Jean-Luc Godard — Playwright (87)
In Praise of Love (2001) [Movie] TMDB Douban WikiData IMDb
Éloge de l'amour
7.6 (28 ratings) director: 让-吕克·戈达尔 actor: 布鲁诺·帕特祖鲁 / Cecile Camp
other title: 사랑의 찬가 / 愛の世紀
Someone we hear talking - but whom we do not see - speaks of a project which describes the four key moments of love: meeting, physical passion, arguments/separation and making up. This project is to be told through three couples: young, adult and old. We do not know if the project is for a play, a film, a novel or an opera. The author of the project is always accompanied by a kind of servant. Meanwhile, two years earlier, an American civil servant meets with an elderly French couple who had fought in the Resistance during World War II, brokering a deal with a Hollywood director to buy the rights to tell their story. The members of the old couple's family discuss heatedly questions of nation, memory and history.
Joy of Learning (1969) [Movie] Douban TMDB IMDb WikiData
Le gai savoir
other title: 快乐的知识 / Le gai savoir
While alone in an abandoned television studio, two militants, Emile Rousseau and Patricia Lumumba, have a discourse on language. Referring to spoken word as "the enemy"--the weapon used by the establishment to confuse liberation movements--the two deconstruct the meanings of sounds and images in an attempt to "return to zero" and truly experience the joy of learning.
信的影像 (2014) [Movie] Douban
Khan Khanne
7.8 (12 ratings) director: 让-吕克·戈达尔 actor: 让-吕克·戈达尔
other title: Khan Khanne / Letter in Motion
Jean-Luc Godard did not attend the world premiere of his new film, ADIEU AU LANGAGE (GOODBYE TO LANGUAGE), at Cannes. But instead, he sent a letter in motion to Gilles Jacob and Thierry Fremaux, the directors of the Festival.
Made public the 21/05/2014.
Origins of the 21st Century (2000) [Movie] Douban TMDB WikiData IMDb
De l'origine du XXIe siècle
other title: 21世纪的起源 / De l'origine du XXIe siècle
Commissioned by the heads of the 2000 Cannes Film Festival to make an opening-night short commemorating cinema as it enters its second full century, Godard instead offers up a 17-minute barrage of re-edited footage of wars and Nazi atrocities, interspersed with clips of Maurice Chevalier in "Gigi" and Godard's own "À bout de souffle."
Made in U.S.A (1966) [Movie] IMDb Douban TMDB WikiData
Made in U.S.A.
6.7 (18 ratings) director: 让-吕克·戈达尔 actor: 安娜·卡里娜 / 拉斯洛·绍博
other title: 아메리카의 퇴조 / メイド・イン・USA
Paula Nelson goes to Atlantic City to meet her lover, Richard Politzer, but finds him dead and decides to investigate his death. In her hotel room, she meets Typhus, whom she ends up knocking out. His corpse is later found in the apartment of David Goodis, a writer. Paula is arrested and interrogated. From then on, she encounters many gangsters.
A Story of Water (1961) [Movie] Douban WikiData IMDb TMDB
Une histoire d'eau
6.5 (28 ratings) director: 让-吕克·戈达尔 / 弗朗索瓦·特吕弗 actor: 让-克劳德·布里亚利 / Caroline Dim
other title: 水的故事 / Une histoire d'eau
18min
A young woman is going to Paris by bus, but when she steps out of her house she discovers that her garden and the whole village is flooded with water. With a boat and a bike she succeeds to reach a dry spot in the village. There a young man in a car offers her a lift. They drive around in circles, trying to find a way out of the area, but all ways are blocked by the water. Concurrently with the ever rising water the emotions within the two young people also start rising. At last they find their way out of the flooded area. When they reach Paris and the young woman looks up at the Eiffel Tower, she knows that she is going to spend the night with this man.
高卢人 (1988) [Movie] Douban
Les Gaulois
director: 沃纳·赫尔佐格 actor: Magali Alvarado / Jean Clemente
other title: Les Gaulois / 高卢人眼中的法国人
此为1988年短片集《巴黎人印象》的一部分。
Passion (1982) [Movie] Douban IMDb WikiData TMDB
Passion
7.2 (11 ratings) director: 让-吕克·戈达尔 actor: 伊莎贝尔·于佩尔 / 汉娜·许古拉
other title: 受难记 / Godard's Passion
While shooting a film, the director becomes interested in the unfolding struggle of a young factory worker that has been laid off by a boss who did not like her union activities.
