watchlist_extended

A British ex-convict in colonial Australia and his fragile wife, haunted by the past crime that binds them, struggle to rebuild their lives when a young newcomer stirs long-buried passions and secrets.

Uncouth, loud-mouth junkyard tycoon Harry Brock descends upon Washington D.C. to buy himself a congressman or two, bringing with him his mistress, ex-showgirl Billie Dawn.

A British aristocrat goes in disguise to France to rescue people from The Terror of the guillotine.

Hazel Woods, a beautiful and young Welsh girl, lives a wild, rustic life and loves animals — in particular, her pet fox. She is hotly desired by Jack Reddin, a fox hunting squire who vies for her affection and pursues her, despite the purer amorous intentions of the local pastor.

Helen Ferguson, pregnant, penniless and dumped by her boyfriend Steve Morley, takes the identity of the pregnant Patrice Harkness, when she and her husband are killed in a train crash. The rich Harkness in-laws, and their other son Bill, had never seen Patrice, so they accept her and her newborn son into their family. However Steve eventually finds her and starts to blackmail her.

After financial improprieties are discovered at the Eastern trading company where he works, Peter Willems flees the resulting disgrace and criminal charges. He persuades the man who gave him his start in life, the merchant ship captain Lingard, to bring him to a trading post on a remote Indonesian island where he can hide out.

Remake of the 1931 Fritz Lang original. In the city, someone is murdering children. The Police search is so intense, it is disturbing the 'normal' criminals, and the local hoods decide to help find the murderer as quickly as possible.

German scientist murders his fiancée during World War II when he learns that she has been selling the results of his secret research to the enemy. Written by Anonymous

The assassination of the would-be ruler of Rome at the hands of Brutus and company has tragic consequences for the idealist and for the republic.

A western based on the story "Gunsight Whitman" by Silvia Richards. Vern Haskell, a nice rancher, seeks out to avenge his fiancé's death when she is killed during a robbery. His revenge leads him to Chuck-a-luck, Altar Keane's ranch set up to hide criminals, and he finds more than he bargains for.

The story of Mexican revolutionary Emiliano Zapata, who led a rebellion against the corrupt, oppressive dictatorship of president Porfirio Díaz in the early 20th century.

1953 film by Marcel Carné

Following the surrender of Geronimo, Massai, the last Apache warrior is captured and scheduled for transportation to a Florida reservation. On the way he manages to escape and heads for his homeland to win back his girl and settle down to grow crops. His pursuers have other ideas though.

A quartet of international crooks -- Peterson, O'Hara, Ross and Ravello -- is stranded in Italy while their steamer is being repaired. With them are the Dannreuthers. The six are headed for Africa, presumably to sell vacuum cleaners but actually to buy land supposedly loaded with uranium. They are joined by others who apparently have similar designs.

A vibrant tribute to one of America's legendary bandleaders, charting Glenn Miller's rise from obscurity and poverty to fame and wealth in the early 1940s.

From the Louis Hemon novel "M. Ripois and His Nemesis" about Andre Ripois, a philanderer in pursuit of love and riches from Paris to London. Andre is breaking up with his wife, Catherine, over his attentions to her best friend Patricia. While Catherine is out arranging the divorce, Andre, just to keep in practice, hits on the girl upstairs, Diana and then turns his attention back to Patricia, who he tricks into having dinner at his flat on the pretext that Catherine will be there. When he cannot make any progress with her via his usual tactics, he tries to arouse her pity be telling her of his past. In his early, impoverished days in London, he made love to his boss Anne but her dreadful cooking drove him away. Next came Norah who he picked up on a bus and took to his flat and told her about his make-believe inheritance, but she insisted on marriage first, which was not in his plans. Marcelle, a French woman living in Soho, put him on his feet with money, and he repaid her by stealing fifty pounds and running off. He met the wealthy Catherine at his flat where she came to be tutored in French lessons, and ended up marrying him. But, even at his wedding, he had eyes only for Patricia and, he tells her she is his one true love.

Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.

In 1850 Oregon, when a backwoodsman brings a wife home to his farm, his six brothers decide that they want to get married too.

1954 film by Lewis Allen

In eighth century China, the Emperor is grieving over the death of his wife. The Yang family wants to provide the Emperor with a consort so that they may consolidate their influence over the court. General An Lushan finds a distant relative working in their kitchen whom they groom to present to the Emperor. The Emperor falls in love with her and she becomes the Princess Yang Kwei-fei. The Yangs are then appointed important ministers, though An Lushan is not given the court position he covets. The ministers misuse their power so much that there is a popular revolt against the Yangs, fueled by An Lushan.