阿巴斯·基亚罗斯塔米 — Playwright (44)
Walking with the Wind (2030) [Movie] Douban
other title: 杭州之恋 / Hangzhou Love
伊朗电影大师阿巴斯应央视微电影频道之邀,将在杭州取景,拍摄一个中国的故事,一个关于杭州、展示杭州文化风情的爱情题材电影。
Crimson Gold (2003) [Movie] Douban TMDB IMDb WikiData
طلای سرخ
7.6 (5 ratings) director: 贾法·帕纳西 actor: Hossain Emadeddin / Kamyar Sheisi
other title: 深红的金子 / طلای سرخ
Pizza man Hussein is a daily witnesses to the unjust distribution of wealth in his native Iran. One day, he finds a purse filled with shockingly expensive receipts from an upscale jewelry store. He attempts to bring the purse back to the store, but because of his working-class attire, he's not allowed inside. Then, during a delivery, a rich man invites Hussein into his extravagant mansion – an event that spurs Hussein to make a desperate bid for wealth.
The Deserted Station (2002) [Movie] Douban
ایستگاه متروک
director: 阿里约·查瑞斯恩 actor: 蕾拉·哈塔米 / Nezam Manouchehri
other title: 荒废的车站 / ایستگاه متروک
在这部诗意且感情细腻的故事中,一名摄影师和妻子在他们的汽车抛锚后被困在一个偏远的村庄。唯一的村民和摄影师去寻找办法,留下妻子照管一群父母不知身在何处的孩子。
Men at Work (2006) [Movie] Douban
كارگران مشغول كارند
director: 曼尼·夏希希
other title: 男人做什么 / كارگران مشغول كارند
四個男人停車小解,卻發現路旁有塊大石。雄性心理作怪,男人要立即移走它。商量又商量,前後出動驢子、車子、鐵鏈、槓桿,大石聞風不動。男人的好勝心遇強越強,路過幫忙的人越聚越多,兩個女人更心生妙計,但大石依然固我。大石是陽具、大自然,還是伊朗的文化象徵?看你怎麼解讀,但精彩還是男人做0野時的侃侃而談。乍看以為是阿部基阿魯斯達米,但不全錯,故事與戲名正是基氏出手。導演是留學西方的基氏副導,強於劇本,角色可信性青出於藍。伊朗電影節最佳劇本獎。
Kelid (1996) [Movie] Douban
Kelid
director: Ebrahim Forouzesh actor: Mahnaz Ansarian / 阿巴斯·基亚罗斯塔米
other title: 钥匙 / The Key
一个四岁的小男孩和一个婴儿单独留在家中,他们的母亲出外购物。年轻的穆罕默德对襁褓中的弟弟的哭声不予理睬,对在炉子上烧开的水壶也视而不见,因为更有趣的东西在吸引着他。当食物烧焦的气味,还有婴儿的哭声引起了忧心忡忡的邻居的注意时,穆罕默德却一时无法找到备用的钥匙让她进去,而他不得不亲自解决自己的难题。
这部难以确定类型的获奖影片由伊朗著名导演阿巴斯·基亚罗斯塔米亲自编写剧本,并参与剪辑。本片获得1987年柏林电影节最佳儿童影片水晶熊奖。
毫无希望 (2016) [Movie] Douban
Emtehan Nahaee
director: Adel Yaraghi actor: 沙哈布·侯赛尼 / Leila Zareh
other title: Emtehan Nahaee / Finals(美)
Farhad, a respected math teacher, is engaged to the mother of one of his pupils. But rather than embrace his new father figure, the angry young student spends his days riding around Tehran on a motorcycle with his rebellious friend, refusing to study—or even sit—for his big final exam.
ABC Africa (2002) [Movie] Douban
ABC Africa
director: 阿巴斯·基亚罗斯塔米 actor: 阿巴斯·基亚罗斯塔米 / Seifollah Samadian
other title: 童心一二三 / 非洲记事
这是阿巴斯·基亚罗斯塔米在为非洲儿童拍摄的一部公益纪录片,影片用两部数码摄影机拍摄和记录了在艾滋病蔓延的乌干达,几个妇女帮助和照料上百万孤儿的故事,反映出在非洲儿童恶劣的自然环境和生存环境,以及非洲儿童的天真、淳朴的生活面貌。
Shirin (2008) [Movie] WikiData IMDb Douban TMDB
شیرین
6.8 (33 ratings) director: 阿巴斯·基亚罗斯塔米 actor: 马纳兹·阿什哈尔 / 塔拉内·阿里多斯蒂
other title: 希林公主 / شیرین
A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.
Bread and Alley (1970) [Movie] Douban TMDB IMDb WikiData
Nan va Koutcheh
8.1 (73 ratings) director: 阿巴斯·基亚罗斯塔米 actor: 礼萨·哈什米 Reza Hashemi / 迈赫迪·希尔万法尔 Mehdi Shirvanfar
other title: 面包与小巷 / Nan va Koutcheh
After returning from an errand to get bread, a young boy encounters a dog that frightens him making the journey to get home more difficult than he could’ve imagined.
Orderly or Unorderly (1981) [Movie] Douban WikiData IMDb TMDB
به ترتیب یا بدون ترتیب؟
7.5 (33 ratings) director: 阿巴斯·基亚罗斯塔米
other title: 有序或无序 / به ترتیب یا بدون ترتیب؟
A sense of order is the necessary basis of any good social organisation. To illustrate this axiom, Kiarostami presents a series of paired scenes in this educational short film in which the same action is first shown in an organised way and then in an anarchic one. The film crew, however, finds it difficult to organise disorder.
How to Make Use of Leisure Time: Painting (1977) [Movie] Douban WikiData IMDb TMDB
Az Oghat-e Faraghat-e Khod Chegouneh Estefadeh Konim?
7.5 (22 ratings) director: 阿巴斯·基亚罗斯塔米
other title: 如何利用闲暇时间:给门板刷油漆 / Az Oghat-e Faraghat-e Khod Chegouneh Estefadeh Konim?
Evidently the first installment in a series that didn’t continue, this instructional film shows idle twelve- and sixteen-year-
old brothers learning how to improve their surroundings by painting an old door. With the narrator giving step-by-step instructions, the boys go through the processes of sanding, applying primer, and mixing different types of paint. Whatever its educational value, the film’s quiet enthusiasm for its subject also reflects Kiarostami’s own interest in woodworking.