymes. These dehumanizing caricatures permeated popular culture from the 1820s to the Civil Rights period and implanted themselves deep in the American psyche. Narration by Esther Rolle and commentary by respected scholars shed light on the origins and devastating consequences of this 150 yearlong parade of bigotry. ETHNIC NOTIONS situates each stereotype historically in white society's shifting needs to justify racist oppression from slavery to the present day. The insidious images exacted a devastating toll on black Americans and continue to undermine race relations. ETHNIC NOTIONS has quickly become a mainstay of university, high school, and public library collections. It is a basic audio visual text for American History, Sociology, Black Studies, Anthropology, Social Psychology, Media Studies, and any training program concerned with stereotyping and cross-cultural understanding. Approaching a complex and delicate subject with great sensitivity, ETHNIC NOTIONS equips viewers to view media and other cultural representations with a more critical eye. It's a direct challenge to those who say, "It was just a joke."

Visions of Eight is a 1973 documentary film offering a stylized look at the 1972 Summer Olympics, directed by eight different directors. It was screened at the 1973 Cannes Film Festival, but wasn't entered into the main competition.

Thirty years in the making, Tiny: The Life of Erin Blackwell continues to follow one of the most indelible subjects of Streetwise, a groundbreaking documentary on homeless and runaway teenagers. Erin Blackwell, a.k.a. Tiny, was introduced in filmmaker Martin Bell, photographer Mary Ellen Mark, and journalist Cheryl McCall's earlier film as a brash fourteen-year-old living precariously on the margins in Seattle. Now a forty-four year-old mother of ten, Blackwell reflects with Mark on the journey they’ve experienced together, from Blackwell's struggles with addiction to her regrets to her dreams for her own children, even as she sees them being pulled down the same path of drugs and desperation. Interweaving three decades’ worth of Mark’s photographs and footage that includes previously unseen outtakes from Streetwise, this is a heartrending, deeply empathetic portrait of a family struggling to break free of the cycle of trauma, as well as a summation of the life's work of Mark, an irreplaceable artistic voice.

Roustabout Stanton Carlisle joins a traveling carny and unsuccessfully schemes to figure out the mind-reading act of Mademoiselle Zeena and her alcoholic husband, Pete.

1998 film by Hou Hsiao-Hsien

A drunken newspaperman is rescued from his alcoholic haze by an heiress whose love sobers him up and encourages him to write a play, but he lapses back into dipsomania.

During the late 1980s, two detectives in a South Korean province attempt to solve the nation's first series of rape-and-murder cases.

In this gossamer-light romance, a wealthy American woman meets a charming Parisian headwaiter and they fall in love. However, the woman's estranged husband blackmails her into returning to America with him. The headwaiter follows her trail to New York, where, after months of searching, he finds her again and they reaffirm their love. They board a ship headed back to France, but her insanely jealous husband compels the captain to steer the ship into dangerous waters, where it will almost certainly collide with icebergs and be destroyed.

Is there love after death? After he dies suddenly, the hapless advertising executive Daniel Miller finds himself in Judgment City, a gleaming way station where the newly deceased must prove they lived a life of sufficient courage to advance in their journey through the universe. As the self-doubting Daniel struggles to make his case, a budding relationship with the uninhibited Julia offers him a chance to finally feel alive.

Suspended between carefree youth and the harsh realities of the adult world, a teenage girl experiences an unsettling awakening in this haunting vision of innocence lost. Based on the celebrated short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, the narrative debut from Joyce Chopra features a revelatory breakout performance by Laura Dern as Connie, the fifteen-year-old black sheep of her family whose summertime idyll of beach trips, mall hangouts, and innocent flirtations is shattered by an encounter with a mysterious stranger (a memorably menacing Treat Williams). Winner of the Grand Jury Prize at Sundance, Smooth Talk captures the thrill and terror of adolescent sexual exploration as it transforms the conventions of a coming-of-age story into something altogether more troubling and profound.

Alejandro, a tough and ambitious Latino street orphan on the verge of adolescence, lives and works in an auto-body repair shop in a sprawling junkyard on the outskirts of Queens, New York. In this chaotic world of adults, young Alejandro struggles to make a better life for himself and his 16-year-old sister, Isamar.