watchlist_extended

The first pilot to leave Earth's atmosphere lands, then vanishes; but something with a craving for blood prowls the countryside...

A young girl living in the French countryside suffers constant indignities at the hand of alcoholism and her fellow man.

Two musicians and a roadie take money that is owed to them from a job. One flees to Mexico, and everyone has questions.

Mother and daughter - Big Edie and Little Edie Beale - live with six cats in a crumbling house in East Hampton. Little Edie, in her 50s, who wears scarves and bright colors, sings, mugs for the camera, and talks to Al and David Maysles, the filmmakers. Big Edie, in her 70s, recites poetry, comments on her daughter's behavior, and sings "If I Loved You" in fine voice. She talks in short sentences; her daughter in volumes. The film is episodic: friends visit, there's a small fire in the house, Little Edie goes to the shore and swims. She talks about the Catholic Church. She's ashamed that local authorities raided the house because of all the cats. She values being different.

A movie about making movies about making movies. In 1968, William Greaves shot several pairs of actors in a scene in which a woman confronts her husband and ends their relationship. In "Take 2 1/2," Greaves starts with 1968 takes of one of these pairs of actors plus footage of the crew discussing the film's progress. Then, 35 years later, Greaves brings back to Central Park those actors and some of the original crew (plus others) to film a reunion of the characters Alice and Freddie. We watch scenes of these characters and discussions among the actors and crew. Greaves explores and dramatizes the dialectic in the creative process.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

1948 film by Carol Reed

The buttoned-down, superstitious Kay is attempting to lead a normal existence with her new boyfriend Louis. That’s until Sweetie, her rampaging, devil-may-care sister, returns home after an absence, exposing the rotten roots of their family and placing a strain on Kay and Louis’ relationship.

Prior to a city council election, the collapse of a building leaves a land developer and his political backers defending themselves against a scandal.

1994 film by Lodge Kerrigan

A group of sinners involved in interconnected tales of murder, revenge, deceit and adultery all meet at the Gates of Hell.

1964 film by Pietro Germi

After college graduation, Grover's girlfriend Jane tells him she's moving to Prague to study writing. Grover declines to accompany her, deciding instead to move in with several friends, all of whom can't quite work up the inertia to escape their university's pull. Nobody wants to make any big decisions that would radically alter his life, yet none of them wants to end up like Chet, the professional student who tends bar and is in his tenth year of university studies.

1972 film by Éric Rohmer

On the eve of his wedding, on holiday on the Lake Annecy shore, a career diplomat visits an old acquaintance, perhaps a former girlfriend. Through her he meets an intense teenager, Laura, and then lusts after her sister, Claire. Whilst Laura attempts to flirt with him, his fantasy becomes focused on wanting to caress Claire's knee.

1967 film by Éric Rohmer

1963 film by Éric Rohmer

1962 film by Éric Rohmer

Three modern-day pilgrims investigate a bizarre crime in a small town while on their way to Canterbury.

In 1977, acclaimed director Barbet Schroeder and cinematographer Nestor Almendros entered the universe of the world’s most famous primate to create the captivating documentary Koko: A Talking Gorilla. The film introduces us to Koko soon after she was brought from the San Francisco Zoo to Stanford University by Dr. Penny Patterson for a controversial experiment—she would be taught the basics of human communication through American Sign Language. An entertaining, troubling, and still relevant documentary, Koko: A Talking Gorilla sheds light on the ongoing ethical and philosophical debates over the individual rights of animals and brings us face-to-face with an amazing gorilla caught in the middle.