电影史-3B 新浪潮 (2001) [Movie] Douban
Histoire(s) du cinéma: Une vague nouvelle
8.8 (8 ratings) director: Jean-Luc Godard
other title: Histoire(s) du cinéma: Une vague nouvelle / Histoire(s) du cinéma: Chapter 3B
27分钟
“新浪潮”诞生于亨利郎格洛瓦的“法国电影资料馆”。那是一座电影的博物馆,也是一座现实的博物馆,那里永远散发着光芒。片中,特吕弗的《胡作非为》与罗西里尼的《让达克》交错出现,同时又将《恐怖交易》里的赌博场景和帕索里尼《马太福音》里的基督教镜头混为一体。难道真正的电影就是无法正常观看的电影?戈达尔说,在人的内心,还有很多没有被发现的东西。施特罗海姆,朗格洛瓦,雨果,他们都曾不断探询新的浪潮。他向与他一样追寻电影新浪潮的人们——特吕弗,多米,罗西里尼,贝克尔等人表示了自己的敬意。
电影史-4A 控制宇宙 (2001) [Movie] Douban
Histoire(s) du cinéma: Le contrôle de l'univers
8.4 (9 ratings) director: 让-吕克·戈达尔
other title: Histoire(s) du cinéma: Le contrôle de l'univers / Histoire(s) du cinéma: Chapter 4A
27分钟
这是一部向伟大的希区柯克致敬的作品,它从戈达尔当年在狂风中拍摄《永远的莫扎特》时的场景开始进入主题。戈达尔认为:那些雄心勃勃的人,那些梦想着控制世界的人——彼得大帝,西斯,拿破仑,希特勒,他们都没有成功,而控制世界的却是希区柯克,因为他是一个创造电影神话的人物。袭击孩子们的《鸟》,加里格兰特为约翰方达运送牛奶瓶子的《悬崖》,那个掉进下水道里的《陌生乘客》的打火机……所有这些都是永远留在观众脑海里的深刻记忆。
电影史-4B 我们中的符号 (2001) [Movie] Douban
Histoire(s) du cinéma: Les signes parmi nous
9.0 (8 ratings) director: Jean-Luc Godard
other title: Histoire(s) du cinéma: Les signes parmi nous / Histoire(s) du cinéma: Chapter 4B
38分钟
终篇在一片好似安魂曲般的宁静氛围缓缓展开。在生命里,在电影中,符号无处不在。《我们中的符号》是瑞士的小说家费尔地南拉米的作品名,也是戈达尔很想搬上银幕再现的故事。这里面涉及到了《巴黎的美国人》,《儒德克斯》等名片以及毕加索和达芬奇等人的绘画,还记载了德国纳粹分子对犹太人的侮辱,还有夏洛鲁的《克里奥——属于历史的女人》……他竟然把那些绝对不可能归结为一处的东西用自己的语言融合到了一起。用一句波尔艾斯的寓言标题来形容,就是:“一个做着虚幻美梦的男人”……
电影史-2A 单独的电影 (2001) [Movie] Douban
Histoire(s) du cinéma: Seul le cinéma
8.5 (11 ratings) director: 让-吕克·戈达尔 actor: 让-吕克·戈达尔
other title: Histoire(s) du cinéma: Seul le cinéma / Histoire(s) du cinéma: Chapter 2A
26分钟
“历史学家的任务是什么?是把历史上没有发生过的事件明确地记录下来。” 在这一章里,戈达尔与电影评论家塞尔吉达内就历史和电影历史展开了激烈的讨论。“电影是二十世纪的产物吗?不,是十九世纪的;‘新浪潮’之后的人们看电影的次数是不是增加了?没有,从电影史来看有没有10部都是疑问。但是只有电影是唯一的可以完全讲述历史的艺术。只有通过电影,可以将自身投入未来。”《狩猎人的夜晚》,如里得尔皮看到的波多雷尔的《旅行》,克雷姆特的绘画。戈达尔将我们带进梦幻般的电影世界。
电影史-1B 单独的历史 (1990) [Movie] Douban
Histoire(s) du cinéma: Une histoire seule
8.6 (13 ratings) director: 让-吕克·戈达尔 actor: 让-吕克·戈达尔
other title: Histoire(s) du cinéma: Une histoire seule / Histoire(s) du cinéma: Chapter 1B
42分钟
宿命的,致命的美,就是致命的瞬间。
性与死,这是电影诞生后还处在“幼年时期”时,就开始探索的两大命题了。“人类的爱情故事的深处是乳母的历史”。从片中如此的论述就可以看出,这是《电影史》里最隐晦的一章。似乎性与死这两大命题是永远也讲述不清的人类命运。“如果电影即不是艺术又不是技术,那么它到底是什么?是神秘么?”。片中戈达尔向我们推荐了两部杰作:赫尔曼布罗霍的《威尔吉利乌斯之死》和威尔斯的《伟大的安巴逊的一家》。