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Shows the devastation caused by the atomic bomb, and by use of a fictional storyline, portrays the struggle of the ordinary Japanese people in dealing with the aftermath.

1953 film by Alf Sjöberg

1952 Belgian film by André Cauvin

The film depicts how the work to build the Great Buddha overcame a number of obstacles as proponents and opponents clashed over the construction of the Buddha. This work is based on a play by Hideo Osada, which was performed by the Shin Kyodo Theater Company in 1940.

1952 film by Ladislao Vajda

A high school in a small city. Torben and Ninni are deeply infatuated with each other but their parents dislike the pair seeing each other. After graduation Torben joins the army and when Ninni discovers that she is pregnant her parents send her to a farm in Denmark to bear her child.

A section chief at the Bureau of Construction is in a shady relationship with a construction company. Then a new, young and honest subordinate is assigned to work under the section chief. Once he learns about the shady relationship, however, the new subordinate skillfully conceals the corruption and joins the corrupt, shady relationship.

The life story of famed French aviatrix Helene Boucher is detailed in Horizons sans fin (Endless Horizons). Giselle Pascal stars as Boucher, who is first seen in 1930, leaving her millinery shop behind in favor of the wild blue yonder. Though the world of aviation was still essentially an all-male one (despite England's Amy Johnson and America's Amelia Earhart), Boucher perseveres, eventually breaking all existing male and female speed and height records. A bit slow on the uptake in the dramatic scenes, the film soars (no pun intended) during the aerial sequences. Horizons san Fin was the winner of the Catholic Award at the 1953 Cannes Film Festival.

Yvonne is seething when her devoted son, Michael, declares his intention to marry Madeleine, despite the latter's admitting to having an affair with a mysterious older man. At the same time, George, Michael's father, confides in Yvonne's sister, Leo, that he is in fact Madeleine's other lover. Together, they hatch a plot to end Madeleine's hopes of marriage - by threatening to reveal George's scandalous secret to his son.

Life changes for an Andean family when oil wealth and a fugitive arrive in town.

A story about a young man tempted to kill his rival for a girl, only to find out that he may be his illegitimate son. The story is set in XIX century Dubrovnik.

Gemma, caught between her desires and reality, struggles to navigate her marriage and personal ambitions.

An idealistic intern is doing his best to survive a very tough day on the job. When not scurrying from one patient to another, he tries to maintain equilibrium in his romance with a nurse. Comedy dovetails neatly into tragedy, which in turn segues smoothly into heart-tugging pathos.

At the end of the Second World War, orphans of various nationalities come together at the Pestalozzi Children's Village in Trogen. When the order arrives from Poland that the Polish children must return to their country, it comes as a shock to 13-year-old Andrzey: he doesn't want to leave Anja, for whom he has developed a strong affection. The two children decide to flee and go into hiding...

Three married couples gather to celebrate the eighteenth anniversary of their marriage mourning the absence of a friend who was best man at all three weddings.

The life and work of French statesman Georges Clemenceau is detailed in this 80-minute documentary. Using family photographs, newspaper layouts, newsreel clips and other such sources, the film traces Clemenceau from his earliest political triumphs to his dotage. Much emphasis is placed upon the subject's involvement with the League of Nations and the Treaty of Versailles. The narration by Yves Furet is counterpointed with excerpts from Clemenceau's most celebrated speeches. The patriotic fervor of La Vie Passionee de Clemenceau tended not to play too well in non-French markets.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Esposito is a thief who cons tourists in Rome. Officer Bottoni manages to catch him and starts persecuting him. When Esposito manages to flee, Bottoni's superiors inform him that he'll lose his job if he can't catch Esposito.

Tells the story of one day in the lives of the various people who populate a police detective squad. An embittered cop, Det. Jim McLeod, leads a precinct of characters in their grim daily battle with the city's lowlife. The characters who pass through the precinct over the course of the day include a young petty embezzler, a pair of burglars, and a naive shoplifter.

1951 film