The protagonist of this film is the reclusive, introspective Ukranian-Brazilian writer Clarice Lispector (1920–1977). It is based on a single TV interview broadcast only after her death.
Why Clarice? She and the filmmaker share similar family backgrounds in Brazil, but there is more to it than that. Her words in the interview correspond to a feeling of ‘in-betweenness’ or hiatus, which resonates deeply with the filmmaker’s feelings today.

香黛兒阿克曼大部分作品，根據她的說法，都是因她母親對於大屠殺緘默的狀態所驅動。儘管如此，阿克曼的作品充滿聲響、樂音和舞蹈。她與大提琴樂手索妮亞結識後，兩人開始長達三十年的合作關係，相互啟發。本⽚以阿克曼作品影像和檔案影像組成，試圖找出出兩人的共通處與協作性。

A new short film by Vivian Ostrovsky remembering Chantal Akerman, beginning with their first meeting in the early 1970s. Using her own footage of Chantal Akerman, the filmmaker remembers a few moments that illustrate Chantal's personality. Forty years of friendship condensed into four minutes...