Bulldog Drummond forms a gang to rescue his wife and thwart his nemesis, Carl Peterson.

Judith Wynter is a happily married novelist whose romantic works are eagerly devoured by scores of female readers. When Carlo, a handsome young Italian chauffeur, arrives to work for Judith and her husband, a professor currently recovering from an attack of paralysis, he causes quite a flutter; when he then reads the manuscript of Judith's latest novel, he jumps to a rather unfortunate conclusion... and life in the Wynter household becomes very complicated indeed!

It is pouring with rain at one minute to midnight on Friday the thirteenth, and the driver of a London bus is peering through his blurred windscreen as his vehicle sails down an empty road. Suddenly, lightning strikes, and a vast crane above topples into the path of the oncoming bus... Then Big Ben begins to wind backwards. Time recedes. And we discover the lives of all the passengers and the events that brought them to that late-night bus journey, from the con-man with a hundred-pound cheque to the businessman's distraught and elderly wife. Time flows on, inevitably, to the crash -- and past it, as some live and some die.

A shipping disaster in the 19th Century has stranded a man and woman in the wilds of Africa. The lady is pregnant, and gives birth to a son in their tree house. Soon after, a family of apes stumble across the house and in the ensuing panic, both parents are killed. A female ape takes the tiny boy as a replacement for her own dead infant, and raises him as her son. Twenty years later, Captain Phillippe D'Arnot discovers the man who thinks he is an ape. Evidence in the tree house leads him to believe that he is the direct descendant of the Earl of Greystoke, and thus takes it upon himself to return the man to civilization.

Dramatizes the Birth, Life, Ministry, Crucifixion, and Resurrection of Jesus Christ, largely according to the Holy Bible's New Testament Gospels.

1952 film by George More O'Ferrall

The first act opens with Hirst's offering a drink to Spooner: "As it is?" – that is, neat (UK) or straight (U.S.) – and Spooner's reply: "As it is, yes please, absolutely as it is" (15). During the first act, Spooner claims to be a fellow poet and to have known his more illustrious literary host and mutual acquaintances and relationships in the past. Toward the end of act one, Hirst's keepers (quasi-body guards) "vagabond cock" Foster and Briggs seek to fend off the self-insinuating Spooner, leading Hirst "out of the room (52) and away from him. The act ends with a "Blackout" – visually demonstrating Foster's taunt: "Listen. You know what it's like when you're in a room with the light on and then suddenly the light goes out? I'll show you. It's like this. ... He turns the light out" (53).
During Act Two, in his increasingly inebriated state, Hirst may mistake or feign recognition of Spooner as an Oxbridge classmate from the 1930s, an apparently false impression which Spooner nevertheless encourages (68–78), leading both of them into a series of increasingly questionable reminiscences, which Hirst finally and abruptly undercuts: "This is outrageous! Who are you? What are you doing in my house?" going on to accuse Spooner of being an impostor: "You are clearly a lout. The Charles Wetherby I knew was a gentleman. I see a figure reduced. I am sorry for you. Where is the moral ardour that sustained you once? Gone down the hatch." – allusively and both wistfully and comically combining the clichés "Gone with the wind" and "Down the hatch," after which, Briggs "enters, pours whisky and soda, gives it to" Hirst, who "looks at it" and then says, "Down the hatch. Right down the hatch. (He drinks.)" (78). Hirst proclaims, "Let us change the subject. Pause. For the last time." (91), but immediately asks, "What have I said?" That leads the characters to debate what Hirst's phrase for the last time precisely "means" (91–94), leaving all of them, according to Spooner, "in no man's land. Which never moves, which never changes, which never grows older, but which remains forever icy and silent." Following the illustrative "Silence", Hirst utters the play's final words and provides its final action: "I'll drink to that" (95): "He drinks," paralleling the opening words of the first act ("As it comes?"), and the play ends, ambiguously, with a "SLOW FADE" of lights (95).

一個表面美滿的五人家庭，各人背後均有著不可告人的秘密。
在女兒訂婚的晚上，身份神秘的探員突然到訪調查一宗年輕女子的自殺事件。這宗案件在這家庭翻起巨浪，令各人陷入精神崩潰狀態。

Experimental aircraft of several countries are mysteriously vanishing during test flights over the sea. The latest is British, and Hammond of the Secret Service, comical but competent, investigates undercover. Also interested is waitress Kay, a disguised reporter...and Hammond's sister. The government and plane manufacturer Barrett think the whole business is just coincidence, but the 'Viking,' ostensible salvage ship controlled by a Foreign Power, has much to do with it...

A disgraced officer risks his life to help his childhood friends in battle.

War and women were his passions... and no island fortress could cage his lust for power!
1815. A soldier becomes the governor of St. Helena and jailer of Napoleon. High brow.

An ordinary man, while vigorously asserting the impossibility of miracles, suddenly discovers that he can perform them.

The 300 Spartans is an account of the 480 B.C. Battle of Thermopylae, in which the Greek Spartan King Leonidis, played by Richard Egan, led a remarkably small number of Greek Sparta to victory over an invading Persian army led by evil King Xerxes that was thought to number over 25,000. This spectacular conflict gave the Grecians enough time to organize a force to ultimately repel the Persians, and thus change the course of Western civilization.