A nightclub singer is haunted by the ghost of her late father. The dead man summons her through a mirror, forcing her to commit a series of violent crimes.

Freshly released from a Russian POW camp, Italian soldier Raf Vallone tries to discover who betrayed his brother to the Nazis.

1964 film by Bernard Borderie

这部电影是关于一个丢失了的孤儿的故事。奥黛丽·赫本作为配角饰演一位女演员。
As they are waiting for a divorce, young movie star Malissa Farrell and famous pianist Rudy Walter have left their baby, Johnny, with a child minder in Le Vésinet. Marinette, the latter's daughter, who has been assigned to return the young Dubois to his parents, mistakes Johnny for the other kid. As she can't find Mr. and Mrs. Dubois, Marinette entrusts Max, Mrs. Dubois' father and the drummer in Ray Ventura's orchestra, with the care of the baby. Max, who must join the other musicians in Monte Carlo, where the band is due to play for the Jazz Festival, has no other choice but to rake the little one along with him. Written by Guy Bellinger

The first real film from a director who went on to do a lot of interesting work in the 1970's and 80's before his tragic death by drowning in 1986.
An avowed homage to Eyes Without a Face, the film unquestionably creates its own atmosphere and goes in a very different direction from its more famous model. Mulot's film has great cinematography, an interesting script construction and a very melancholic mood that marks it out from most low budget shockers of the period. Although not a costume piece as such, it is probably closer to the classic Mill of the Stone Women than to Franju's film.
The acting and direction are of a uniformly high standard. Anny Duperey and Philip Lemaire impart real depth to their characterizations and it's great to see Euro legend Howard Vernon once again. The film was sold as a mixture of sex and horror and the sex is provided by a bevy of stunning Euro babes including Valerie Boisgel and Michele Perello who went on to feature in Morgane et ses Nymphes before disappearing into the hinterlands of porn.
Well worth more than a passing look for any fan of classy Euro horror, this one has probably improved with age and repays repeated viewings.
Was the above comment useful to you?