An essay by Anchoress director Chris Newby that explores parallels between COVID lockdown in the UK and Christine Carpenter’s experience as an anchoress, featuring outtakes from the film.
This is the story of Harry and Flint, an unlikely couple. Harry is a shy young gay man who can't seem to fit into his local bar scene. Flint is a crusty, older, and seemingly straight man with a questionable background. They meet on a gorgeous coastline, and evolve from distrust to deep love.
In fourteenth-century England, peasant girl Christine Carpenter is so attracted to a statue of the Virgin Mary that the local priest (who lusts after her) suggests she be walled up in the church as an anchoress, a holy woman with responsibility for blessing the villagers. But when the priest has Christine's mother tried as a witch, she digs herself out of her cell, a crime for which the punishment is death.