An Asian cross-cultural trilogy of horror films from accomplished indie directors: "Dumplings", directed by Fruit Chan of Hong Kong; "Cut", directed by Park Chan-Wook of Korea; "Box", directed by Miike Takashi of Japan. The first film "Dumplings" was extended and turned into a full-length theatrical film of the same name.

A man casually sets up for a fishing trip at the water's edge. Evening comes and a tug on his line presents him with the body of a woman.

At the identification of a dead body, a couple and a morgue employee both claim to be related to the deceased, and therefore the rightful recipient of an indemnity of at least 520,000.

After India Stoker's father dies, her Uncle Charlie, who she never knew existed, comes to live with her and her unstable mother. She comes to suspect this mysterious, charming man has ulterior motives and becomes increasingly infatuated with him.

From a mountain peak in South Korea, a man plummets to his death. Did he jump, or was he pushed? When detective Hae-joon arrives on the scene, he begins to suspect the dead man’s wife Seo-rae. But as he digs deeper into the investigation, he finds himself trapped in a web of deception and desire.

A deaf man and his girlfriend resort to desperate measures in order to fund a kidney transplant for his sister. Things go horribly wrong, and the situation spirals rapidly into a cycle of violence and revenge.

Two North Korean soldiers are killed in the border area between North and South Korea, prompting an investigation by a neutral body. The sergeant is the shooter, but the lead investigator, a Swiss-Korean woman, receives differing accounts from the two sides.

With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.

In 1930s Korea, a swindler and a young woman pose as a Japanese count and a handmaiden to seduce a Japanese heiress and steal her fortune.

2005 South Korean film directed by Park Chan-wook

Young-goon, mentally deranged and frequently electro-charging herself with a transistor radio, has been admitted into a mental institution. Firmly believing herself to be a cyborg, she refuses to consume like a human being. Il-soon is another patient, who catches the eye of Young-goon and soon becomes a close friend. Il-soon is now confronted with the biggest task: to cure Young-goon's mental problem and have her eat real food.