小说《邮差总按两次铃》改编的第一版电影 黑白片

Captain Palmer's daughter, Maria, is neglected by her husband, the cynical Leo, who lives with the beautiful Sylvia. To defeat his son-in-law, Palmer has the idea of ​​putting Sylvia back in the presence of Pierre, her first love. Leo takes revenge by creating many difficulties for Palmer who retaliates by starting a violent fight where Leo is killed. Everything seems to point to Pierre, but...

The film consists of seven roughly 15 minute episodes, each showing what will happen if one or more of the Ten Commandments will be broken: Jérome Chambard is warned that he will lose his job if he continues to swear; Françoise Beaufort enamored of a stripper calls on her only to find her married to a janitor who doesn't know what kind of dancing his wife performs; Denis, a Jesuit novice, leaves the order to avenge his sister's suicide, which was provoked by Garigny, who seduced her into prostitution and drug addiction; Philip buys a necklace for Micheline though he is bored with her; a young man find out that his real mother is not Madeleine, but actress Clarisse Ardant; Didier Marin, cashier of a bank, was fired by his boss; the Devil appears as a serpent for Jérome Chambard and the bishop are eating.

Professor Henri Faust, retiring after 50 years as an alchemist in a circa-1700 university, despairs at still knowing nothing of the true secrets of nature...whereupon his old acquaintance Mephistopheles, servant of Lucifer, appears and grants him youth and a new life. But with youth, Faust's interest is diverted from science to women. And Mephistopheles, who has taken on the guise of the elderly Faust that was, sets many snares for his young friend's slippery soul... Written by Rod Crawford

Several young girls were killed. Policeman Matthaei travels to the region where it happened and searches a child that looks similar to the ones that were murdered. He finds one and stays with her and her mother, not telling them that he is waiting for the killer to start his bloody work one more time ...

In Victorian London, the botanist Irwin Molyneux and his wife Margaret Molyneux are bankrupted but still keeping the appearance due to the successful crime novels written by Irwin under the pseudonym of Felix Chapel. Their cook has just left the family, when Irwin's snoopy and hypocrite cousin Archibald Soper that is in campaign against the police stories of Felix Chapel invites himself to have dinner in Irwin's house. Margaret decides to keep the farce of their social position secretly cooking the dinner, while the clumsy Irwin justifies her absence telling the bishop Soper that she had just traveled to the country to meet some friends. However Soper suspects of Irwin and calls the Scotland Yard, assuming that his cousin had poisoned his wife. Irwin and Margaret decide to hide the truth to avoid an exposition of their financial situation, moving to a low-budget hotel in the Chinese neighborhood, getting into trouble.

Mathias Pascal, only son of a once rich family, marries beautiful Romalinda, who has a terrible mother-in-law. She controls her daughter, and soon his home life becomes a nightmare, as well as his job as assistant librarian in his home town. His only moments of lights are his mother and his baby, but both die on the same day. Shocked he leaves his hometown and gets to Monte Carlo, where he wins a fortune at the Casino. Returning home, he reads his own obituary in a paper. They have found a corpse in a creek and connected it with his disappearance. Mathias, noticing that he now is free from all ties to his old live, decides to start a new one, and goes to Rome, where he rents a room in a pension full of fake spiritualists who are controlling the owner. The chief of the gang, Terence, wants to marry the owner's daughter Adrienne, and has convinced her father to give her to him, with no regards of Adrienne's feelings, who is in love with and loved by Mathias. When Terence steals Mathias 50,000 Lira, and Mathias, being officially dead can neither marry Adrienne nor denounce Terence to the police, he decides to do something about his state and travels home, just to notice that Romalinda has remarried...

1951 film by Georges Franju

As the Allied forces approach Paris in August 1944, German Colonel Von Waldheim is desperate to take all of France's greatest paintings to Germany. He manages to secure a train to transport the valuable art works even as the chaos of retreat descends upon them. The French resistance however wants to stop them from stealing their national treasures but have received orders from London that they are not to be destroyed. The station master, Labiche, is tasked with scheduling the train and making it all happen smoothly but he is also part of a dwindling group of resistance fighters tasked with preventing the theft. He and others stage an elaborate ruse to keep the train from ever leaving French territory.

In the suburbs of Paris, an old maid has just been murdered. Every body talks about that, except the misanthrope Mr Hire. The same evening, Alice, just getting out of jail, arrives and meets up with her lover Alfred again. They act as they do not know each other, for Alice went to jail to spare Alfred. But Mr Hire falls in love with Alice, and he knows Alfred is the murderer...

One of the great late period films by Sacha Guitry — the total auteur who delighted (and scandalised) the French public and inspired the French New Wave as a model for authorship as director-writer-star of screen and stage alike. In every one of his pictures (and almost every one served as a rueful examination of the war between the sexes), Guitry sculpted by way of a rapier wit — one might say by way of “the Guitry touch” — some of the most sophisticated black comedies ever conceived… and La Poison is one of his blackest.Michel Simon plays Paul Braconnier, a man with designs on murdering his wife Blandine (Germaine Reuver) — a woman with similar designs on her husband. When Braconnier visits Paris to consult with a lawyer about the perfect way of killing a spouse — that is, the way in which he can get away with it — an acid comedy unfolds that reaches its peak in a courtroom scene for the ages.From the moment of Guitry’s trademark introduction of his principals in the opening credits, and on through the brilliant performance by national treasure Michel Simon (of Renoir’s Boudu sauvé des eaux and Vigo’s L’Atalante, to mention only two high-water marks), here is fitting indication of why Guitry is considered by many the Gallic equal of Ernst Lubitsch. The Masters of Cinema Series is proud to introduce Sacha Guitry into the catalogue with La Poison for the first time on video in the UK in a dazzling new Gaumont restoration.

A story of the caring friendship formed between a crusty, old anti-Semite and an eight-year-old Jewish boy who goes to live with him during World War II.

Down a foggy, desolate road to the port city of Le Havre travels Jean, an army deserter looking for another chance to make good on life. Fate, however, has a different plan for him, as acts of both revenge and kindness render him front-page news.

1931 film by Jean Renoir

1934 film by Jean Vigo

Michel Simon gives one of the most memorable performances in screen history as Boudu, a Parisian tramp who takes a suicidal plunge into the Seine and is rescued by a well-to-do bookseller, Edouard Lestingois. The Lestingois family decides to take in the irrepressible bum, and he shows his gratitude by shaking the household to its foundations. With Boudu Saved from Drowning, legendary director Jean Renoir takes advantage of a host of Parisian locations and the anarchic charms of his lead actor to create an effervescent satire of the bourgeoisie.

A rare and transcendent journey into the life and films of the legendary Stanley Kubrick like we've never seen before, featuring a treasure trove of unearthed interview recordings from the master himself.

A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.