A documentary about the hearings of President Nixon's Commission on Obscenity, featuring adult-film producer David F. Friedman (one of the producers of this film) testifying before Congress, and involved in the production of one of his films, "Trader Hornee."

Col. James Granilla is on a mission to learn about the Terranians and destroy their vessel. Terranians capture him, and he quickly blends in and gains their trust. In order to learn about them he ends up making love to their disgusting alien bodies (not so disgusting if you ask me).
This film is pretty corny. It's not pornographic, just lots of nudity such as films of the time had. The women in this film are quite beautiful, except for one way over-tanned blonde who looks like a ganguro girl. The space ship looks nothing like a space ship, it doesn't even look like a toy, it just looks like a round piece of scrap metal they found in a junk yard. The explosion at the end was kind of funny, it took me a moment to figure out just what it was that was supposed to be exploding. Not a bad film altogether, if you're into these quirky sort of films. I recommend buying the Sexy Space Box Set, which contains this film, and two other classics of the genre.

Jade is a waitress who leaves the greasy-diner business for the excitement of the carnival. She quickly discovers that she despises freaks and human oddities.

Before the advent of modern-day pornography, a vast and rapidly-paced world of smut peddling was the norm, complete with its own secret history. This documentary reveals the untold story of American cinema's gloriously sordid cinematic past. Starting in the 1920s, expert exploiteer David F. Friedman and Henenlotter navigate us through more than five salacious decades of skin flicks. It's the true story of dirty movies, traced in elegant detail from the bizarre locations where these nudie shorts were screened to the ongoing legal battles fought by their promoters. And of course there are the stories of the innovators themselves, people who often risked their own security and livelihood to make these films, believing in some way that what they were doing wasn't a 'bad' thing - and that it could rake in some dough.

A cannibal caterer kills various young women in preparation for a ritual feast for a long-dormant Egyptian goddess that has him under its control.@