Paris, 1914: Fantomas, a master of deception and chaos, is being chased by Lieutenant Juve as he investigates a series of violent crimes that have put the city on edge. In an era of violence and political tensions, Lieutenant Juve finds himself hunting for a man with no motive, no agenda, no pattern or identity.

Astrid and Raphaëlle are back for a new round of investigations that will see them team up with the secret services, pursue a professional killer, rub shoulders with Mormons, the horse racing world, the last descendant of an Aztec tribe, a Buddhist temple, a film set and even confront a criminal who dangerously transforms under the full moon...

Albert and Bruno are in the red, compulsive consumers, over-indebted, they live between petty schemes for one and a personal life adrift for the other. It is in the associative path, which they both take to get their heads above water, that they will come across young rebellious activists, climate alarmists, lovers of social justice and eco-responsibility. More attracted by beer and free crisps than by their arguments, Albert and Bruno will gradually integrate the movement without conviction, if not that of taking advantage of each action and each rebellion to schem and profit from it. Between ideological or suffered minimalism, between overconsumption and happy sobriety, we face the complex simplicity of our future, the oppositions and paradoxes of our time, in short, everything is fine.

四十出头的克莱尔·安德里厄是个天性阳光、人见人爱的单身女人，直到相熟客户布鲁诺邀请她共进晚餐时，潜藏心底的重大秘密开始浮上水面。法国导演奥利维尔·亚罕对其2015年拍摄的轻喜剧《沙之堡》中一个毫不起眼的小角色克莱尔深入挖掘，从而衍生出全新故事线。影片延续了亚罕诗意、浪漫、幽默的法式风格，表现隐藏在温柔女主时而爆发的疯狂行为背后的可怕创伤，以及她是如何自洽摆脱困境的心路历程。